Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Yes, sir. Yes, sir. Yes, sir. It was a joy, not a reality, my pain. Ground present, waiting in representative. Down through the nights, I get a unconscious yacho in my belly. The past seconds, loaded, tattooed on my back, soaked, joined to spasms of cry and laughter. I've walked without pauses, without haste, without slow, the moment, and it doesn't end that slowly, crossing between the throats. Tell me how it feels, tell me how it feels, tell me how it feels, the sweat on the forehead. Tell me how it feels, tell me if it's present, tell me how it feels, the sweat on the forehead. Yes, sir. Yes, sir. Yes, sir. In your caresses, you give my flavor. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. The smell of my land penetrates into my brain, integrates the system and takes my body, makes it float, breathe and calm. I'm in the place as if to go to plant a little and then pick it up little by little. Take it to my winery and see what interests me. The good, the bad, what I have. I live in the place where the absent keeps it. It's a pleasure. It's a pleasure. It's a pleasure. It's a pleasure. It's a pleasure. It's a pleasure. It's a pleasure. It's a pleasure. It's a pleasure. It's a pleasure. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir Yes, sir Yes, sir The joy of reality and pain The eminence of my radio listens The moment of regret has arrived We are ready to conclude this mission This is the grace, this is the grace From the Law Law Law Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Hello there. This is Piñata, or this is Lee. And we got kids. Kids static. There we go. And then who else do we have here? J-Roz MC. J-Roz. Thank you very much for you guys coming down to Piñata. We're here at Skid Row Studios. No problem. Thanks for having me. Thanks for having me. No problem, man. I'm glad you guys show up, came down. And I hope you guys are feeling right. Yeah? Yes, sir. Is everybody feeling right? Yes. Definitely. I got this pimp cup full of water right in front of me. Damn. Yeah. That's a pimp cup. Yeah. Took my watch off. I'm getting comfortable. J-Roz, once I'm done with this barbecue here, I'm going to go get you some water. All right. Thanks. That's what we're going to do. So this is Piñata Hour. I want to thank you one more time for coming down. Here's Skid Row Studios. It looks a little bit messy here, but we're going to be moving out here to a better place. Not that this is a bad place. This place is nice as hell, right? Yeah. But, you know, it's like a studio, like a legit studio. Yeah, for sure. For sure. Yeah. If you guys are listening right now, you guys can call here at 1-800-893-9562. Call us. We have Kid Static here in the house, and also we have J-Roz. And do you guys have any tracks for us you guys are going to be playing? Yeah, definitely. Nice. Yeah. It's a bunch. I'm playing like three, four songs off my new record. I'm working on a record. I have been working on a record since about April. Okay. And it's turning out pretty well. April this year. So I'm off that, yeah. Nice. For sure. What about you, J-Roz? I got a little mixture of stuff. A joint. I did Focus. It's called Focus with Ethos. My homie YG. And we got a video for that out. Chefs in the Kitchen. A lot of people like that. Painting the patterns. People like when I do that one live, you know. I saw you working also with, you were doing like some kind of garage kind of work. Yeah. Yeah. Oh, I'm always doing like garage work. Oh, yeah. That's my boy's studio. We got a whole group. It's a nice studio. Yeah. I mean. It's a nice studio. Sound wise and vibe wise. Yeah. I can tell. Yeah. I mean, dude really put a lot into it. He puts a lot into it. And, you know, we're doing some good stuff down there. And, yeah, recently we had Abshagrood. He was there. He's going to be on the project. And, yeah, man. Peace to Ill Remedies Studios and homie Roz1. Yes. Yes. All right. So we are going to play some more of a Franklipo here. And then we're going to come back to you guys. And then we're going to give you a little what's up with you guys plans. We're going to hear some of your new material too as well, right? Yeah, for sure. All right. All right. Yes, sir. .! . . . Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. I see myself in the pouring rain. I watch hope come over me. I watch a light move across the screen. I watch a light come over me. Here we are now going to the west side. We're weaponed and handedly going for a ride. Some may come love and some may stay. Watching out for a sunny day. We're in love and darkness. And I say. Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Yeah, we're back. Pina Tower. It's on now. So we're back here at Pina Tower and skirisstudios.com. I had Kid Static. and J-Roz in the house. Yeah. We're going to hear some of their tracks later, but I wanted to see what are your views on this down the street Occupy LA thing. Occupy LA? Yeah. You mean the Occupy movement in general? Yeah. You know, it's out there. It's about Occupy now. Yeah. Personally, I understand people's frustration with the way our country is being run right now. I don't agree with some of their, they got a list of goals on the internet, and I think they're a little bit far reaching, but I do believe that the part about corporations having too much say in how our government works and how the government is ignoring the people they're supposed to serve in interest of big business and people with the money who can pay for their jobs. They can't pay to push through legislation. So, yeah, you know. All right. Let's hear your views. That was a kid's daddy's view. Nice views. What about you? This guy's got real serious all of a sudden. You know? Yeah. It's like, let's get political up here. Oh, apologies. We're in a fucking debate right now. In a debate. But straight face, straight face. Have you seen them? Have you, like, I went, I walked next to them, and they're like, they're all focused. They're like, yeah. Yeah. Really, really focused on it. I was like, wow. Yeah, I mean, they're about it. You know what I mean? I mean, I got to give it up. Like, they're about it the way we're about what we do. You know what I mean? So. Right, yeah. As long as, you know, it's a general, you know, people could come to a general understanding. Generations is when, you know, the 60 movement, right? Black Panther. Yeah. Woodstock. All those were movements and a different aspect of life, I guess. Art, political. Yeah. Science. Every generation has a movement. Marijuana. Yeah. I don't think our generation has had their, quote unquote, movement yet, though. You know, there hasn't been anything that we demanded change in. Like, as, I mean, I'm Generation X still. So, you know, I don't know how old you guys are, but. That's true. That's true. I'm 21, so. This is, I mean, I'm living it right now. It's Generation Me, man. Doing it up. Yeah. I don't know. So, yeah. I'm doing this show. This is Pina Tower. So, I wanted to mix it up, bring you two together. And I was like, this is a good show so far. So. Yeah. Now. I like the running commentary on how the show's doing. That's good. Yeah. So, how do you guys think the show's doing? Why don't you call in and let us know? Yeah. Yeah. Call the. 1-800-893-9562. Yes. Yeah. Call now. It's 1-800 number. So, 1-800 means it's toll free. So, don't be afraid to call. Yeah. For all y'all new schoolers. You want to know how the weather's going to be tomorrow? We can let you know that too. From up here, huh? You can see everything. From here? Yeah. Yeah. From my house, I see like nothing but mountains and wolves and bears. No, not really. Okay. So, are you going to play some of the tracks? Do we have some of the tracks ready for Hit Static? Yeah. So, we're going to play a song called Moonlight. The song coming up is called Moonlight. I wrote it a while back. It's based loosely as well. Actually, it's got a huge chunk of the Moonlight snot in it. But I like the way it goes hard and there's like this giant stab in it. We put a lot of work into it. So, yeah. Nice. Nice. All right. So, it's here right now. And then after that, we're going to hear another song right after that too. So. Oh, yeah. The next song after that is Rocks and Toothpicks. Oh, yeah. It's about anger and do some double time. Right. You know, do a little bit of flexing. It's a good song. It's got this- It's always good. We need it. Yeah. It's got this real bleepy background noise in it, but it goes hard. All right, man. So, we're going to go ahead and play your tracks right now and we're going to come back. And this is Pinata Hour with Hit Static and J Ross in the studios. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. You taste like moonlight, lose my state of mind. I ain't lying like a lion lying down. And calm down, child. It's just the same. Got me wild. I got light shining down on me now. I got light shining down on me now. I got light shining down on me now. But I think it's just your smile. I think that's just your smile. I think that's just your smile. With a little bit of cinnamon, it seems to bring you to your knees. See, then can't think clearly. You can't fight the feeling. Feeling sideways, looks across the room. Feeling empty when you just trying to be cool. Too many times you thought that it was this. But this one is for sure. You want to be feeling it out. But that stage is gone for good. Took too long. Oh, it took. Way too long. But now you got it. And it's going on so strong. I got light shining down on me now. I got light shining down on me now. I got light shining down on me now. But I think it's just your smile. I think it's just your smile. I think it's just your smile. I think it's just your smile. I think it's just your smile. Now calm down, child. It's just the same. Got me wild now. You just like move like lose my state of mind. I ain't lying like a lion lying down now. Now calm down, child. It's just the same. Got me wild now. Shine down on me now. What I do, it's just your smile. I think that's just your smile. Shine down on me now. Shine down on me now. Shine down on me now. Shine down on me now. What I do, it's just your smile. I think that's just your smile. I think that's just your smile. Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin! Aladdin! Back away from conversation You're too close to me Heartbeat speeds up Blood rush so sweet Vein across my tip-lip pounds Down deep, deep down Where bloodlust is unleashed Some see confrontation But I don't go looking Still knock it out crooked If you keep on pushing Cooking up granules Pass them out by a handful New shit, grab a toothpick Here's a Sam Keep a pocket full of stones Arm stays cocked Back hit a crash As I blast rocks That glass of bolts What a show You can't build a house of cards Act hard See me in your backyard And ask me not to throw Got an arm like a cannon And pebbles the size of cars Slingshot a rock So hard I'm damaging metal bars Flan and scatter shards You're shocked and awed When the dust clears You're surprised The rock's shot so far You'll never get a warning shot Across the bow of the ship I'm an addict for direct hits Afflicted with forgetfulness I can't quit Every time the same shit Aim wide but At the last minute I forget to miss Shameless I look you in your eye And admit it was me Standing red-handed If I lied it'd be hard to believe Got dirt on my sleeves Add it to a map of your street I'll never deny you deserve it For messing with me You better reword every verb I deserve it You get in return Whether I sever a nerve Stuck in your head to the curbs You bled in the dirt Angry birds struggle at every turn To choose a method preferred When the lesson's adjourned No, you earn whatever occurred Doesn't it hurt Begging and pleading for me To stop going to work Screaming, I see tears screaming The pain's only getting worse You're the thought at first Now you need a nurse's sympathy Cursing me When you do the same thing In reverse Far away from conversation You're too close to me Heart beats speeds up Blood rush so sweet I'm a They ain't across my temple, it pounds Down deep Deep down where bloodlust is unleashed Some see confidence We have a caller right now Did that stop the music? Yeah We have to do it Are you there caller? You better be there Yeah, yeah, I'm there, what's up? Oh, yeah, yeah, who's this? This is Piñata Hour Thank you for calling Piñata Hour Yeah, what up man? It's Strug, what's going down? Oh shit, what's up? What's poppin'? Top rockin'? Chillin', just on my way to Eastfield About to get down with the band real quick I just saw the call in I just had to say what up, support Thanks, Squirt I got an album coming out That's cool, man Hey Hey, you driving right now? Yeah, yeah, sound like I'm driving You can tell, right? It's all ambulance support This dude was risking his life To call in to Piñata Hour That's what's up Yeah, yeah, sound like I'm driving Yeah, yeah, sound like I'm driving Yeah, yeah, sound like I'm driving Yeah, yeah, sound like I'm driving Yeah, yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft Yeah, soft as soft it is yo and uh quick shout out to uh got a new vid out coexist chest piece check that shit out talking about la the whole video shot in downtown nice ripping it hard so definitely keep that cool man what's your website again what's your website yeah you can uh just go to destructmusic.com and then uh you can just scroll down to the chest piece coexist video today check it out look into it a lot of music we're gonna we're gonna podcast this later just short later so people can hear again for you know for the stoners out there yo jay play him the fucking every time joint all right i'm gonna see if i could do that i brought it so yeah i'm trying to do we have that do we have that line up yeah all right we're gonna work on it sir for you just for you yeah for sure you yeah man leave the homies out there let everybody know the piñata hours here you know we're here to stay here at skaterstudios.com and okay so what we're gonna do now we're gonna play more all right so let's go we're gonna go back to uh kid static we just cut it like that because uh we wanted to hear your beautiful callers and callers are important we need those we need those all right guys so we're gonna play some kid uh more of a kid static here oh yeah rotation but i don't go looking still knock your eye crooked if you keep on pushing cooking up granules pass them out by the handful new shit grab a toothpick here's a same some see confrontation but i don't go looking still knock your eye crooked if you keep on pushing cooking up granules pass them out by the handful new shit grab a toothpick here's a same cooking up granules pass them out by the handful new shit grab a toothpick here's a sample Yeah Our I'm getting some funny comments From the internet right now Cool man You know why There's people that call in here And say that That sounds like a A show that is done in the bar Yeah Yeah Probably Man we gotta get some drinks In here man Seriously I forgot to get some drinks I'm sorry I'm drinking water right now I quit a limit I got a limit Yeah Okay If I knew I would have brought in A six pack at least Yeah That's cool Yeah we'll probably go get it Probably go get it Nothing stops us around here huh No Okay so So we have also Jay Ross here Sitting with us And You guys I know you're from LA And Kid Static You originally are from Chicago Chicago Sure Yeah born and raised man I love that city That was a good start But we just heard Yeah thank you man Really nice Had a good vibe to My man Doug Douglas Bame Is doing a real good job With the mixing on that That's my engineer right there And he's been like Invaluable as far as like Doing this record I didn't know him I was introduced to him Right before this album And he's done like Over 200 major label records You know he's got a Grammy Sitting in his house You know like No way It's like It's dope like that And But the thing about him is I like telling this guy that he's like Telling this story Cause it's one of the coolest Coolest things about the dude Like It's dusty Like he doesn't have his He doesn't have his Grammy in a case Like with lights shining down on it Like nothing like that It's just collecting dust And I talked to him He's like man I do it for the music I don't do it for the awards And I'm like dude that's dope Yeah That's dope Yeah Words are created after the art You know so For sure Respect to that yeah Yeah a lot of people look at the Grammy Uh like Oh okay You know what I'm saying I appreciate Like People are appreciating what you're doing Yeah But some guys is like Eh Some they're taking it serious Some don't Yeah For sure So how you feeling in LA? I'm I mean I love it out here man I moved out here cause I had such a big family out here Um as far as Uh bands that I tour with Or uh people I knew out here Um the Mei Shi were like huge Huge friends of mine who uh We toured with them a couple times And um I knew Probably like 30 people When I came out here So I just felt at home I moved into the neighborhood I live in Mostly because so many of my people lived around me So you know It's a real easy transition Right That's good man I really like what you guys What you're doing over there with Yeah With your music Thank you man I appreciate it So we're gonna be able to hear your live too on uh November 14th? November 14th yeah Los Globos It's gonna be in Los Globos right there on Sunset Boulevard And uh Silver Lake Boulevard Yeah It's not far It's a really nice cool venue November 14th Also Verbs is uh It's gonna be in it too Yeah Cool cool So we got more tracks of uh Alright so we're gonna play these two more tracks Without interruptions This is Kid Static Oh yeah this song coming up is Breaking Down It's a beast of a track It's uh one of my favorite tracks on the new album Um So yeah Nice nice Hey Ross how you doing? Good listening man Enjoying I'm tuning in Yeah Okay so we're gonna go ahead and play those We're gonna play those tracks and uh We'll be back in Pina Tower Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Road Breaking down If I had a soul to sell it go cheap I'm tired of y'all picking on me Seems like just when I think I'm free I get sucked back down in the sea I spend night time following Oh, no, laudering move On certain side, world's crumbling It's all gone to shit And I'm not shoveling No, no, no, I'm not shoveling Some say we're great Breaking down Say that's not true Watch me go out Breaking down To the proven now Breaking down Make you look Breaking down Say that's not true Breaking down No matter how I was down Some say I'm breaking down The smell of your sweat is stale But so sweet The touch of your fingers is soft But tells me You mean it What you say You say what you mean But it's all gone to shit It's hard to stay clean The scene is your life This tight is your type Your guts gone rumbling now No matter how How you try to find the right words to say No, it all comes tumbling down Let me hear you now Is your life a ruin? You get one good shot to try No matter how How you gonna do it anyways? You might as well do it right They say you're a good shot to try You spend so much time Trying to tell you lies They know more than you So let's go out and show them what we can do Breaking down Say we're breaking down Say that's not true Breaking down Make you go out Breaking down To the proven now Breaking down Make you look Breaking down Say that's not true Breaking down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Make you down Breaking down Standing in a crowd of friends Waiting for the train to come around again It sounded like a good night and that's what it looks like Pouring yet another shot and pounding Whiskey's in an ounce of gin Half the last time doesn't make an ounce of sense But I'ma do it again And hope the aftermath of this night Don't end up like the last time What's it like? I can tell you sometimes I always see the clear in the streetlights Late at night We enjoy ourselves And I don't wanna pull my head down What's it like? I can tell you sometimes I always see the clear in the streetlights Late at night We enjoy ourselves And I don't wanna pull my head down I can tell you sometimes I only see the clear in the streetlights We enjoy ourselves We enjoy ourselves And I don't wanna pull my head down I can tell you sometimes I only see the clear in the streetlights We enjoy ourselves And I don't wanna put my head down Paying for my past crimes No lessons necessarily learned Shit happens, I don't ask why Back into the spotlight Shining on the thoroughbred In front of me with a sequence on her backside Maybe in a past life We were more than a fling Or I think I may have met her last night Seen her for the last time Maybe not Cause she's acting so wrong And I ain't saying she should act right What's it like? I can tell you sometimes To always be the girl in the streetlights Late at night We enjoy ourselves And I don't wanna put my head down What's it like? I can tell you sometimes To always be the girl in the streetlights Late at night We enjoy ourselves And I don't wanna put my head down Next morning we wake up with the heartache And pain But tomorrow I'ma do it again So sorry mama I'ma suffer in shame I got my reasons for playing the game Late night searching for angels Haven't found my halo I don't know if I ever will So many faces pass through And I haven't found you Until I do I'll search forever still What's it like? I can tell you sometimes To always be the girl in the streetlights Late at night I can tell you sometimes We enjoy ourselves And I don't wanna put my head down What's it like? I can tell you sometimes To always be the girl in the streetlights Late at night We enjoy ourselves And I don't wanna put my head down Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin Aladdin I made it on time And break That's a nice beat Two tracks off the album I played a little bit of a selection I got ones with big horn movements And then I got ones that are strictly boom bap But that's how I was feeling tonight And those are two examples Of the live drums We recorded live drums At Bomb Shelter over in East LA And it's a spot That's probably the nicest studio I've ever been in That's really smart you guys went with the drive line Drive line Drums, playing drums Yeah, not all the tracks Do that, but I know I'm fortunate enough to know a lot of real dope musicians And I worked with my friend Jacob Who's in that band Waves And then this kid Dane Who's in Abe Vigoda I know a lot of Spaz punk, smell scene type Rock bands Yeah, smell, yeah I have access to a lot of drummers I was at a smell like not too long ago I went to see Daniel Francis Doyle It's great Really good I saw Vurbs there too Yeah, Vurbs is everywhere He was jumping around like it was his own show On a BMX bike Pretty much in any part of LA on any day I want to give a shout out to David Romo Yeah, big shout out to David Romo What up Romo? How you doing dawg? I'm doing just fine man Big up briefcase scenario And if we're doing that Rasheed had a briefcase too Everybody else, all the other hands Asher, everybody Usher? The Usher Usher? No, no, not Usher Asher, his name is Asher That's good Wow, big up to Cobra Music A lot of heads out of Chicago Big up Illegit All the fam, West Restless, G4 Click All those kids You just did a video too Yeah, I did I put out an internet release album last March I actually started filming videos the same year But sometimes things don't take Don't occur as quickly as you would like them So wanted to release it in time for Halloween It's a little bit of a It's a nice little Jaunt into the creepy atmosphere That's gonna come out this month Got dressed up as like a voodoo priest And I got this girl Marina In the video Yeah, it should be good Alright man Well, you know, I remember If we come out with anything new Just let us know, man Yeah, big up KG And all the kids New York K-G-O-O-D. Yeah, and then one last thing. I want to stress that we put up the starting money for this album ourselves, and we're paying for a lot of studio time, but I have a Pledge Music campaign going on to help pay for the release of the rest of the record. If you go to KidStatic.com, you can click on there, and there's a bunch of behind-the-scenes footage and exclusive tracks, a bunch of pictures for the video that came out that you can get access to if you put something down on the record. And for doing that, you get MP3s, you get merch, you get everything that you would buy, but just in advance. So that's going to help us put out the rest of the record, and it should be good. Cool, man. Once I put this show on podcast and you give me the link, I can put it there on the page. Yeah, for sure, man. I think we're at like 15% now, so we're doing pretty good, but I would try to pull in. Yeah, man. Hopefully Los Globos gig turns out to make a million dollars. For sure, right? Yeah. Yeah. All right, so we're going to turn this page now. Sound like Charlie Rose. We're going to turn the page now. He does really great interviews. Charlie Rose. You know who Charlie Rose is? Yeah. Look into it. You need to watch some of that news. It looks like he does his show all stoned. You see his eyes? He's all like fitting. You guys know who it is, right? Yeah, I've seen Charlie Rose. Charlie Rose, yeah. I'm so-so. Okay, so now we're going to play some of Jay Raz here. Yes, sir. This is like new material of you, or? We got one new joint towards the end. You know, save the new for last. And we're going to play some of Jay Raz here. We're going to play some of Jay Raz here. We're going to play some of Jay Raz here. We're going to play some of Jay Raz here. We're going to play some of Jay Raz here. And I did release these on a current project. It's called Life Notes with the Z at the end. Life Notes. This is volume one. It's just some new tracks, some tracks that I had that wasn't sure where I wanted to go with them. Just joints that I kind of put out there before that people really couldn't really get a hold of. So I just put it all together in one just to let people have it. I got a mixtape before that called Beats and Pieces. It's like a exclusive style. Me and Ethos rocked the mixtape. Wasn't your typical mixtape. DJ Ethos is like your homie. DJ. Yeah, he's my DJ. And he produces too. So we do some tracks in the mix. And so yeah, so these tracks are all on the Life Notes. All right. One, yes. So we have them ready right there? Yeah. What are we going to hear first? What do you got? First, we got Focus. That's featuring YG. That's my homie right there. From Prime Rhyme Label Productions. He runs his own independent label companies, the MC, dope MC out in Russia, Moscow. So he's my fam right there. Yeah, I wanted to talk about that too later on. It's like Russia. All right. Right? Random word. All right. So we're going to hear those tracks right now. And this is Jay Ross here in Pinhata Hour. All right. All right. All right. to the light ring to the light ring to the light ring to see I know what I got right it's bluff I'm charging up my don't produce that wipe of thoughts treat each track like a pregnancy I nurture it incredibly from motherly tendencies sent to me to form this entity the cosmic energy since that was time to be released I'm one with the earth when I can birth on a beat put my work on the streets yeah my name is respected I separate my words from the negatives and destructs especially those who hate they procrastinate my love flags past the hate at a rapid pace into these tracks of space and time one of the chosen to navigate and rhyme I eradicate divine when I activate and climb but sometimes I find my mind so full of distractions I let loose and take action cause my true love is passion exacting enhancing attaching to the frequency now everybody from a later Russia come and sing with me you From the Moscow Alliance Moscow-Fuat Russia-Light-Light Aladdin-Know-ousse Aladdin-Know-ousse Aladdin-Know-ousse Aladdin-Know-ousse Aladdin-Know-ousse Aladdin-Know-ousse Aladdin-Know-ousse Aladdin-Know-ousse Aladdin-Know-ousse Aladdin-Know-ousse I go, the streets lead me in the right direction Add fire and without a fire We are here from the ears, in unison Rhythm in the heart, brothers and sisters To ask or ask Whistle, bullet, ch-ch-ch, don't fall Police coming on your street Listening to the qualifier, qualifier In the studio booth, YG, J-Ross Under the cover of DJ Edus We support the gift, yo, we support the love YG, J-Ross We support the gift, yo, we support the love We support the gift, yo, we support the love We support the gift, yo, we support the love But yo, check me out, I still got more to spit This the way it pours out, I do not force this bit But what I found out that I put that force in it I made all haters put a fork in it, so keep they forfeited I bring my sunlight to the siren when I orbit it It's right enough to wake these hustlers up like Morpheus When they see the way we rock With the right way we rock With the right way we rock With the right way we rock They be hanging on the wall, all of us like ornaments We support the gift, yo, yeah, we support the love Frequencies of light, soul sparks plugged Into this universe in which we activate Free your soul and move past the hate We support the gift, we support the love Frequencies of light, soul sparks plugged Into this universe in which we activate Free your soul and move past the hate We support the gift, yo, we support the love Frequencies of light, soul sparks plugged Into this universe in which we activate Free your soul and move past the hate We support the gift, yo, we support the love We support the grace, yo, we support the grace We support the grace, yo, we support the grace Bring truth to the light. Bring truth to the light. Bring truth to the light. Light. Light. They say girls belong in the kitchen. I could cook some up for you real quick. Sit down. More hungrier than spectators at a cook-off. Expect platers to let me get more than a lick-off. I waited patiently for my turn. While others cut in line, I observed them burn. Each other for they best man spot. Yet some get down, others possess mad crock. I can't eat what they be cooking me. Whack preservatives, water down. It looking good, G. I give you that raw, guaranteed real fresh. As you magnetically attract. Into this illness. Roasting MCs. Chopping them up into tiny pieces. I'm rather saucy. I got that juice like lemon. We keep the mixes spinning. Whisking up these recipes. And we keep them sizzling. So why you trying to bite on the hand that's doing the feeding? I'm cracking you open. Giving your insides a beating. If your ego is bigger than your status. I'ma act savage. Strain you through the apparatus. I try to stay away from the dramas. But if it approaches, I'ma cause drama. It's J-Roz in the kitchen with C-Watts. Let him in. Cause you know that the beat knocks. Turning up the potentiometer. Cooking up nothing but that all superb. Yeah. Oh. We got that all superb. That raw superb. Yeah. That all superb. Hitting you with that raw superb. Yeah. We got that awesome herb too. Smoking it here. Cooking it up. Uh. And you say hey tonight. You trying to act like you don't know. You trying to act like you don't know. Who is speak to me? Bitch, you in fear mode. I'm writing out a whole nother frequency. You're causing distractions. Someone tied this. You back. You start overreacting. You whack. Then you whack. I like your name. J-Roz. Who came up with that name? I did. You did? All by myself. Yeah. Was that your first name? Like, okay. I'm going to recall. All your. All your. All your. My first name I gave myself ever was Baby Lutes. I knew you were going to laugh. That way you announced it. I was little, yo. I wasn't even a teenager yet. Baby Lutes. Yeah, it was a long story. Why? But alongside, mixed with, I used to love fucking Notorious B.I.G. Give me the loot. Give me the loot. Oh, yeah. Lil Lutes. Yeah. I was thinking about that. It ringed in my head for a little bit. Now you're saying that. Yeah, so okay. But then I gave myself J-Roz. I was almost going to write it with an E when I was trying to decide, but I dropped it just so, because I was doing graffiti as well as I'm seeing. So I didn't want people to give me props for being a chick. I wanted them to give me props to see my real reaction. I was going in. Called myself J-Roz. It was just letters that are all throughout my name. So it's like the altar. Yeah. That's what it's going to be. Yeah. That's good. Yeah. The last, the tracks that we just heard right now, the last one, both are pretty good. So they're all done by the same guy, right? The first one's DJ Ethos, and the second one, yeah, that's the homie C-Watts. Okay. He's out in Lancaster. What's up with Lancaster? I don't know, but he's like, you wouldn't think he's from there. He's like, he's all, you know, fresh things, top to bottom. You think he's out here in L.A. But, you know, he's all the way out there. Right. I don't know how people get down out there, but, you know. Well, everybody comes to L.A., you know, because this is where you're going to find me, people. Yeah, interacting, you know. Right? Yes. His dad is in the house, too. He's just, he's working on his phone. What do you have there, an iPhone? No, it's a G2. It's an Android joint. Damn. Android. Android. Yeah. I like the, I like the front. I like the front. Free apps. Oh, yeah. By the way, Let's Get to the Studio has some new apps. Really? You can go get them for free. That's hot. We're also on iTunes. If you want to hear the show on iTunes, go to your iTunes account and download it right there. For free. We got it. We got it almost pretty much. Hello, Mom. Okay, so going back to Jay Ross. Yes. Yes. Are you from L.A. or you are from W-Town? W-Town. Yeah. I'm from South Los Angeles, you know, Bell Gardens, Whittier. That's all my area. Montebello, East L.A. Did you start a gig playing shows out there? Yeah, I started getting, yeah, my first microphones were all in Whittier. Whittier was popping with a lot of hip hop. Yes. Yeah. And then from there, just branched out a lot of L.A., like East L.A., you know, and just keep branching out. Now you're in downtown now. Now I'm in downtown. We're in downtown. We're in downtown. We're in downtown. We're in downtown. We're in downtown. We're in downtown. We're in downtown. We're in downtown. Yeah. Yeah. We're in the penthouse, I guess. I'm at home, huh? Yeah. Yeah. You like the Hollywood scene out there? Have you played in Hollywood? I like everything. I have played in Hollywood. I like, like, Viper Room, you know. Nice. Key Club. I've never performed, but I've been there. There's a lot of dope venues. Yeah. A lot of dope venues, yeah. That's where it's at. So, holla. Yeah. Yeah. J-R-O-Z-1.com. Anybody want to book? Where can they find you? Just J-R-O-Z-1.com? J-R-O-Z-1.com with the number one, J-R-O-Z-1.com. It's kind of under construction, but there's just major links on there, how you can get a hold of me. Right. And. Is that where you're like, where you're like, rapping like this, something like that? Yeah, that is where I'm rapping. Yeah. Yeah. I saw it. Black and white. Yeah. Yeah. From the stage, from the back. Mm-hmm. Right. Yeah. It was, they had this. It was smoke clouds and, you know. Looking big time. It was. It felt like it. You think you big time? Hey, man. You're not that big time. Nice. Just close my eyes and, you know. Yeah. All right. So, we have more tracks of J-R-O-Z-1. What do we have up next now? Up next, we have Painting the Patterns. And this is by, produced by DJ Ethos and DJ Metronome. They're some really dope stoners who make beats. All right. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Listen, listen. So I got a question. You have a question? Yeah. Okay. So you had a song, Piñata Hour. What, like, what's that about? And, um... He likes parties, obviously. I think so. I was going to say, you think we're a party, right? He got it. He likes parties and candy. It's a piñata hour. So, like, for those, for, uh, for those two hours, from seven to nine, it's a piñata moment. Yeah, right. You know? You know, just like, uh, what do you call the hour? The drinking hour? Drinking hour. Happy hour. Happy hour. Right? There's, uh, quickies. Yeah. There's piñata, but, you know, it's music. Yeah. You know? Sick. Hell yeah. Yeah. So which piñata moment are you talking about? Are you talking about the moment where you bust in and you see there's a piñata? Piñata is like, you know, you know it's going to be, you know it's going to be fun. You know, it's going to be like, okay, it's going to be maybe a party, right? Yeah. But once you get there, once you break it down, it's good. Oh, yeah, it's over. But it's... Right? Yeah, it kicked the party off. Right? I mean, like, look at all these things that came down from the piñata. It's just delicious. Delicious. It's delicious. So, so going back to you, J-Ross, it's your moment. That's why I'm doing this. I want to give a shout out to Arthur Arellanes, a.k.a. Bizarre. Oh, hell yeah. What's up? What up, Bizarre? Yeah. Got a trunk. He's out there listening, saying, yeah. Hey. He's listening to piñata hour. Piñata. Piñata. Piñata. With a lot of ice. Can I knock down that there, a pineta? I should have a piñata drink. You know, when people come here, you know, like... Like a cocktail. Yeah, like a cocktail. Yeah. You only get it here. It's the only place. Don't tell anybody what's in it. That might be scary, though. Hey, what's in this? I'm not telling you. Yeah. Put it in your mouth first. That's what I said. Yeah. Okay, so go back to J-Roz one more time. Let's try this, okay? Yeah. Yeah, yeah, yeah. I don't know, man. My kid's daddy, he could talk and fucking text at the same time. Talented young boy. Hey, man, you gotta pay attention to your social network. People ask you questions. I know, man. You out there, man. People are tweeting you. Shit. No. So do we have another J-Roz? Yeah. Yeah. Yeah. Yeah. What's it called, this one? Every Time, Every Time. This track is called Every Time. Oh, this is the request, right? Yes. By the person who I'm in a group with. We're a crew called QOTS, Quiet On The Set. Quiet On The Set. And we are very loud on stage. But we like everyone to shh. You know, it's real serious. And we got an album that's gonna drop very soon featuring Abstract Rude, 2MX, and the homies Acid Rain. And it's myself and- Cool. 2MX. 2MX, yes. He's coming down to play at- Well, tomorrow we're playing with- No. Well, tomorrow it's Alpha MC, you playing with Mongo. But the next Thursday, he's gonna be there too. Oh, dope. Yeah, 2MX, DJ Hopa, and minus me. Yeah. Yeah. Uh-huh. Yeah. Okay, so this is Every Time? Every Time. Mm-hmm. And this isn't off the QOTS album, but this is like, you know, a sneak peek, man. You get a little taste of kinda how we do our thing. Right. And peace to the homie, Joaquin Pacheco. Yeah. Who engineered this track. Nice. All right, so we- Go ahead. All right, let's do it. Yeah. Yeah, uh. Let's let them know, let them know. Yeah. Ayo, peace, what up? Uh. And now, rockin' with the fresh. That's right. Yeah, yeah. Light notes. We gonna set it up like this. Yeah. Yeah. Yeah. I ain't afraid to say I told ya. You stuck to my flow like it's magnetic ojji. Flippin' around, you understand my culture. We came a long way like Miss Daisy with a chauffeur. But I don't drive, only locals exist. Some globally renowned scene as a total eclipse. If it happen every week, that is. Whenever I drop a project, the weather will shift. How is that not a force to be reckoned with? You wonderin' what I eat and straight inspecting my shit. I'm 23, no 33 degrees on my click. We stay quiet, movin' deadly and develop the spit. I could even start a riot with the verses I kick. But I'd rather keep the movement goin' till it's legit. J-Rhyme said it's drunk, yeah, we blessed with this. Light notes, volume one till the second one hits. Word up. Word up. How we puttin' it down? Gettin' live, rockin' in your town. Every time we perform, you gon' notice the sound. That is something you can feel while you formin' a crown. Hands up to the sky. How we puttin' it down? Gettin' live, rockin' in your town. Every time we perform, you gon' notice the sound. What? How we puttin' it down? Gettin' live, rockin' in your town. Every time we perform, you gon' notice the sound. That is something you can feel while you formin' a crown. Let's go. No mission is impossible, so spittin' ain't no obstacle. And the MC wanna step up, believe that I'mma chop him, yo. Call it a vocal violence, I call it justice. Bust this. Have him scurrin' through the rum, it's toughest. Yeah, her bloodline's revolutionary. So there ain't no blood-sucking vampire, refuse to bury. Luminary, kill off the whole Illuminati. Choose a body, and we'll refuse to use a shotty. His grooves is naughty, cause nature created this animal. And raised it in low scandal, oh. That's why when you see me out, I'm still kickin' ass. Kill, hit the dash, and pill off freakin' fast. What? Flip my pass out my window, ride off into the future. I'm back like Marty McFly just to abuse ya, confuse ya. Lose your senses? I meant this. Automatic wreckage when I set this. This and flex is fresh. Uh. How we puttin' it down? Believe that I'mma chop him, yo. Call it a vocal violence, I call it justice. Have him scurrin' through the rum, it's toughest. Have him scurrin' through the rum, it's toughest. What? How we puttin' it down? I'mma chop him, yo. Call it a vocal violence, I call it justice. What? Flip my pass out my window, ride off into the future. I'm back like Marty McFly just to abuse ya, confuse ya. Lose your senses? I meant this. Automatic wreckage when I set this. This and flex is fresh. Uh. How we puttin' it down? Gettin' live, rockin' in your town. Every time we perform, you gon' notice the sound. That is something you can feel while you're formin' a crowd. Hands up to the sky. How we puttin' it down? Gettin' live, rockin' in your town. Every time we perform, you gon' notice the sound. That is something you can feel while you're formin' a crowd. Let's go. I like that sound! Turn this shit up! That beat is sick. I like that beat. It's kinda horny. Yeah. Oh! Da da da da da da da. Man, that beat. Nice work. It's like, it's real, it's real chill. But it's got a lot goin' on. I like it. Yeah, yeah. Homie gets down. Yeah. Who did the production on that? Oh, that's fuckin' D-Strux, homie. Um. Nice. Fuck. Uh. Fuck, I know his name. I'm sorry. For shame. I was really stoned. I know, right? Super shame. SoundCloud. Like, what the hell? Destroy, right? What's his name again? D-Strux, yeah. Okay. Yeah. D-Strux, homie. That's what he goes by. No. Sorry, I'm really stoned. Hey, but guess what? But yo, go to, what's up? I wanna let everybody know that J-Ross is gonna be performing tomorrow in Highland Park, El Social, which is at Hermosillo Club on 5125 York Boulevard. LA. That's in New York on 52nd Street. Okay. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. Us? Oh, actually, mine is me. I'm sorry. I'm a little bit excited. Okay. Mine is. Yeah, so that's going to be going down at El Social, Hermosillo Club on 5125 York Boulevard in L.A. Did you hear that helicopter going? It's the Ghetto Bird. Everybody went zombie on me right now. Okay, so I want to thank you guys for coming down to Piñata Hour. That's pretty cool. You guys came down, show up and share some of your tracks, new things and stuff. Thank you, man. Thanks for having us. I want to thank Kid Stata for coming down. Thanks for having me. Oh, man. Thank you. Thank you for showing up. And remember, if you guys ever release or want to bring something up, just, you know, come down here to Piñata Hour, Skidwood Studios.com. We're here for you guys. You know what I'm saying? Yeah. So if you like that track, man, that last track was... Feel me, man. That was the homie Broken Fingers. And see, I was thinking of... Yeah, yeah. No, I mean, you know, you got to get it right. And, you know, sometimes I'm a little twisted. And, you know, I've been thinking of... I've been thinking of... I was just recently doing and working on. So, but yeah, Broken Fingers. I just met him recently via internet. He was feeling the track. He's got nothing but dope beats from what I've heard from this track play. That was the last one we just played, right? Yeah, that shit is nice. What's it called? Every Time. Every Time. Yeah, it's a song. Nice. Well done. Well cooked. Like your song. Yeah. Sit down. In the kitchen. Sit down, motherfucker. I got something to stuff for you. Uh-huh. Fix up some plates. Yeah. Okay. So, yeah, this is Piyata. We're going to go out. We're going to play some more of Frank Lopal now. Some of his mixes. I want to thank, once again, Kick Static. Look at him. He's all happy. I'm always happy. I know. I know. And then I want to... Like Shy Girl. Yeah. I'm like Shy Girl. Shy Girl. Like Shy Girl. Represent. La Traviesa. Yeah. Morenita. Morenita. All right. Are you Mexican? Mexicana. Mexicana. All right. Yeah. South side, north side. I'm a black dude. I am... I don't know what I'm going to say. Celestial. I'm a piñata. I'm a piñata. Yeah. Yeah. We know that. We know that. Pop, pop. Here. Toma. Nah. Okay. So we still got like another 50 minutes. So we're going to go ahead and play some more of the Frank Lopal. And I want to thank everybody that come... Actually, come down. Yeah. Come down. Yeah. And hear us here in Piñata. Next weekend, we're going to have The Vivids. It's a punk rock. Post something like that. It's a really good band. The Vivids from Long Beach. coming down next week. And I don't know who else, but I'll let you know. All right, guys. So tomorrow, don't forget, we have Hermosillo Club on 5125 York Boulevard in LA. Tomorrow, three bucks at the door. Free before 9 p.m. Watch out. Yeah. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right, guys. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. All right. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you.