Man lives in the sunlit world of what he believes to be reality. But there is unseen by most an underworld. A place that is just as real but not as brightly lit. A dark side. The following content is a work of fiction. It contains images of graphic violence. Viewer discretion is advised. Breaking news. This is Piers Morgan Live. Breaking news tonight. A Malaysia Airlines plane carrying 239 people bound for Beijing is missing. According to a statement from the airline air traffic control. In tonight's big story, the exact whereabouts and fate of Malaysia Airlines flight MH370 remains a mystery. More than 18 hours after the plane was reported missing. Good morning. First, our main story. Search teams are still trying to establish what happened to a Malaysia Airlines passenger plane that disappeared over the South China Sea with 239 people on board. The Boeing 777 disappeared en route to Beijing from Kuala Lumpur. Radar indicates that the plane may have turned back from its scheduled route. No wreckage has been found yet, although two oil slicks have been spotted. Looks like I picked the wrong week to quit sniffing glue. Read more onçççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççççç Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. 1,500. Mobile 33 to weather ship Charlie. God in heaven, I can't even keep up with it. Mobile 33 to weather ship Charlie. Mobile 33 to weather ship Charlie. What about Charlie? Nothing, sir. I can't raise them. 2,100. Well, I hope the wings stay on. Well, don't worry about the wings. It's the true airspeed that counts. Ground speed means nothing. I know we just hit one lulu of a jet stream. I'm ready to fly. I'm ready to collapse. Battle is a picture. Return of the great. It won't be far too far. The creatures that are lost. We're going to walk apart. And launch a nightmare. I can't use the office. We're coming, I can't live. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. I just want to sit down. We know we're not dismissed I dare you see us not Again, again Power is the law, therefore Atheists are we countless Do we boast of any interest? Atheists are we countless Do we boast of any interest? Atheists are we countless Do we boast of any interest? Atheists are we countless Andy, so just minutes ago you posted a story for the Wall Street Journal with some really staggering new details about that first turn the plane took. What can you tell us? So this investigation appears to be moving very quickly toward a law enforcement or terrorism path. Every day it's harder and harder to come up with a credible argument that this was an accident. And what we're putting on the website and we'll put in tomorrow's paper are some details about what the investigators suspect was happening on that plane, some deliberate actions. In a space of six hours, someone or a group turned off three different signaling systems on that aircraft to hide its location. And investigators also believe that about an hour after takeoff, just after the transponders stopped operating, someone manually made the aircraft turn to the left. And in addition to that, there are strong suspicions that in order to disable one of the signaling systems, someone had to go down to the lower portion of the aircraft, leave the cockpit, and disable that system. And so therefore, of course, that presumes that someone else may have been in the cockpit to control or to monitor the plane. So these are all aspects that the investigators are really actively looking at. And it just adds much more ammunition to the notion that this is some kind of a threat to the plane. Can I touch your hair? Can I search your bags? You're brand new lady Been selected Got a funny name And it looks the part Plus I like the way You're bulging your clothes Yeah I love my job That bottom pay never felt so hot Big man Uniform and badge Pedophile status Ain't got no Nothing on me Ha! Ha! I love to feel Sexy things Other people's Sexy things I love to peek At people's things Other people's Other people's Other people's Other people's When I was young And someone's guest I'd find a way to sneak upstairs I'd find a way to sneak upstairs Peek in the closet See the drawers And feel a body tingling off the below Oh how I left you to find You'd lay things for my mind I filed these thoughts away Until I go on break When I could finally touch myself Oh how I left you to find You'd lay things for my mind guitar solo See your shiny jewels Under the candorists They could be weapons We must play safe So fork them over Or you're under arrest Maybe you should Aspect them in your suitcase Meanwhile Down below Watch every helix open This one up Pills, cash, electronics Defense Now let's see you prove They were there In the first place Who is that behind The one-way mirror blind Just little old me And my laundry cream Gotta wipe it up And go select someone No! No! No! refrain from listening any further. It's time for some real music. It's showtime! We have seen imitators! We've also seen duplicators! But now, it's time for the originators! Los Angeles and the rest of the world. You know what time it is. You're listening to subversive radio at its finest. Oh, hang on a minute. I can't deal with this. These fucking skinny jeans suck! Cabs are doing the pee-pee pants dance. Fucking nutsack! The skinny pee-pee dance. Alright, alright, alright. You are committing a massive fashion faux pas right now, counselor. How does this young generation wear this? They don't eat. Mr. X, how do you wear this shit? Mr. X is skinny. You can get away with this. You're heterosexual, so I understand that, you know. This is gay. This is gay as fuck! Counsel, you have officially crossed the line. Oh my god. Alright, Los Angeles and the rest of the world. If you're over 40 and obese, you do not wear skinny jeans. You fairy. Ugh. This is fucking... Dad. We're in downtown at WeHo, dude. Let me regain my composure. Focus. I appreciate the fact that, you know, a lovely young lady who I'm exchanging bodily fluids with bought me these jeans. She's like, hey, you look great in them. They hug your... They make your figure look great. Listen. Jesus Christ. You're already swallowing fucking the DNA milkshake. I don't need to wear this shit. I mean, I appreciate the effort. I really do. I mean, that's an incredible woman right there. Right? Right? Hands off, Jenny. Isn't that an incredible woman? You have to give her credit. You gotta give her credit. But I'm obese! High five for effort. I mean, dude. Like, I'm fucking... I hope you have diabetes. I'm diabetic! I'm fat! I mean, it's simple. You know, I... Follow your exploits on... Follow your exploits on Facebook, as do a lot of us do. And I've seen how you've been eating lately. I'm out of control, dude. And those jeans... By the way, let me just... Wait, let me finish. Those jeans do not warrant what you have been eating. Sorry. No. Uh-uh. You need to go to curves, dude. Curves. Let me first start off by saying that you're right. I am actually out of control. As you personally know, Moshani, there's a lot of issues that I have. Hands off, Jenny, as well. She's seen my bipolar side. Me too. Especially when she fucks up, right? You've seen that evil side, right? Don't I become a bitch? Don't I start crying like a... Hey! What are you doing? Go, go, go, go! All right, here's the deal. I am out of control. I... When I realize that I'm out of control, that's frightening. Yeah. Been drinking way too much on Sunday. You're drinking right now. I mean, what did we get today? What, like a fucking 24-pack? Yes, sir. Which you know you and I are gonna consume. Yes. Right? That'll be finished around, what? Two? Two-fifty. The only good thing about that is I can recycle those cats. But anyways, the eating is getting out of control. Yeah, dude. I see those pictures, man. You are a heart attack on fucking the waiting list. Now, here's the deal. This is what's very frightening about myself is that I have this very destructive cycle. I know when I'm at the deep end. I know that I'm like really pushing it to... I'm really pushing the envelope. But yet, it's just something that like I ignore. And what's sad about it is that I'm like dating this very lovely young lady who's just trying to please me. She's just trying to please me, you know? I mean, she's an incredible woman. She is. The fact that I'm not cheating on her is incredible. Why am I not cheating on her? What is that? But anyways, yeah, she's trying to please me. But dude, I have this very destructive cycle personality. I mean, it's like... I mean, if I was a heroin addict, it's like if you're giving me fucking ounces of fucking tar heroin, I'm gonna just do it. Yeah. Facts. You're like Philip Seymour Hoffman, baby. Instead of bags of heroin, you got bags of barbecue. Oh, you know what? That's so sad. But you know what? Speaking of Philip Seymour Hoffman, I am an idiot. I am an idiot. I'm an idiot. I'm an idiot. I'm an idiot. I'm a fucking idiot. I'm a fucking idiot. I'm a fucking idiot. I have a fucking idiot. But you know what made me realize that I'm a fucking idiot? Is today... I'm gonna be on a date with these skinny jeans. Oh, Jesus Christ, dude. I'm like, dude. Are you gonna be doing this to the entire show? I hope not. You know, I have Sarah... I'm gonna be here and Sarah's just gonna look at you like, no, I gotta go. Yeah, I'm gonna try my hardest. All right, let's get back on track. Thank you. Thank you, Los Angeles and the rest of the world for dealing with my own personal crisis. Ah. Fashion faux pas. Let's get right into it. Malaysian Flight 370. Oh, boy. All week, we've been hearing all these hypothesis possibilities of why it disappeared. Or theories. All these theories. You know what? It's so fucking annoying because it really just makes common sense. Why don't you ask the sharks? Why don't you ask the great white Malaysian sea sharks? Very simple. Right? I mean, do we have the visual of a shark up there? Okay. Now, you know, this is interesting. Well, can we cue the Jaws music, please? I know. The sharks, the great white sharks are the people to be interviewing or the animals to be interviewing because they can honestly tell you that that flight, not only hit the seas, but they got to feast. Yeah, they got a full fucking buffet. A fucking airplane full of what? 200 people and the pilots? I like how like they're like coming up with all these theories of like, well, did they land somewhere? Is it a real life? Remember like in ABC, that TV show Lost? Yeah. Okay, dude, they didn't land in no fucking island and all this other bullshit. No, no, no, no, no. Yeah, it's fucking funny how like... I mean, it's a fucking plane. It's not like a little dinghy boat in the middle of nowhere. It's a fucking plane. You have to find it. Okay. Here's the deal. It's not a goddamn Titanic. They can find a plane. Even Salvador and Mike and his fucking marijuana consuming alcoholic ass knows that when you... Factor in these facts, Lost Johnny, because you're like really intelligent compared to like the rest of us who protected you. There was two motherfuckers with fake passports. Ooh. Right? Okay, I have to preface it. I'm not as well versed on this particular story. I hear it. I sit at home. I'm all day eating, watching the news. I know. I pick up a few things here and there, but again, a fucking plane. It's a fucking plane. You can find that shit. Sonar. What can it do with the metal detector on a boat? Here's the deal. I agree with you. Okay? I agree with you. NSA satellites can literally fucking find a fucking cell member. Yes. Okay? You're telling me they can't find a fucking big plane? But what? It's because they don't give a fuck. If it wasn't like an American airline, it'd be different. But you know, they're out there. They're doing the whole fucking, you know... We're really searching for the... Search and rescue, which it remains. In reality. But you know what? Before I get into it, let's queue up this news conference. Hands off, Jenny. Queue up that news conference, please. As a press conference in Malaysia this morning, a government minister confirmed that they are investigating reports that at least two of the passengers had boarded the plane using stolen passports. Stolen. I'm in touch with the International Intelligence Agency. At the same time, our own intelligence has been activated. And of course, the counterterrorism units, CTIs and CTUs, from all the relevant countries will be... have been informed. And that's what I've been doing since yesterday. For now, this is still a search and rescue operation. Search and rescue operation? Are you fucking kidding me? Mr. Great White Shark? Mr. Great White Shark? Can you please tell us what happened to that plane? I'm gonna tell you. That was the best meal I've ever had. This is some really good sweet and sour sauce. I really like this Malaysian buffet. We were starving. We were starving. We haven't ate all day. We haven't ate. We haven't ate all day. All right. First of all, let me just start off by saying... What a fucking joke. Let me first start off by saying that Malaysian search and rescue does not compare to the United States search and rescue. All right. All right. All right. Thank you. Number two, Malaysian CTU does not compare anywhere near the United States CTU. But, I mean, here, let's look at the facts here. It was revealed, you know, as you know, after 9-11 lost, Johnny. I don't know, have you flown lately? Yeah. Because, I mean, once I lost my fucking gig, all those debaucherous trips... I've taken a few flights and a few international flights in the last five years. So, are you aware that not only our air marshals are on, like, all United States domestic and international flights? Yep. Air marshals are no joke, by the way. No. No, no, no. They're like the Navy Seals of the sky. They'll fuck you up. Okay. Are you also aware that the pilots are all trained with firearms and they carry Sig Sauer P226 9mm? I might have fucked that up because I've had a couple beverages. But I'm familiar with the Sig Sauer arms. I'm aware of the... They have fucking guns. I know. I'm aware of the safety precautions, and that's a word I use very loosely, when I embark on an airplane trip. I know when I'm getting into... You don't want to fuck around, bro. No. You want to sit there, read your fucking magazine, go to sleep, get where you need to go, and leave. I'm guilty of when I used to be a very... You were a jet-setting motherfucker back in your time? Yeah. I was guilty of, like, you know, fucking horrors in the... What do they call that? Mile-high club? Mile-high club. I don't know how I did that, but I was able to do that. Not with skinny jeans. I know. I was guilty of, you know, fucking snorting devil's dandruff in those bathrooms. I used to get fucked up on the way to Brazil. Well, again, at the time, I'm pretty sure the security measures were lax. Where you can do... You can get away with that kind of stuff. Now, you got air marshals on the flight, okay? You got pilots with fucking Sig Sauer fucking 9mm, in some cases, .40 calibers. You got pilots using lock procedures on the cockpit where no one is admitted. Once they're on flight, even stewardesses, if I... If any of you are pilots, please fill in the call-in, but I believe even stewardesses have the right They don't have access to... Yeah. You know what I mean? Like, they literally have, like, this really strict procedure, and yet, this Malaysian flight, like, these pilots, it's already known that, you know, they were bringing in these Australian chicks and trying to pick up on them, and then... I mean... It sounds to me, overall, it's just a whole... I mean, again, it's a lapse of judgment. It's a lapse of security and a lack of accountability to where everyone was just, like, shrugging their shoulders, like, I don't know what happened. The fucking plane got lost. Yeah. It's not like that Rod Serling Twilight Zone episode of The Odyssey of that... Remember? Yeah, I remember that one. As a matter of fact, this is gonna be great. That's a great episode. One of the best. Maybe they're fucking, you know, lost somewhere in the skies, you know, hovering fucking New York. It's like some, like, low-rank... Back in the BC area. Yeah. It's like some low-rank Gilligan's Island shit right now. I mean, don't get me wrong. I don't want to sound like an asshole. It's tragic. No, it's really... The end result is this, is that the sharks... Are well-fed. Do we still have that Jaws music? Sharks are well-fed. The sharks are well-fed. They're chilling until, what, summertime? They are good. They are fucking good. I know that was a mean buffet. Can you imagine? We haven't eaten in a long, long day. We haven't eaten in a long day. All right, all right. All right, let's move on. Let's digress. Let's digress. Did you hear about this? This is really interesting. God, I hope I'm in order. I'm so fucked up. I'm so fucked up. Yeah. Did you hear about this cat that held its owner's prisoner? Are you fucking kidding me? Okay, I believe this happened in Portland. I'll look up... Portland? I'll look up the facts right now, but let's play that soundbite. Hands up, Jenny. Oh, my God. The cat. The cat from Portland. Portlandia. Yeah, hi. I have a kind of a particular emergency here. My cat attacked me. I'm a seven-month-old child. And I kicked the butt in the cat in the rear. And it just went off over the edge. And we aren't safe around the cat. It's a very large Himalayan. And we're trapped in our bedroom. He won't let us out of our door. Okay, does the child need medical attention? No, no. He's just got scratches on his forehead. But the cat, we don't know what to do about the cat. He's gone. He's trying to attack us. He's very, very, very, very hostile. And if I, when I leave out the bedroom to let the police in, I'm going to have to fight this cat. Hang on just a second. When you said the cat is large, how large? Uh, 22 pounds, maybe. I think this cat is, he's got kind of a history of violence. He's kind of a violent cat already. But he's really bad right now. What kind of cat are we? He's charging us. Dude, I can hear this guy's testicles shrink by each sentence. You can tell he's a puffer? Oh my God. Watch, listen. I hear him. Hold on. Keep your door shut, okay? All right. Tell him to be careful. Please. I will. And do you think the cat will try to attack the police? Yes. Oh my God. Okay, can you tell that that's a cat? Okay, can you tell that that dude's a fucking marijuana smoker? Jesus. You know, like, what is the state? Is it Colorado that has the recreational marijuana? Colorado and Washington. Portland is an organ. They're raking in all these tax dollars because all the potheads are just coming out and buying the smoke. So this is in Portland? This is in Portland. Okay, preface this. Portland and Seattle go back and forth between high heroin use, like one of the highest heroin addiction rates in the country, and suicide. There's a little backstory context for you, kid. Okay, well, you know, you're a, you make no, this ain't a secret. You love marijuana. I love it. You indulge it. Absolutely. You puff, you know what I mean? Dude, I can never get so high as to be afraid of a fucking cat. Dude, that cat would be dead if it scratched my kid if I had one. In traffic, no remorse, get another one. Fuck that. A mean, ill-treated, costed by a 22-year-old cat. How fucking lame is that, dude? How lame is that? Yeah, it was Oregon. It happened in Oregon. Yeah, Portland, Oregon. Jesus Christ. Here's the deal. You can hear that this dude, like, someone don't know Mike, take note, because I caught you the other day trying to puff some fucking smoke here. I mean, you're already retarded as fuck. I thought you caught him kicking a cat in the ass. Here's the deal. If you have a fucking cat that, first of all, I hate cats. I'm not a cat guy either. Yeah. But if you have a cat and it starts attacking you, that motherfucking cat is not only going to get his ass kicked, it's going to be fed to some, what was the fuck up with that? What was the fuck up with that? The fuck up that I did last week, you guys, that Katen was making fun of me. I said, pet bulls, and you guys were like, a pet bull? Yeah, you said, yeah, pet bulls. Pit bulls. And it sounded like pet bull, and I was like, that's pretty cool. God, I swear to God, this East LA accent. I know, jeez. If a cat attacks the fuck out of me, it's going to be fed to a pet bull, man. You know, notice, this would never, ever happen here. Never. It would never happen in East LA. It would never happen anywhere in California for that matter. What, what, what? Can I take your emergency? Yeah, my pussy is violet. Yeah. It has a history of violence. Hey, my cat's getting crazy, Holmes. I can't control it, man. I just, I need help. I need help, this is. I can't make this shit up. I can't make it up. Little Boots is going out of control, Holmes. I need help. Little Boots. All right, let's move on. You know, last week you weren't here last, John. You're a big fucking pussy. Oh, the fucking, the, it's a. Fuck on this. Yeah. Last week you were bitching about fucking the LA Marathon. We had the Black Diablo Negro fucking Katen here. You know. I mean, his whole chaos. Oh boy. But this was interesting. Sound like I missed another storm. Yeah, it was great. This was interesting, man. Also, Dia de los Muertos was here. They were our guests. Yeah. And they were very gracious enough to invite me and Subdorm Mike. Subdorm Mike's like a tick. He just sticks in, so, you know, he can't get rid of him. Hey, kid. Funny seeing you at the bus stop. They were filming a video. And so they were very gracious to invite me to be participating in the video. Now, before we begin this, this is very interesting. It just goes to show you the lack of reality that I'm in. I assume, they mentioned that, you know, David Vincent from Morbid Angel was going to be playing. This was for a song called, what is it, Cantina de Infierno, which is Bar From Hell. I may be wrong about that, but whatever. Anyways, they mentioned that David Vincent was going to be involved. He was going to be playing the bartender. And that they were going to have some very attractive girls. And so I pictured that it was going to be kind of like a Goodfellas type of scene, like all of us hanging out at the bar, like a bar in hell. Then I saw the images during the day, because obviously they started filming this during the day. And do we have that image up? Okay. As you can see, we have an image of it. I want to see this. It's David Vincent and like some very attractive girls at the bar. Right? Which one of them is Rosa Arias, the new lead singer. Okay. I like how you got to get up and do this. That's good, man. Sorry. Hello. Anyways. Progress. Okay. Let me show you. Why don't you get up again? Let me show you what it really was. Look at who I was dealing with in the video shoot. Do you see that image right there? There you go. Can you see that? Hell yeah. Now, Salvador and Mike, try your best to, you know. I can't do it enough. Come on. You can do it. We got there and obviously what I pictured was not the case. When we got there, we were like supposed to be involved like in a live setting as fans. Right. Okay. So like they set up a stage and they were playing. So it wasn't nothing like I pictured. Like I'd be kicking it with next to some sexy chicks and stuff. No. Not even. Bon Jovi, it is not. But what was disturbing was, is that aside from being like, okay, I pictured when they had asked us to be there that everybody involved would be friends affiliated with the band, but I guess they really went all out. Just a cattle call. Everyone. They had like those stand-ins that get paid. Yeah. First of all, once I found out these misfits got paid. It was. It was disturbing. Oh shit. But my God, Lost Johnny. There was that dude. Like we still have that image, right? Of the dude with the fucking. I don't want to see it again. That's just disturbing. Okay. Well that was the image of Kate. There was a Kate and look alike, which we have up now. Oh boy. But can you go back to like the white dude with the hat from Hollywood? That, that guy. I thought that was a girl. No, that's a guy. And he, and he laughed like this. Like fucking. Don't. Don't. Don't. Don't laugh like that. Like a fucking doll, like a dolphin from hell. Show that. Show that. Show that. You know what he looks like? Did you ever watch The Princess Bride? No, but that sounds disturbing already. Dude. Dude, that, just to hear that and put that face, fucking damage. Okay. Now, not only that Lost Johnny, but they have like what, Mike, you know, stand in here. They have like a cross-eyed guy. And like what we were supposed to do is like, you know, we're supposed to be head banging supposed to be headbanging and fist... I mean, I'm sitting there going, I'm fucking over 40. I don't fistbang and headbang at shows. You know the way I rock out. I know, dude. You know? But, like, this dude's laughter was disturbing. This sounds like a fucking Addams Family freak show. It was a fucking video shoot from hell. Look at that screen on the TV. Oh. Oh, my God. That's horrifying. That is very accurate. Okay. Now, don't get me wrong. I don't want to sound like an asshole or nothing. I appreciate Dia de los Muertos being kind enough to invite us over and to be part of the video shoot. But really? Really? You had to deal with that guy? I got to deal with... No. Guys! Let's not forget, we had the cross-eyed fuckhead. Then we had that fucking... Asian guy. Oh, there was like a Down Syndrome Asian guy who was talking shit. I go, I got to take a picture. He's like, what are you going to do next? You know what I mean? And I'm like, oh, you know who I am. You listen to my show. He's like, no, you're an asshole. Alright. Alright. Alright. I missed out. I'm sorry. Yeah. Thank you. But my video career is over. Mind you, Mike was all cool with it, right? It was so disturbing that I had to go to Tommy's after and be gluttonous. Soothe your sorrows in chili cheeseburgers. Alright. We got a great show for you today. We do. I'm really excited. The very lovely Sarah Timms will be here. For those of you that are familiar with this very lovely young lady, she is so hypnotic, man. And I say this, you know that it's very rare Extremely talented. Extremely talented. Not only that, I mean, just the fact that she can hypnotize and seduce me into her whole web of like dark macabre music. But what's interesting is, and why I really respect this artist is because she does not in any way, shape, or form go into that whole sex angle like all these other fucking chicks. You know, with the fucking double F brass. She's a real deal, man. This is a real artist and her vocal talent is really awesome. I mean, just the stuff that she does with, or we know from the beginning with the Black Math Horseman. Great band. And what she's doing now with Eyes of Gemini. Amazing. And now what she's doing with Black Mare, I'm very excited. I'm very excited to be speaking with her. She's gonna be with us here today. So, let's get into it. You're listening to the very manic Jimmy Caps show many have tried to imitate. And non-confident of skinny jeans. Let me start it with that. Many have tried to replicate, but there's only one true show that really captures the true integrity of the underground. Thank you for giving us that title. Hands off, Jenny. Hit it. Malaysian officials say they are now investigating the identities of four passengers, two of whom were flying on stolen passports. Now more than 30 hours overdue, few can doubt that something terrible has happened to the plane. O.D.lahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlah Score and crossbones At the beat of the beat Thunder roars Lightning breaks At the bed of the ship Sea of death Long to rise up For suddenly death And the night Captain, please help me Don't know me Realize me Feel the laughter Blackest dreams Tell your tale The judgement Can't rhyme One silly gizmector Riding a high In commanding The rain of the sky Institute, please help me No, no, very ill at sea guitar solo One night still A bloodstained dream Guiding you Into the dream You are fast To be Far below No one ever knows You've got no soul You're just açççç guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo But what you've seen occur inside the cockpit of this plane is no reflection on the aircraft or the crew. It's a safe, well-engineered, perfectly designed machine. And the men you've just met are a trained, cool, and highly efficient team. The problem is simply that the plane is going too fast. And there is nothing within the realm of knowledge, or at least logic, to explain it. Unbeknownst to passenger and crew, this airplane is heading into an uncharted region, well off the beaten track of commercial travelers. The plane is headed to the The plane is headed to the!lahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlahlah We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. Sarah Tins, please. All right, Mike. Right on point. Look at this guy. Wow, look how lovely you are. Hi, Sarah. Can you sit down on seat one there, please? Awesome intro music, by the way. Okay. Very appropriate. Yeah. Okay, hold on. Let me turn this off. Kind of game show, kind of enchanting forest. It's bewitching music. That's very bewitching. Okay, so. This dome wouldn't twinkle their nose. How are you, Sarah? Good, how are you? Good. Good. First of all, you're very, very, very lovely. Thank you for being on The Very Manic Jimmy Camp Show. Thank you for joining us. Thank you for having me. Let's begin. Now, obviously, we've had you here on the show. My audience is familiar with you with Ides of Gemini, which is a band that we really, really enjoy. As we shared with you, before, we're huge fans, and this is where I discovered you with Black Mouth Horseman. But Black Bar, this is interesting. Why don't you tell us a little bit about Black Bar? Black Mare. I'm sorry. I already fucked up. So, Black Mare is my solo project, and it was just, well, where should I start? I don't, it's such a wide question. Yeah, this is interesting. Now, if memory serves me correct, this project was before Ides of Gemini, correct? Correct. It actually, tell us a little bit about the origins. It started at the same exact time, pretty much. Let me think about this. Ides of Gemini started from when the first European Black Mouth Horseman tour got canceled by that volcano, the Icelandic volcano, whatever year that was. And then, right around that same time, my best friend and I, Maja Dau, were putting on a winter solstice ritual, and she suggested that I perform a solo song. And then I said, well, why don't I do a solo song and also do a song with an Ides of Gemini stuff we're working on. And so, Ides of Gemini was just me and Jay at the time. Right. So, that was the first song that we wrote and performed. And then I wrote a song, and I wasn't called Black Mare at that point, but she named me Black Mare for that ritual. And then I did that song for the ritual. And then I was asked to, play live and then put out an album. And that's how it became a real thing. Now, this is very interesting. It's very rare that an artist, a female artist, can not only retain my attention, but have my respect. I'm being very forward and very honest with you. One of the things that I despise, especially here in Los Angeles, are female-oriented. And I don't mean no disrespect, but by all means, I'm going to be honest. One of the things that I despise the most is female artists who go beyond, beyond their sexuality to try to get that attention. And I know that it's been capitalized and marketized before, but I just find it in 2013 and 14, just kind of like obsolete and lame. Right. I also find it to really be so much of a distraction from the lack of true talent. Right. When Lost Johnny and I stumbled upon you, one of the things that we really both collectively agreed on was aside from just how, you know, talented you were, is just how basically you can entrance your audience without the so-called, you know, extremities of a female front person. In other words, your vocal talent, your musical talent, just overall when you're playing your music, it is very enchanting. How do you feel about that? And do you recognize that? And how do you feel about, not to put you on the spot, but how do you feel about other female fronted bands that differ from that? Well, for me, musically, it's always been the most important thing that the music is forefront, front and center. And if you have a woman being very sexual as your front person, that's going to be, that's going to get the most attention. That gets the most attention in our society anyway, you know, all the time. It's almost like too easy. Like I couldn't do that. It's just like, you know, I want it to be the music. It's almost like egotistical. I want the music to be good enough and the music to get enough credit and to get credit as a musician and singer and a creator, not for being some sexy chick, you know? So you do that very well, by the way. Thanks. So that's, I guess, where it all started from. And then other than that, I'm kind of modest anyway. So it's just not my nature to be all, you know. I think if you don't mind me being so forward, I think you're very lovely. Thanks. And the fact that you don't fall into those antics really makes it even more, quote unquote, sexually appealing. But again, that's not what you portray. What you portray is true musicianship. And let me be even more forward with you, which I'm going to get embarrassing now, Lashani. As opposed to the jeans you're wearing? Heard about those. By the way, if you're over 40 and obese, don't wear skinny jeans. I'm so embarrassed to stand up in front of you. But anyways, when you play, you have a very, very, what I like to say, intoxicating effect on your audience. Are you aware of this? Well, I've been told that. So yes. I would almost compare it to being somewhat of an opiate. Yeah, I don't know where that comes from. I mean, I never tried to have that. I guess it's probably the best thing one could have, playing the kind of music that I have. It's also better the fact that she's not conscious of it, because then she would, I mean, I'm speculating that it would be opposed, it would be a front, like she would kind of go into the act of being. No, she's real, man. One of the things that I really appreciate about you, Sarah, is not only your true musicianship and your artistic credibility, but it's like when you're off the stage, you are really a very approachable, very lovely young lady. You don't have any of the stigma of Los Angeles with the attitude and none of that. You're a very pleasant person. But what I like most about you is that when you're on stage, and I'm a very hard person to please, I've seen you throughout your different projects, and I find that they all have one thing in common, they're very enchanting. And I'm very excited about this. I know it's not a new project, but your solo project, because I have not seen Black, please help me with the pronunciation. Black mare, like a horse, a female horse. Black mare. Yeah. Now, the one thing that, this project has in common with Eyes of Gemini is that you share the stage with Jay Bennett, correct? Yeah. Who is also your significant other. He is. How does that creative duo come to play with this project compared to Eyes of Gemini? Because I don't want to say that they're the same, because they're not. Energy-wise, it's different, but explain to me. Well, for this project, Jay has not been a creative part of it yet in Black mare. Really? Wow. I wrote everything, except for some additional guitar on two songs on the album by Brian Tulao. I wrote and recorded every instrument on the album. Wow. And so, it was only when I decided to put a live band together that I got Jay involved. And so, Jay's playing bass, actually. Now, if you don't mind me being so intrusive, is he cool with that? Yeah. I mean, well, as opposed to what not. In other words, leave me alone. I'm writing this material. No, he's great. He lets me boss him around. It's great. I love it. Because in Eyes of Gemini, it's a lot more collaborative in Eyes of Gemini, and he's definitely a visionary in Eyes of Gemini, you know? We all play parts in that, but in Black mare, it's like my vision. He's like, okay, I'm going to help you bring your vision to life. He will be writing on the new material. I got to tell you, both of you really bring out, like, because I don't know if you're aware of this or not, but I'm a very despicable human being. I'm very angry and very bitter at my age. Both of you really do bring out, like, a very good humanitarian side of me. And I really like when I see you, especially socially. I mean, it really is like a very positive couple. But when I see you play, and I'm looking forward to seeing you play with this new project, it just seems very comfortable, very easy, you know, no static, no problems or nothing. Especially being in Los Angeles where, like, when you're in a band with your significant other, there's always that egotistical conflict. Right. I mean, that doesn't come to play with your band, correct? It doesn't. And I really think it's mostly because of Jay. He's incredibly humble. And I mean, he'll even say, he'll probably even say it today, that he started writing Eyes of Gemini music for me to sing to. That was very impressive when you revealed that the last time. Yeah. So he's always trying to put me in the forefront. Like, he's... So, of course, I love it, you know? So there's no competition. I mean, I'm not trying... I think also he does that because I'm hesitant to be in the forefront. And he sees that and he's like, you need to be in the forefront. So he kind of actually helps push me out there a little bit. Wow, that's interesting. I have a question. Just, I mean, just to be devil's advocate. Sure. Is this the... Would you ever consider a project or working with someone where the creative aspects was... had more tension, where it wasn't easy, where it wasn't... Well... I mean, not to say like to put yourself in a dire situation. Right. But it's like, it would be harder to work with someone that you obviously want to work with. Right. I... You know what I mean? I did that in Black Mad Horseman. Oh. Yeah. Is that why that band no longer exists? I mean, if you don't mind me being so bold. Yeah, there was a lot of tension in creating, working to create the new album. Was it just too much creativity? Yeah. Too much talent or... Um... I mean, there's a lot of things going on in that band. That band is a very talented band. There are a lot of things going on. There was one of the main collaborators. I mean, we all were creative in that band, but one of the main people was unable to ever finish a song. It was never perfect. Like, it was always changing every rehearsal. I relate to that. There was a lot of... There was a lot of tension with that part because he's a creative dude. He's a creative genius for sure, but he just wouldn't finish anything. So were you being like that alpha female, like, hurry up, it's great, let's just stop. I was the tyrant. I was horrible in that band. So, and I've learned not to do that anymore from that experience because I almost ruined friendships from, you know, how... Is that why, like, your Eyes of Gemini project and Black Mare... Yeah. There's like this very calming, very sedative effect. Is it because the energy is... Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Because I would never think that you could, every time I see you or I'm around you, it's a very pleasant, intoxicating, positive environment. Well, to be fair, you know, there's a difference between the art and the artist and how those two things don't always are parallel. So, I mean, that's something to consider. Yeah, anyone who works with me creatively will have different opinions of me. Do you like working as a solo artist better than working collectively with the project band? No, I don't think I like it better. I liked being able to create an album on my own, at my own pace, without having to depend on anybody else. That was extremely gratifying. But not playing with a band is kind of lonely. I mean, it was cool to prove that I could do all that stuff. But I would much rather collect. I would like to collaborate. Now that I've got a band together, I want to write with them. It's more of like a family team environment. Really? When you start writing with a band, I'm saying. I mean, the Blackmare, the beginning of Blackmare was definitely just me, you know, solo hermiting out in my room, doing everything my way. Which was really gratifying because I always, I tried for so many years to like push Black Mad Horseman, like, do this now, this must happen. And it wouldn't happen. So it felt really good to be able to have that kind of control, honestly. But the feeling you get in a room from working together with other musicians collaborating is better than anything else. Really, it can't compare to a solo effort, in my opinion. Wow, that's very impressive for you to say that, especially in a city where like, you know, being egotistical is so addictive. Yeah, it is. I think that's why. I think that's why this is so important. Yeah. I think that's why this record, Blackmare, really just holds this really true intoxicating but yet humble type of vibe to it. Where like, once you put it on, I mean, it's just very enticing. It's very funny because this album transcends all genres. It appeals to everybody. That's good. Which is very rare. Yeah. Very, very rare. I mean, especially in this city where people are so hung up on titles and stuff. It's literally a very pleasing, very sedative, yet dark. And this is what I'm going to get to on the next segment because this is a very dark vibe to this record. Not to incline, not to in any way, shape, or form portray it as a negative thing. But it's a very dark, mystique, very mysterious element to it, which really appeals to me because I'm a dark motherfucker. I mean, it also ties into the show that Blackmare is playing. Yeah, why don't we mention this? With Utoin Mad and Light System and Mossbreaker. I mean, Utoin Mad, I mean, that features Ben, who's a drummer for Converge, huge fan of. And Caleb from Kaven, another band I'm quite a fan of. Oh, Steve. Oh, sorry, Steve from Kaven. So, I mean, just those two chemistries, that's going to be awesome. This is a very interesting lineup here, I got to tell you. By the way, let's mention this. This is going to be happening the 19th at the Echo Warehouse, of course. Now, help me pronunciate this. Utoin Mad? Yes. Light System, of course, Blackmare, and Mossbreaker. This is going on at the Echo. This is on the 19th. Make sure you get your tickets. Make sure you go and see what I have already known, which is the hypnotic and seductive Blackmare with Sarah Thames. All right, let's get into some music. Hands up, Jenny. Let's play some Blackmare. Hit it. Let's do it. Let's do it. Let's do it. Let's do it. I am the one who knows Who runs under the skin Of a black dog I am the one who loves The one who rises up from the sun I let his work depart The black man leaks through his thoughts I let his work depart The black man leaks through his thoughts The black man leaks through his thoughts The black man leaks through his thoughts The black man leaks through his thoughts The black man brings to you the skeleton All alone The golden dawn All alone The golden dawn All alone All alone All alone All alone I am your light Moonlight I'm not My dreams I'm not Run to you And cry Only the light Don't die So no one Take me From my Land To home Down To the Mountain And I Will fly Forever On The Sky Turnsç The sun will come clear God is mine The sun will come clear God is mine The sun will come clear God is mine And I could work really at my own pace, continuously in my comfort zone, in my house. Is it really comfortable when you're recording and writing and coming up for yourself, is it? Yeah, well, it's comfortable on my own when I'm doing it. In a studio, I'm not very comfortable because I have to work with an engineer, maybe a producer, somebody else where I have to share creative, you know, creative opinions with and differences. So recording Black Mare, it was completely everything up to me. It was like I was completely getting to delve into my own imaginary world and make it manifest in the music. So it was pretty enjoyable. Did you find it stressful compared to like recording with Eyes of Gemini where you're in a band and it's a band environment? It was stressful only because I had to write more parts, I guess. But at the time, I always love exploring Uncharted. I always loved Uncharted territory. So I still felt like, you know, drum programming, especially, it was like Uncharted territory for me, largely. And so I kept getting better and better at it. So I felt really good about that. But it was just challenging. And I mean, that's really the, that was the hardest thing, I guess. Having a nicer microphone would have been nice. Let's introduce our next guest here. This is Jay Bennett. How are you doing there, man? Very well. How are you? I'm good, sir. Am I close enough to this thing? You need to be a little bit closer. Okay. Well, this is very, I hope you don't mind me getting very personal. It's commonly known, it's been revealed here, actually, that not only are you in a relationship together, but that you also, when you write music, you incorporate Sarah's vocal tones into your writing. Is that correct? Yeah, I mean, I write the basic foundation and the arrangement of the song with her voice in mind. That's very good. You know what? That's very, it's very rare, number one, that I'm mature, but that's very commendable, man. It really is. Because we're living in an age now where, like, to be able artistically to admit that opens yourself up to ridicule. What is, what needs to be noted, though, is the fact that not only are you a duo together as in your personal lives, but as musicians. So as musicians. And as artists. I really commend you for that. Because you're really kind of setting the foundation, but yet opening up all avenues for Sarah to take it to wherever she feels she needs to do. Right, yeah. Does this philosophy in writing also work with Black Mare? Well, she writes everything for Black Mare. I have nothing to do with it. She writes everything, plays everything. I just, am I not being loud enough? I just play live. I play bass lines that she wrote. Like when we play on Wednesday, I'll be the bass player. How do you feel about that? Is that a relief? Yeah, it's awesome. It's great. And plus I get to play bass, you know. It's a lot of fun. I never played, I've never played bass before we started this, so. I'm having a blast. You know, I gotta tell you, I really admire both of you, not only as artists, but socially. When I see you both, you both really, really have like this very positive. Very, what's the word I'm looking for here, Johnny? Like just very positive, very sedative energy about yourselves. We seem sedated when you run into us. It's very rare. It's very rare. You know, hanging out with them is like chewing on, you know. Listen, I'm a very angry motherfucker. It's very rare for me to be like, oh, wow, that's cool. It's very, also very rare for me to give praise to people. When I see you play on stage, though, it works so well. It really does. It really gels so well. And this is one of the reasons. Why I'm so intrigued with this new project, which actually is not new, as you mentioned before. But for you to go solo, Sarah, do you in any way, shape, or form think about the interpretation of Black Mary compared to Ides of Gemini? I do, because people have asked me about it. To me, it's apples and oranges, really. It's incredibly, incredibly different. Right. How is it different? Well, for one, I'm playing the guitar, and I play way differently than Jay plays. You know, I pluck a little string here and there. You know, I hardly ever play like a full chord. I don't play riffs. So Jay's playing like riffs, generally. You know, he's, Jay's like a guitar player. I just sort of find my way around. Like, it's like walking down a little path, and then I come up with a song, you know. I don't know how to play many chords. So. I just figure it out with open tunings. But I feel like the overall feeling, even though Black Mary is dark and it gets heavy, it's more like heavy atmosphere. Whereas with Ides of Gemini, I feel like there's more concrete stuff you can grab onto as far as, like, the guitar work goes, for sure. My vocals are different, too. Well, especially now, the way that Ides of Gemini is moving, my vocals are more forceful. More forceful. More forceful than on Black Mare. There's a lot more room for vulnerability in Black Mare and simplicity as far as my process goes, how I write the songs. I'm glad that you actually opened up this window for me, because this record really does seem more darker. What influences you and what influences this record? Because it really does seem more, and I'm not saying that in a negative sense. But it really does seem. It seems more on the darker side. Yeah, I was going through a lot of sadness at that time through letting go of things from my past and old relationships that had died. And old parts of myself that had died. How do you do that? Because I still find myself being like a Facebook stalker. Whoops. Cab's inside voice, dude. Don't say that shit. Sorry about that. Well, you have to hang out in it for a while. And that's what I did in the album. And then you just... Yeah. Yeah. Yeah. Yeah. I just get sick of it. And you're like, get it off of me. Get this old skin off. I want to move forward. So that's how I do it, through music or creativity. But yeah, so it did feel... There was a lot of sadness and frustration and anger that I found paralleled in a lot of sort of mythological and esoteric things I was reading about over the time I was creating the song. So I like to use those things to create larger stories. larger mythological worlds that using archetypes that are already there usually to create archetypal worlds and explorations where like I'm a character you know what I mean and so so that's how I evolve personally is like I see myself going through this usually it's a visual I'm a very visual person so a visual experience of the song you know what I mean now there seems to be like a sort of like really dark but mesmerizing form of witchery involved in this record am I correct on that I think so I mean I think please elaborate um well I mean once again it's not something I've ever very mystical yeah it's not something I've ever tried to do but I do feel like um what I relate to is a lot of like underworld gods and goddess sort of energy um that space of the shadow self um is where I find myself drawn to and I feel like that's sort of the most work that I have to do on myself um so that's kind of the territory I just always end up in um it's pretty dark down there you know what though it's lost Johnny correct me if I'm wrong dude I'm I'm I'm on board I mean it's very very very refreshing for me to be able to experience a band that really does not fall into the genres right you know yeah but yet they capture and have the same characteristics of what you would especially being an underground extreme music fan would partake to the music is very very very articulate and what I mean by that is is you could dissect the lyrical aspect of it the musical aspect of it and it really brings you a full satisfaction of the music and the music itself and once you digest it right well it's also a reminder too that music can be heavy and powerful without having to be aggressive and being overtly crushing like yes you can tune down the d and have some like crazy fucking rig or you know you can be just as heavy plucking that one string and holding it and sustaining it and that's equally powerful yeah I gotta agree for those of you that want to experience what I already know this Wednesday the echo three hours later three hours later 319 you are playing with Mutoid Man Mutoid Man light system and Mossbreaker make sure you go see block mayor this is happening at the echo this is gonna be a really great show this Wednesday what time are you playing oh I think it's 930 945 945 we're the second of four so I think it's Mossbreaker and then us and then light system yeah this is very important to document because everybody's like on fucking lax time here in LA you gotta get there make sure you see black make sure you see black make sure you see black mayor this is incredible for those of you that mayor this is incredible for those of you that are fans of black man Horseman or Iza are fans of black man Horseman or Iza Gemini as we've mentioned this is just a Gemini as we've mentioned this is just a fan of fucking good music yeah but as we mentioned this is Sarah Timms' solo project. Does it bother you when people portray or describe you as the solo project? Because you don't really seem to have any egotistical, very, you know, conceited type of effect. Does it bother you to say that this is your solo project? No. It feels great. Does it really? Oh, yeah. You have that whole Stevie Nicks kind of vibe? Like, hey, this is me? No, really. She was very confident, man. This is me. This is my shit. You know, not so much to the point that I named it Sarah Timms. You know, I still called it something else. So it's still I try to have it be embodying like a spiritual or higher self archetype that I represent, rather than just myself here on Earth. So. That answer is awesome. Yeah. It's not just about, this is my song and this is how I'm going to play it. And me, me, me, me, me, me, me, me. That is also very refreshing about it. By the way, the fact that you are not egotistical. I mean, in a city of fucking Jesus. In a city of hormonas. In a city of skinny jeans. Don't get me started on that. Alright, let's take a little time capsule back and let's listen to some prior bands that you're involved in. Which, again, I must say, this is very impressive. It's also very impressive to note that not only have you elevated from your other projects independently. In other words, they all don't sound or incorporate the same, but they still capture that very hypnotic, very addictive factor of you. So, hands off, Jenny. Hit it. And, uh, what line of business might you be introducing? God's business. Which finding? Which finding? Oh, that's nice. That's very nice. ... ... ... ... ...! guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo Beware the doom of the living dead.çç guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar soloçççççççççççç Coming down the aisle is Bachelor No. 1. His name is Jimmy Cavs. He likes skinny jeans, and he has a diabetic glow about him. Oh, boy. Don't start with that. Oh, we just heard Blood Ceremony. Awesome band who I think I saw open for Ghost at the Roxy. That is correct. That was an awesome show, and they're an awesome band. Name that song is called Master of Confusion from the record of called Blood Ceremony. And we started this set with Black Mare. The song Terror from the—or Terror? Terror. Terror. From the record, Field of the Host. Oh, my God. Heavy shit, man. Now, this record is out now, correct? That's correct. All right. How can people get a hold of this record? Oh, they can get it—well, if they want vinyl, they can get it from The Crossing. We love vinyl. Now, The Crossing is— Omid. Great guy. I can't say his last name, but Omid runs The Crossing, and he is a great guy. Puts out some really great stuff. Yeah, will you be having the vinyl at the show? I will have the vinyl at the show. Boom. Oh, I need that. I need that. Yeah. And then the CD is out in Europe, so it's available on Human Jigsaw Records. But it's also available on iTunes and Amazon and all that stuff. How has the response been in Europe? Well, I mean, it just came out like a month ago, so the press has been really good. I don't know what to say besides that. It's been getting a lot of good press. Have you played out in Europe as— Black Mare? No. No, no, no. What about as Zion? Yes, we have. Yeah. Mm-hmm. Yeah. Mm-hmm. Yeah. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. The best tour we ever did was in Europe in September and October of 2012. Yeah. Yeah. That's right. Yeah. Did you trip out like on their interpretation of an American breakfast? Oh, God. Yeah. Like, this is a snack. Yeah. Sorry about that. Sorry. Sorry, Euros. We don't like your breakfast. All right. So you're playing this Wednesday at The Echo. You're playing with Mutoi Demand and Light Systems. And let's also mention Moss Breaker. This is happening this Wednesday at The Echo. For those of you that really want to go experience what I have been talking so highly about, the Black Mare experience, this Wednesday is it. Make sure you go and check out Black Mare. Get there early. Yeah. Get there early because you're playing early, correct? Like 9.30. Oh, Jesus. That's criminal. But yeah, you should get there early and see Black Mare. And now, this is worth mentioning. Our good friend Dan Church of the AFD, he's having a great show. Well, you're playing as well. You're playing with Glare, Sumatra, and Child. This is interesting. This is happening at The Complex. We love The Complex. Yes. They got really good beer there. They have really good beer, and it's very close to my house. Okay. This is happening April 30th, so jot this down on your calendar as well. Black Mare will be playing this event as well. And this is only $5. Fuck. I'm not even going to bother Dan Gisbel for this. I think you have $5 with the cans in the bag. I do. I do. This is brought to you by Church of the AFD. Make sure you check out Black Mare. Again, let me mention, with Child, Sumatra, and Glare. And as Sarah pointed out, Glare features some of the members from Ancestors. That's interesting. I'm a big fan of that band as well. That is interesting. Now, what are our goals with Black Mare? Oh, wow. Goals. Are you planning? Do you want to tour? Yes. Do you want to tour? I love touring. Do you really? Uh-huh. Wow, that's interesting. I love it. What do you like about it? I have always loved to be in constant movement. And I love, I just love moving from one place to another and being able to play every single night. Even when you're in that certain region of the United States where it's kind of like, you know, a little bit 20 years behind? It's funny. It's amusing. You have to be able to laugh at it. Hey, girl. You're wearing a Don Ed Hardy shirt? Whoa. Whoa, man. Hey, girl. You're going to play Barracuda? It's funny. We really should play Barracuda. I know. We should. No, don't do that, please. Yeah, touring is great. That's my favorite. Aside from creating the music. Do you find that, I mean, obviously you toured with Ida Gemini. Did you find a surprising aspect to new audiences? Did you find any surprises outside of the so-called-unquote market in the United States? Yeah. I feel like people outside of the market get a lot more excited about music. You know what? Yeah. I agree with that. Yeah. Possibly because they're more appreciative because they never really get that influx. Right. Or they're drinking more because they drink a lot more too. Like Kentucky bourbon. What you mean black Mary coming out here? God damn. Do you picture yourself taking a break? I do. Do you picture yourself taking Black Mirror overseas? For sure. Yeah, absolutely. Are you excited about that? Yeah, definitely. It'll definitely happen. We already invited to a small festival, but it actually conflicts with a date that Ida's playing that we're really excited about. How do you separate both projects? I guess I'll figure that out as I go. You know, I haven't really had to deal with any of it yet because right now Ida Gemini just finished recording our album and it's not coming out until September. really doing we're kind of in hibernation until the new album comes out and the black mare album just came out so that the live stuff is really focused on black mare right now and when i the gemini album comes out it'll shift to i the gemini to focus on the new album coming out and and then who knows i know that we asked you this before and i know that you said that you know when it comes to black mare that it's more of a personal aspect for you but do you ever think to yourself i don't know if you're as neurotic as i am but do you ever think to yourself like oh man like this would go really well with aids oh shit but i you know should i throw it towards black bear i mean is there that kind of like artistic conflict it's not really conflict that so far hasn't been a conflict i kind of know which one goes where um definitely how do you uh you know just differentiate how do you do that um it's just really it's like time like usually an idea comes and it's like a little tiny you know breadcrumb or something like that and then you know you're like oh this could go in aids or it could go in in black mare like with video ideas right now that's kind of happening and i'm like i'm not sure which one and then another idea comes on top of it and then i start to sort of picture what the music is that it fits into so it just kind of it figures out itself if i'm just patient now jay do you do you like you know help out a little bit here do you throw your two cents in to with black mare i have no i keep all my change in my pocket you're smart but but the but then with with eyes it's usually you know it's my fistful of change on the table that we start with and now have you ever like experienced that like hey this should be more towards sides what do you do well no because i mean uh i mean that should be over here because usually it's the i'm presenting her with musical stuff for eyes where she with black mare she comes up with her own stuff and it doesn't it doesn't the music doesn't kind of doesn't go both ways really like if i'm so you see the difference yeah well i mean you see the division musically yeah i mean uh yeah because musically usually the idea will start with me for eyes whereas i mean every everything starts with her with black mare so i don't i just play bass man dude that's freaking right that is that's the best that's best plan dude i just play bass leave me alone i'm not gonna get into that all right so this wednesday black mare as we mentioned before this is happening at the echo make sure you get out and see this for those of you that are in los angeles that one experience what i already know this is the perfect example make sure you go see the seductive alluring and i say this well to respect uh jay but really i'm sure you've experienced this live because i've seen when you've played with eyes of gemini where you have that whole kind of like hostile alpha male fucking atmosphere and then they're all sedated they do get really calm and sedated you know i i love that man i think that that i i could go on two angles but i think that what it really is is it's that enchanting bringing to the bosom kind of like relaxing atmospheric environment that you provide and i mean you know i mean for me and loss for lost johnny and i to be fucking mesmerized we're usually dicks right yes are we like pinpointing little nitpicks we're both you're playing that guitar out of that amp i should i should say it's not it's not cheap to drug everyone's drink like that you know you're playing that guitar out of that amp you know you're playing that guitar out of that amp you know you're playing that guitar out of that amp but we do we make that that financial sacrifice let me also be very uh uh forward here uh jay you are a dj at a local bar here in los angeles called footsies which is every tuesday and i gotta tell you you not only open it up with like scott carlson from repulsion and then i was just recently there were rosca is it rosca from the lightning swords did i pronounce that correctly yes yeah yeah i gotta tell you man after a couple of after a couple of beverages and then they pour them pretty strong there too i gotta tell you though the music selection will really make you rock out like you're like at a molly hatchet concert like it is amazing what you can accomplish i haven't heard that song in a long time but anyways you dj at footsies and why don't we talk about that man when are you there you're there every tuesday right every tuesday um it's heavy tuesday every tuesday yeah it's uh it's usually myself scott carlson from repulsion and uh tom neely and i'm gonna be there every tuesday every tuesday every tuesday every tuesday every tuesday every tuesday every tuesday every tuesday every tuesday every tuesday every tuesday every tuesday every tuesday listeners might know as the creator of the henry and glenn forever comic book yes yeah we're big fans of them okay we don't need to explain that yeah yeah uh and yeah i mean it's amazing what you can accomplish when everyone in the bar is hammered now let me ask you this because there's a very artistic factor to music selection that goes unappreciated how do you come what is your process when you're compiling your selections for when you're dj sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort of sort So I picked the vinyl beforehand, and then I just kind of... Have you ever thought about playing Black Mare or Ides of Gemini or Black Mouth Horseman? We haven't. I don't think we've played any. I think we played Ides of Gemini once because we had just got the new 7-inch, and we wanted to see what it sounded like in a real sound system. But other than that... One of your guest DJs played it. Yeah, it wasn't even me who played it. I think Tom played it, yeah. I got to tell you, Ben, you do a great job DJing. You actually really put us all to shame. All the DJs at Footsies, they really did a great job, man. They made me look like a fucking idiot. All right, so let's mention again, Black Mouth Horseman. They will be playing this Wednesday at the Echo. I'm sorry, Black Mare. What an idiot. Black Mare Horseman. They will be playing this Wednesday at the Echo. Make sure you guys experience what I already know. And also, as we mentioned before, this is really going to be a great show. This is happening at the Complex, April 30th. Okay, this is Church of the Eighth Day, our good friend Dan Dismal. This is with Glair, Sumatra, Black Mare, and Child. And this is only for five bucks. Five bucks. So I'm not even going to ask Dan to be on the guest list. This is a must. How can people... We mentioned this before. How can people get your record? Human Jigsaw puts out the Black Mare record, and the vinyl is via the Crossing Records. And you will have the vinyl at your live shows. Yes. Which is most important. The vinyl, as we all know, is now very appreciated. It's true. Fucking A. It's not even making a comeback. It's come. It's here. It's definitely here. It's done. All right. Let's listen to one more track off this great record, and then we'll get back and say farewell to the lovely Sarah Timms and also Jay Bennett. I don't get a lovely. Dashing. You know what? You. I think you might be... Let me pound a couple more beers. Guava. Hands up, Chitty. Hit it. Let's go. Let's go. Let's go. Let's go. Let's go. Let's go. Let's go. guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo on the night of the witch's sabbath the cavern of 13 gathers for the black mass of deathlahlah Blackmare will be playing, as we mentioned before, this Wednesday. That's happening at the Echoplex. And then this is most important. April. Where's the date on this? All right. April 30th. This is going on at the Complex. I love that place. This place is fucking awesome, man. And they have a great beer selection. This is a show brought to you by Church of the Eighth Day. This is Glare, Sumatra, Blackmare, and Child. Make sure you get your tickets for that. All right. Five bucks, dude. Come on. All right. It's Monday. It's St. Paddy's Day. And as you know, a good portion of my audience will be going out to bars getting fucked up. Jeff Full, are you on the line? Yes, sir. How you doing, Jimmy? Hey, Jeff. Great to hear from you. Now, listen. Tomorrow is St. Paddy's Day. As you and I both know, people will be going out and they will be indulging in mass consumption of green beers and God knows what else. They'll be drinking plenty of the whiskey. Yeah, they'll be plenty drinking. Okay. What advice do you have? What advice do you have for these people once they leave the bar? Everybody's Irish on St. Paddy's Day, huh, Jimmy? I wear a bow. What advice? The best advice, honestly, don't drink and drive. Don't do it. Don't do it. Take a cab to the bar and leave in a cab to go home. You know they're not going to do that, Jeff. That's the best advice. You know they're not going to do that, Jeff. They can call Lyft, you know, get one of those cars with the pink mustaches on it. You know they're not going to take a bus. You know they're not going to take a bus to a bar. You know they're not going to take a cab, especially if you're from East L.A., man. They're going to be driving their cars. So if they leave the bar, and I don't want to encourage this, but you know people go to bars and they get fucked up, man. It's very rare that someone's like, oh, I've had two beverages. I better chill the fuck out. Right. What should they do if they encounter law enforcement? By the way, let me just mention this real quick. All comments expressed by Jimmy Kapser's guests do not in any way, shape, or form reflect Skid Row Studios. Staff, management, or their sponsors. All right. Get that legal stuff out of the way. Okay, Jimmy, so here's the deal. I think you're asking me if someone has been drinking, they're behind the wheel, lo and behold, they're getting lit up by law enforcement. What to do, what not to do. Am I right? Exactly. All right. If you didn't take Jeff Ball and Jimmy Kaps' advice not to drink and drive, and you're in that situation, be polite. First things first. Have respect. They're going to arrest you anyways. Don't be an asshole. Cops are going to remember you. You be a nice guy, nice girl. The cop may forget some of the facts of the case later on should you decide to go to trial. Nevertheless, here's what you do. You do not blow. Always bleed. Remember that. I think your clientele, your listeners can remember that. Don't blow. Always bleed. Why? Don't take a breath test. Take a blood test. The reason why I say that, Jimmy, is because I can retest your blood. When you take a breath test, after your second blow, they've got to take two in California, they purge the machine. Your breath sample dissipates into air. It's gone. I can't retest that. Blood must be saved for a year. Regarding what test you take, don't refuse a test because that's an automatic one-year revocation suspension of your driving. privilege for a first offense, second offense, two-year revocation, and so on. Nevertheless, always take a blood test because I can retest it for alcohol content, and then I go two steps further. I check it for preservative, the amount of preservative that was in there, sodium fluoride, there's supposed to be a certain amount, and I check to see if there's any bacteria present in the blood sample. Law enforcement doesn't do that. The prosecutor doesn't do that. They only check for alcohol level. So that's if you get arrested. God forbid you get arrested because you've been drinking and driving. The best way out of a DUI is this. Don't answer any questions. Don't take any field sobriety tests. Simply say this. I hope your listeners got a pencil and paper handy. Here's what you do. The officer's going to arrest you. He's going to smell the booze on you. He's going to see the vomit on your shirt, the open can of Bergie next to you. I mean, you're done. He's going to see all that fucking powder on your shirt. He's going to see the Tommies all over your chest. So here's what you do, man. Here's what you do. You're going to get arrested anyways. Be polite. Tell the officer, I'm not going to answer any questions, officer. I'm not going to take any tests. If you arrest me, I demand a blood test. Okay, that's on the field, correct? That's right. You don't blow into any handheld device. Remember the golden rule. Don't blow, always bleed. Right. Don't blow it. Don't blow it. So that includes the handheld preliminary alcohol screening device. Do not blow into that. Now, what if you run into, let's just say law enforcement that tends to be very alpha male-ish and very threatening and they tell you that you're going to be, that you're fucking yourself over and you're making it harder for yourself. Okay. You have that right to decline those on-field sobriety tests, correct? Yes. You do not have to submit the field sobriety test. If your case goes to trial, the prosecutor can comment on your failure to comply with the field sobriety test as your consciousness of guilt. However, your defense attorney simply asked the cop on the stand, isn't it legal? Don't we have the right to refuse field sobriety tests? And the officer says, yes, of course, it's your right. You don't have to take field sobriety tests. The preliminary breath test, the handheld breath testing machine is a field sobriety test. Do not blow, always bleed. And important, don't answer questions. Remain silent. We've all watched Adam 12 and Dragnet since we were kids growing up and whatever cop shows you got now. Remain silent. The officer wants to know how much you drank, wants to know when you drank. You don't have to take field sobriety tests. Remain silent. We've all watched Adam 12 and Dragnet since we were kids growing up and Whateverç Officer, if you arrest me, I demand a blood test. I'm not going to take anything else. That's it. So, Jeff, would it be safe to say, like, the most common mistake people do when they get pulled over, especially people that are not, like, criminals and affiliated with the process of dealing with police, is they get nervous and they'll say something like, So, where are you coming from? Oh, I came from, again, Los Johnny's house. Well, have you had any alcoholic beverages? Oh, I only had two beers. And a joint. Isn't that fucked? They should just keep their mouth shut, correct? Absolutely. That's the standard response. And most of the police reports I read for DUI clients, it's two drinks, two beers, or two glasses of wine. Just don't say a word. Say nothing. You don't have to. Why do you want to help convict yourself out of your own mouth? Don't do it. Yeah, well put. Now, real quick, I got to add this because lately with this whole cannabis fucking infatuation, the same goes for fuckers that like to puff, right? If you get pulled over and you're stoned, DUI affects you as well, correct? Correct. Correct. Correct. Correct. Correct. Correct. Correct.! DUI affects you as well, correct? Even if you have a so-called quote-unquote medical card. Yeah, a lot of people don't realize that. They figure, oh, I got this Prop 215 recommendation. I know I can carry less than an ounce of weed for personal use. That means I could drive. No, that's not true. No. What? Because there is such a thing as DUI drugs. Drugs meaning weed, coke, meth, you name it. So, DUI marijuana is a crime. Yes. Yes. All right. So, in other words, the same applies if you're like a puffer and you got a bunch of fucking cookies in your pocket, right? Keep your mouth shut. Well, yeah, but let's be clear. I think I understand your question now, Jimmy. In this instance, if you've been smoking bowls all day and you don't even like alcohol, but the cop sees you weaving all over the road, and let's hope the cop doesn't realize you've been smoking weed, then you don't want a blood test, right? Exactly. You want a breath test. Ah. So, the first rule I said is for alcohol only. But if you've been, you know, hanging out with Bob Marley. Or Salvadori Mike. You want to blow. You don't want to bleed. All right. Jeff Foll. How can people get a hold of you if, for some reason, they totally disregarded this free awesome advice and they get all fucked up tomorrow at Footsies? I'm just kidding. On the web, my man. Crimeattorney.com. All one word. Crimeattorney.com. Jeff Foll. You're the best, man. For those of you that are listening, not only can I vouch for Jeff Foll being the true metal gladiator, but you really do. If you find yourself in this situation, I'm speaking firsthand from my own experience. It's humiliating. It's fucking traumatic. And expensive. And expensive. You want to have a true lawyer that's going to back you, that's going to be credible, economically feasible, and guide you in the right path. So, again, this free advice. Take it for what it is. But if you find yourself in that net, especially tomorrow, because it's St. Paddy's Day. And let me tell you, law officers are out there. They've been out there this weekend. Dude, this whole week, they've been out on the hunt, man. It's gnarly. So, Jeff Foll. Jeff Foll. Again, how can people get a hold of you? On the web, crimeattorney.com. I am centrally located in Hollywood, California. All right. We love you, man. Thank you, Jeff. Take care, Jimmy. Later, bro. See ya. All right. By the way, you know, Jeff Foll is a real deal fucking attorney. Like, he is no joke. He's the fucking gnarly, as you like to call, legal octagon warrior. Yeah, he got me out of my shit. Yeah. And, uh. It fucking sucked. Again, kids, very important advice. Shut the fuck up. No one wants to hear how you got drunk at my house or stoned at Salvadori and Mike's house. And no one, you know, no one wants to see Tommy's, you know, drunkenly spilled all over your chest. Shut the fuck up. Do your thing. Hopefully, you'll get out of it. And be cool. All right. Let's mention again, Black Mirror Horseman. Which has nothing to do with this. Jesus Christ. Cavs. Black Mare. Black Mare. Whatever. I'm a fucking East L.A. guy. Black Mare will be playing this Wednesday at the Echo. As we mentioned before, they're going to be playing with Light Systems and Moss Breaker. And Mutoid Man, which features some of the guys in Cave-In and Converge. This is going to be a great show. Make sure you get there early. You're playing around what time again? 9.30. Get there early and experience what I know. And then this is most important. April. Coming in April at the Complex. April 30th. Make sure you check out Glare, Sumatra, Black Mare, and Child. This is also going on. This is brought to you by the Church of the Eighth Day. This is only $5. I'm ashamed to even ask Dan to be on the guest list. Make sure you go check this out. This is going to be a great show as well. And also, how can people pick up your new record? The Crossing Records has the vinyl. It can be downloaded actually at Black Mare Band Camp. As well as Amazon. Amazon, iTunes, and Human Jigsaw Records. All right. I want to thank Sarah Timms and also Jay Bennett of Black Mare. I want to also... And also, I do Gemini. Absolutely. But I also want to say this. It's very, very refreshing for me to have the opportunity to speak to true artists. It's very refreshing for me to be able to say that in Los Angeles, artistic credibility still exists. I really enjoy all your projects. It's not only your art, Sarah. But one of the things that comes collectively in mind is that it is artistically authentic. And what you do really comes from the heart. I want to thank you for what you do. And I want to thank you for being on The Berry Man and Jimmy Cash. Yeah. Fucking give these guys a round of applause. Thanks for listening and for appreciating it. I can't believe I said that like without fucking it up. You can say that whole, you know, diatribe. But you can't get the fucking band name right. Come on. All right. Thank you. Thank you for being here. All right. All right. All right. Also, let's mention, Jay, you'll be DJing every Tuesday at Footsie's. Yeah. Actually, I won't be there this Tuesday. In all future Tuesdays. Yes. All right. And as we mentioned before, tomorrow, a lot of you will be getting really fucked up. And, you know, it's funny because, like, here in downtown L.A., they're really encouraging you to come into the festive, atmospheric, intoxicating events of St. Paddy's Day. But then they have LAPD fucking right there. Right ready to get you into these systems. So make sure you listen to Jeff. Just lay out the bit of the whiskey a bit more. Yeah, make sure you lay out the fucking whiskey. Go with one kind of green, marijuana. All right. With that, we're going to end the show. Hands off, Jenny. Mr. X, thank you very much. Thank you all for listening. See ya. See ya. See ya. See ya. See ya. See ya. See ya. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back.