📄 Transcript [show]
I see that, I see that.
Yes, loved ones.
Neighborhood Love Radio, my name is Johnny Scott Gramercy.
Thank you so much for coming by.
I want to play some music for you, but not only that.
Tonight, in the studio, coming in any second now, if you're out there getting caffeinated or hydrated, we got Ryan Gaddis, he's an author, among many other things, and also Evans Skedderstrew, muralist, tattoo artist, also many other things.
They represent Uglar Works, which is an incredible, incredibly talented and productive artist collective here out of Los Angeles.
But first up, let's hear some tunes.
You want to stick around and hear some music?
Let me see what I got for you now.
So let's try Break Us, Lowdown Stank, from their Dust Till Dawn LP out 2009.
Dig it.
All right, y'all.
Talking friends, it's Mixed Mouths and Whoopi Whoop.
We back once again.
Now, last time we made y'all stand up, we told you that you didn't need a dance.
And you know that you got your soul together.
So now that you got it together, we're going to give it to you like this here.
You ready, buddy?
Here we go.
You got the handling.
Come on now.
Go.
Take what you need now.
Come on now.
We got the biggest gasoline.
Come on now.
Put that thing where it needs to be.
Put it where it needs to be.
Where it needs to be.
Put it where it needs to be.
Are y'all ready?
Let me tell you like this here.
Tell you now.
I'm a gun full of skill.
That's where the man takes control.
Got to get ready for the...
determination.
Better come to NASA so.
Jump on up if you feel it.
You came to get you out of your seat.
Got to catch up to the rhythm.
Pick up a pause and you'll meet the beat.
Now you got the handling.
All right now.
Go take what you need now.
We got the biggest gasoline.
We got the biggest gasoline.
We got the biggest gasoline.
We got the biggest gasoline.
Put that thing where it needs to be.
Come on now.
Jump on up like a pumpkin.
Jump on up like a clean.
Jump on up like a nice.
Jump on up like a real pretty and mean.
Jump on up like a real good.
So that you can do whatever it takes.
If you want to come and get together with me.
Come on and shout your heart out loud and out.
Do the Lord a nice thing.
Come on.
We got the main ground.
Come on.
Do the Lord a nice thing.
Come on.
Come on.
Jump on over.
Jump on over.
Let me see your body strength Come on now Look at the horse Yeah Let me show y'all something Watch this here Now this is what you got to do Drop down on the floor with me Got to get Jake to the thank you phone So we can put him where we need to be So you can wave your hands And you feel all right We got to move it from side to side Listen to the sounds of the fucking drummer Show them what's going to make it live Go do the man Go Go now Yeah Hey, wait a minute Now listen to the guitar check Come on, bridge, yeah Something's like it in the pocket Something's like it when the vice is moved Something's like it when we rock it Talk about show them Show them what's going to make it live Mm So close like the funky drummer See the lady with the nasty hands Let her see you shake it No time to think So why don't you go tell your friends Do the Lord how to thank God Come on, we got the pain to drink Oh, yeah, yeah Oh, do the Lord how to thank God Wait a minute Come on, make the fire to drink Wait a minute now Now listen to the horse thank God Woo All right now Jake, you ready?
Let's take them on home, brother Come on, do the Lord how to thank God Ha ha Oh, yeah, now I like that Real funky Y'all ready?
Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Yeah Ha ha Oh Let me hear what that bridge sound like right here Hey Ha ha ha Oh Hey Yeah Let me hear what that bridge sound like Hey!
Hey!
I'm in the house!
Ha ha!
Oh, I like that, baby!
Oh!
Oh!
Yeah, that's what I'm talking about!
Woo!
Oh!
Watch yourself, man!
Oh!
Oh, Zaga!
Look at that wrist!
Yeah!
Yeah!
Oh!
Get it!
Yeah!
Woo!
Hey!
Ha ha ha!
I like that, man!
Oh!
Baby, baby!
Hey!
You're the one in the house!
Hey!
Ha!
Hey!
Oh!
Oh!
Got a little crank down!
Oh!
Come on up here!
Got a mistake!
Oh!
Do the last thing!
Oh!
Oh!
Do it now!
Let me see you by the sink!
Oh!
Oh!
Oh!
Oh!
Baby!
Oh!
Let's get to the guitar check!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Now, let's do the last thing!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Baby!
Oh!
Oh!
Oh!
Oh!
Hold on tight now!
Whoa!
Do the last thing!
When I first saw ya, I thought that I knew ya Now I know I don't just wish that I did Honey made a right, stepped off, took flight Upstairs, up more, made a left and head Looked down at my shoes and the cuff in my slacks Hand inside my pocket, came out with something Sticking double, mint goes in my mouth Jaws are breaking north and south Look around to see who's looking Figured that my breath was kicking So, in the bathroom I go And fixing his fro, you guessed it, the long one What's up, black, goes the hand smack I get the feeling that it's time for some black sheep fun The club is on the bourgeois urinal Holding a cigar, thing you never know Probably a filly, long cracks a smile Oh no, here it comes then says Yo Drez, honey made you look silly Step back in the joint, and yeah it's kinda funky My breath no longer kicking So now it has to be As Pep strobelight held that I don't know Walks up, asks long sign We quickly do the step Where you at, honey, where you at?
Where you at, honey, where you at?
Where you at, honey, where you at?
Then I change my style Moving through the crowd The smoke has got me choking Funny that I'm choking Could it be that I am smoking?
Pounds are going round But this is nothing new Hoping that a loping with a dip is what I'll do System's kinda booming like a drop in Coral Sonic I'm the bar kid, my state of mind went like a tonic There she goes Where?
Take my thoughts out of the dumps Long over there, over there, look at bumps From the time that she was born She was raised to be all that Gave her no food Why?
Strictly Similac Felt like a punk on Dick Street A coupon in the ghetto I said, hun, what you drinking?
She said, milk and amaretto I took a seat beside her I would not be denied a audit L-I-I-T and fill her up, she's got a rider She showed her dental work And said I look familiar I touched the underhand, I had to feel her Similac shell, driving me wild Similac shell You're definitely winning Similac shell, driving me wild Similac shell You're the woman I said, hey She said, hi I said, us?
She said, try And if you think it's strictly booze Then I'll say, baby, bye-bye She said, I know you got at least a dozen that you sing You think you own the world, at least New York Because you're Jean You claim to be the man You want me for a lover So you can do my girlfriends and my sister and my mother I said, you're very blunt With quickness to the cue So what's up with your mother?
Does she look as good as you?
I'm playing But let me not delay in what I'm saying Initially attraction found your way before the weigh-in I'm single, so I've got at least a dozen On my doorstep Doesn't boost my ego It doesn't mean we've slept I'm in the public eye So I try to be an eyeful Do not own the world But yes, I have some pull My chorus rolls a brow She's curious of me Please give me more iced tea And her vitamin D She said, me?
Yes Why?
Guess Sweetheart, you've got ten cushions Besides, I like your dress I'm playing But let me not be weak And let me speak Your mind is brighter than your booty It's the cotton that I seek Similac shell Driving me wild Similac shell You're definitely winning Similac shell Driving me wild Similac shell You're the woman Classic Black Sheep Similac Child is the name of the tune from my 1991 record A wolf in sheep's clothing Out on Island Def Jam Next up, another classic Cold Bologna Bologna Bologna From the Izy Brothers This is a Bill Withers cover 1971 Enjoy, loved ones Cold Bologna And I'm home By myself Well, I'm five years old And the show is cold Mama's out cooking Steak for someone else Showing sleepy But I'm gonna wait Till my mama comes Well, if the rich folks Don't eat up All that good meat, y'all Mama's gonna bring me some Talking about that Cold Bologna And And And And And And And And And And And And And!
And And And And And And We'll be right back.
Oh, yeah.
Yeah.
Izu Brothers 1971 tune from the Giving It Back record.
Go ahead and put your headphones on, guys.
Prior to that, we heard Similac Child from Black Sheep.
Native tone crew, Black Sheep, along with De La and Tribe.
Classic 90s.
And then start off the set, Lowdown Stank from Break a Strut.
From the 2009 Strut Records release.
Loved Ones in the studio, I got...
Oh, by the way, this is Neighborhood Love Radio, the musical extension of neighborhood-love.com, which is a website devoted to street culture, music, food, fashion, etc. Thank you so much, Loved Ones.
In the studio tonight, I got Ryan Gaddis, author, and mad professor, right?
A couple of lectures, a couple of other things.
Yes.
And Evan Scredderstrew.
Man, I'm sorry, Evan Scredderstrew, right?
Stew.
Stew.
Scredderstrew.
I'm sorry, man.
We could just be on a first-name basis.
Evan.
You're not the first person.
They are both representatives of Uglar Works, and Loved Ones, where I first became aware of Uglar Works, was I was driving in the beautiful San Fernando Valley.
God's country, you know that.
And stopped at a red light, and I looked up in this billboard with this freakish, like, like, ant and elephant, or insect and elephant kind of billboard, and I'm like, what the hell is that?
That's obviously not Pepsi or American Apparel or something.
And I read closely, and I honed in on the Uglar Works logo, and I looked you up online, and then I contacted you guys, and I've been thoroughly impressed every moment since then.
Uglar Works is an art collective, and we're going to talk about the name and what that represents a little bit more, but let's talk a little bit more about Ryan's book.
It just came out a little bit earlier this year, and I've read twice.
Wow, twice.
Called All Involved, yeah.
Thank you.
Well, almost twice.
I'm not sure.
The second time now, because I knew you were going to be on the show, so I dug in again, and I'm up to the point where, how can I say this without, where it's near the end of the book, but you have a brand new character with a gun, and he's got, and he rides in a truck with a bunch of other guys with guns.
Yes.
Okay.
Yes, we're not giving anything away.
No, no, no, no.
Yeah, yeah.
There's a lot of guns throughout the book.
There are a few.
Yeah.
It was 1992.
And Ryan, you're not a native to Los Angeles.
Is that correct?
I'm not.
I'm originally from Colorado Springs.
Oh, okay.
When did you move here in LA?
You know, I moved to LA in 2008.
No shit.
I've been in Southern California on and off for a very long time.
I taught in Orange County for ages.
Okay.
And I knew having, because you guys were on the show like a year and a half, a couple years back, right?
And so I knew you weren't a native, and what I was blown away from the book was how you write, how you put yourself into like somebody, you know, because I'm not going to say, hey, I'm from the streets, but whatever, I am from LA.
Yeah.
And I've talked to a lot of folks, and you do write sort of that street Chicano really well.
You know what I mean?
As far as what they might say at any given time and what their reaction is to be and the pride that they might have and stuff.
I don't know.
I'm kind of really impressed.
Would, mountains of research or just a certain?
Yes, absolutely.
You know, I did nearly two and a half years of research doing really background, talking to people who've been through it.
Former Latino gang members, graffiti guys, of course, nurses, firefighters, you know, getting it right and making it so that the people who understood it best felt like it was, was true and representative, was of the utmost importance to me.
Mm-hmm.
It comes through.
Good.
There is, well, I'll say it.
I mean, I don't care.
There's a book.
Which one is it?
I think it's Be Cool by Elmore Leonard.
And where, I like his books a lot, but he tends to write his characters really kind of hyper cool, you know?
And the main character in that one, like some of the other Get Shorty books, is Chili Palmer.
And Chili Palmer comes to LA and, man, it seemed like written by a guy who came to LA for like two weeks and saw cool things and figured that was LA.
Like they're at, they go to Swingers and have a business, have a movie meeting and get a drive-by while they're at Swingers.
You know, like it just seemed, it seemed like somebody who actually lived in LA wouldn't get it.
But anyway, that's, that's far away from this book, is what I'm trying to say.
That's sort of a compliment, I think.
Well, I definitely would never say a bad word about Elmore Leonard.
Elmore Leonard, just in terms of like sentence by sentence, the guy is a damn good writer, but For sure.
I really appreciate what you said, because I think for me, even though it's fiction, it was so important to make sure that I communicated what I felt and what people I spoke to felt was the real LA and certainly of 1992 and certainly of the six days of the riots.
Would you like to explain, I feel like I've been talking too much, so would you explain the premise of the book?
The premise of the book is, there are 17 different first-person narrators who all give their account, you know, in various order of the LA riots, the six days.
It goes chronologically, so we get every moment, essentially, from that first night to the curfew being lifted.
And I think for me, the tack that I took with it, I was most interested in crimes of opportunity, because the more I researched it, and it wasn't just that I spoke to people.
I read every book I could find on the topic.
I watched every documentary.
I watched raw footage on YouTube that someone had uploaded almost eight hours walking around on the streets with a camcorder while the riots were going on.
Just incredible stuff.
I really tried to immerse myself in it completely.
And the most fascinating thing was finding that when emergency services, when police, you know, are taking, taken somewhere else by, say, Florence and Normandy, the things that were going on there, it opens up these enormous justice vacuums, you know, and when people find that kind of freedom, you know, people in a certain milieu, you know, they might pay back some old grudges.
And that's really what the book is about, the crimes of opportunity.
It's a story about what went on during the riots, but not the usual stories you might hear on the news.
As a matter of fact, it's not about, I mean, there's writing that goes on, there's a lot of writing that goes on in the book, but that's not, that's not part of the story, per se.
It just, it sets the setting.
Yeah, I think you're right.
That's a good way of putting it.
I mean, ultimately, the book is about what happens in the periphery, in the hidden areas, in the invisible parts, not, not, not what we saw on television, but the ripples and what went on there.
But there's been comparisons, you know, to like the show The Wire, or The Song of Ice and Fire books, in that, not stylistically per se, but like you mentioned, there's seven point-of-view characters.
17.
17, sorry.
But it's really one story.
It's just different participants.
Yes, absolutely.
They all connect.
I mean, we get almost every single character on day one through other characters' eyes, and then as the book moves forward, it jumps into each perspective.
But there's development.
These are unique characters.
It isn't just an author changing the name and continuing on with the story.
There's reasons that each character gets out of bed in the morning.
Oh, absolutely.
Absolutely.
Yeah.
And I think we'll bring up Little Creeper a little bit later.
Like where that comes from.
Yeah, definitely.
One of the characters, Little Creeper, is a fascinating little sociopath guy.
So who's the publisher of the book?
The publisher is Echo.
Uh-huh.
And Echo...
Echo is part of Harpa Column.
Uh-huh.
E...
They spell it differently, though.
E-C-C-O.
Yeah.
Yeah.
And if somebody were to seek out the book, would they just go to the usual channels like Amazon and what have you?
Yeah, it's available everywhere.
I mean, you can certainly go wherever is easiest for you, but my personal recommendation would be to find your local independent bookstore and support them.
Yeah, absolutely.
And there's some features right on the ugly...
As I mentioned, these two lads are members of the art collective UGLAR Works, U-G-L-A-R.
And so you can always go on the uglarworks.com website and see stuff about this book and basically all their little portfolios, all the members and portfolios.
There's a lot of stuff to look at.
You be prepared to be entertained for a while.
Also, Instagram.
Instagram, yes.
Instagram's a little more up-to-date with the news.
I think so.
Anyway, you guys hanging out?
You want to hear some music and kick back?
Oh, definitely.
Yeah.
And then we'll come back and talk a little bit more.
We'll talk about Little Creeper and some other stuff.
Little Creeper.
Let's see.
New artist right here, John Cleary.
He's not a new artist, but this is a new record.
Get Your Go-Go Juice is the name of the tune that we're going to hear.
British blues guy from his upcoming FHQ Records release.
It's out on mid-August or so.
Get Your Go-Go Juice.
And after that, African Music Machine.
We'll be right back.
Me.
I want to do that.
Me.
Tell the truth.
Get Your Go-Go Juice.
Not the juice.
Out on the loose.
Morning has been so good.
I've been in church.
Testified the truth.
I've reached out.
Like no time to tell ya.
Left in the lurch.
Done that prison to fall down.
I have been in church.
I have been in church.
I have been in jail.
I have been jailed.
Don't need a license Until you get called Time to call it loose And then pluck the juice Get your gold, gold juice Feel our blood on And our throat on Like a wound out thrift store suit Till the juice wears off Pain's not great But the way it's hard Dig that hole for y'all In the back of y'all Chunk of pine now Gonna turn it loose Get your gold, gold juice Ooh, ooh, ooh, ooh Ooh, ooh, ooh, ooh I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that.
I don't need them on that, just the people I own.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that.
I wouldn't do that.
Hey, I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
I wouldn't do that me.
Tell the truth.
Get your go go juice. . . ....
Mighty, mighty, mighty, mighty Mighty, mighty, mighty, mighty Talking about Mr. Jane Brown Talking about Mr. Jane Brown Please, please, try me Sexy, sexy, sexy, sexy Say it loud, back in proud Say it loud, back in proud Say it loud Say it loud, back in proud Say it loud, back in proud King of the mile, mile King of the mile King of the mile, mile Ain't it fuckin' that Ain't it fuckin' that Yeah Just one night Jane Brown She should believe you Step out Just one night Jane Brown You should be brave You should be brave The hour's down Let's get down Jane Brown Let's get down Madelena is the girl with fine dark hair Walk the streets without a care She works late and wakes at dawn To pay her rent at the city hall Don't judge wealth by money in the jar It all depends on the person you are To be content is to know yourself Your closest friend from birth to the end To the end To the end To the end To the end To the end To the end To the end To the end To the end The girl in her is the girl with fine dark hair Walk the streets without a care She works late and wakes at dawn To pay her rent at the city hall Don't judge wealth by money and your job Get all the pairs on the person you are To be content is to know yourself Cause there's nothing but till the end Till the end Now Bobby's just a hard working man Makes his bread as fast as he can Takes his hand to any rake or spay Got some work up north and there he stays Don't judge wealth by money and your job Get all the pairs on the person you are To be content is to know yourself Your closest friend from birth till the end Now today you'll be proud of who you are That is more than money in the jar Bobby take over girls girls Get all the girls girls To be continued.
To be continued.
To be continued.
To be continued.
To be continued.
To be continued.
To be continued.
To be continued.
To be continued.
To be continued.
To be continued.
To be continued.
To be continued.
To be continued.
To be continued.
To be continued.
To be continued.
be robots versus people.
And, you know, and that's, I think, one of, he's also funny.
You know, as dark as he is, he's also pretty dang funny.
And it masks, I think.
He's all, fuck you, I watch golf.
Yeah, he does.
He does have some moments.
Golf being one of them.
Yeah, 2022, he says.
Yeah.
Yeah.
Well, it masks, unfortunately, I think, some of the darker truths about riots in general and urban living, you know, in a lot of these areas.
Things haven't changed as much as perhaps we'd like them to.
The education isn't as good as it should be.
After school programs, health care, jobs, all of these things, when they're not addressed, they do potentially leave opportunities for it to happen again, unfortunately.
Let's talk a little bit about, real brief, we got a couple minutes left.
Let's talk a little bit about Aglar Works specifically.
Now, Loved Ones has an unusual name, Aglar Works.
So, correct me if I'm wrong.
It originally stems from a collaboration.
It's a collaboration that you guys did where you came together to write a book that kind of mimics an old school, like, nature and travel log or diary of this dude named Ulysses.
Is that correct?
Yeah, it's Ulysses' notes put down with images, basically, like a guidebook.
Chapter one is biology.
Chapter two is the art of the river.
Covering the graffiti aspect and art that's inspired by the river.
I mean, we've been painting together since the 90s, but that forced us to put a name on it.
So, it's been Aglar ever since.
That was pre-Ryan Gaddis.
But now we got Ryan Gaddis and we're better than ever.
And you guys, I think last time we talked about it, last time you guys were in the studio, you guys were just getting more and more.
Getting more and more.
Getting more and more.
Yeah.
So, you guys are getting rolling on the LA Stories project.
Yeah.
You know, LA Stories, we did a mural with it and it, I think in a way, it kind of turned in all involved with, you know, in the beginning when Ryan first started hanging around with us, when we did the LA Stories mural that was in Lincoln Heights.
LA Stories was essentially you guys approached or somebody, you had people write in and do, you know, writing in the LA Stories mural that was in Lincoln Heights.
Yeah.
Yeah.
And sort of tell their personal story.
Yeah.
Because these are people from Los Angeles, which, you know, make up Los Angeles.
Yeah.
The kind of hidden stories and, you know, like I was saying that, I think in a way that was kind of the genesis of all involved because Ryan being with us at those walls, he did paint a little bit, but he's hanging out and, you know, running some professorial security.
Interference.
Love it.
Love it.
He got a chance to meet these people from neighborhoods like Lincoln Heights, East LA and start hearing the stories.
You can find more about the book and their other projects.
You could check out uglarworks.com and also check out their Instagram.
That's really where you're going to get the more day by day.
And also if you're surfing, you can go to ryangaddis.com.
Right.
Ryangaddis.com.
You can check out the book and Uglarworks' future endeavors.
Love, Jones.
This is By Request from Ryan Gaddis.
Bye.
From a certain buddy of mine.
All right.
Charles Bradley.!
Nobody want to take the blame.
Don't tell me how to live my life when you never felt the pain.
Oh, oh, oh.
Ooh.
Come on, baby.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
Oh, I, I can't turn my head away Oh, no, no, no Seeing all these things The world is burning up in flames And nobody wanna take the blame Is it you or you?
You or you?
Me or me?
Ooh, they don't hear me cry Ooh, they don't hear me cry Ooh, don't stop on that line Ooh Ooh Oh, you're killing me Oh, baby Oh, baby Come on, baby Get it right Oh, baby Gotta need a battle run Oh, baby Gotta make it, baby Gotta make it right Oh, baby Yeah, yeah, yeah, yeah, baby Yeah, yeah, yeah, baby.
Uh-huh, uh-huh.
Oh, baby.
Gotta make it work, baby.
Oh, baby.
I've moved to Rockford.
To my road.
And I'd build my house, baby.
With sorrow.
I leave my shadow.
To fall behind.
And I would.
Bear a rise to you.
Cause I'm not that kind.
The midnight trains are boarding.
Oh, wrap your face.
I pick my load and I fill my truck.
Before it's too late.
I leave the stars to judge.
My every move.
I'm not going to think of you.
I'll get the blues.
I'll keep myself.
I'll clear my mind I'll make this decision With all the fines I'll move to Rock Ferry Tomorrow And I'll fill my house, baby With sorrow I'll leave my shadow To fall behind And I would've lied to you Cause I'm not a ghost Not a ghost Rock Ferry Not a ghost Rock Ferry Not a ghost Rock Ferry Not a ghost Rock Ferry Not a ghost Rock Ferry Not a ghost Rock Ferry Not a ghost Rock Ferry Not a ghost I want to say thank you to Ryan Gaddis and Evan Skredderstu.
Very good.
Thank you, sir.
Representing Aglaar Works.
You gotta check them out online and you won't be disappointed.
There's a lot of cool stuff.
And I want to thank you, loved ones, for coming back.
And it's my total pleasure to do this program for you.
And I want you to do yourself a favor and stick around because the Dark Mark Show is on next.
And he's got Clownalyn Monroe.
Sexy clown.
She's been on the show before.
Not my show, Dark Mark Show.
And comedian Ian Salmon.
Depending on who you ask.
Dark Mark Show with host Nicole Six.
They're up next.
Thank you so much, loved ones.
We will speak next week.
Enjoy. . . . . . . . . . . . . . . . . . . . . . .
