We're going to play a little tribute to our neighborhood boys. All aboard! All aboard! Yes! Yes! Oh, the Mormon's got the clap, that's for sure. There's still a place in L.A. where history has rights. Take Macy's Street to Brooklyn Ave, you'll soon see Boyle Heights. A shoe-long pretzel stands indeed symbolic of our flight. A star on you to live and work in busy Boyle Heights. Here, enterprising, all young can make a decent life. All pack things up and move out west away from Boyle Heights. Well, they call it parking lots and spars, I'm interested in the like, I think I'll stay right here. I'll give you Boyle Heights. Boyle Heights! Boyle Heights! I didn't know you guys were Jewish! Ever since they took my foreskin, I was Jewish. I'm a Jewish fan. We'll do it live. Broadcasting from downtown Los Angeles. We'll do it live! Fuck it! music radio pod. Do it live. I'll write it and we'll do it live. On skidrow.la Fucking thing sucks. In 5, 4, 3 Hey, what's going on everybody? It's the More Music Radio Pod on skidrow.la. What's going on guys? What's going on? What's going on more? Music. What's going on? Thursday, October 6th and we welcome back Olean. Alright, man. We're glad to have you back, man. Glad to be here. I miss you guys. Yeah, man. We're going to talk to you about some stuff you got going on. You're going to play some songs again, man. I can't wait for that. Great, man. Thank you for having us back. I was hearing you guys warm up a little bit, man. It sounds fucking bad, dude. You're spiking already? Yeah. It reminds me of my band. Well, cool, man. You know what? Let's take a break and play a couple things and we'll be back on the More Music Radio Pod. Hello? Hello? I speak to Solomon. I'm sorry, he's not in. Can I take a message? What time he get home? He gets home around 7.30. 7.30? Let me speak to him. Hello? Let me speak to him. How can you speak to him? It's not 7.30 yet. No, he's there. I know it. You're lying all the time. I know he's there. May I know who's calling? Hello? This is C. Who? C. Who's C? He's friend. Can you give me his first name? That's me. Can you give me your first name? Amud. I'm sorry. He's not in. He's at work. He's not at work. He's there. Look, mister. What? Okay. What? I'm telling that he's not here means he's not here. He's there. He means he's there. I know it. You're lying all the time. Get lost. You're lying. Hello? Yes. You're lying. Why you're lying? Why should I lie? I don't know. That's my question. Why should I lie? I don't know. Can you see through your phone that he's there? Yes. No, I see through my window. He live right next door. What do you mean by you live right next door? Right next door. I see in the window he's dancing naked in the restroom. F**k you. What? Hello? Hello, may I speak to Suleiman? May I know who's calling? Huh? May I know who's calling? This is Amud Singh. Amud Singh? Yes. Okay, he's f**king your mother in the bathroom. You want to talk to him? No. Let him finish. Who the f**k are you? I just want to talk to Suleiman. Well, he's f**king your mother. How can you talk to him? Why do you talk like that? Why do you talk like that? Well, why you are asking me to... Hey, hey. I don't be mean to you. I don't. Then why don't you give me your phone number and he can give you a call? I'm not gonna give you my phone number, b**ch. Then f**k your mother. Then f**k your mother. F**k you. Okay? No. F**k you. Why don't you go and f**k your mother yourself? You are my mother. F**king you son of a b**ch. Who do you think you are? I am... I am Allah. I am Allah. I'm testing you. You're gonna go to hell. Oh, you are Allah? Yes. Oh my God. Can you give me a ring right now? Let me see from my window. F**king you son of a b**ch. What? Hello? Hello? Yes. May I speak to Suleiman? Hello? Hello? Hello? Hello? May I speak to Suleiman? May I know who's calling? This is Steve. There's no Suleiman here. Who? There's no Suleiman. Nobody with this name. Suleiman. Yeah. See, I work with him. This is Suleiman Begani's residence, isn't it? Okay. Your name is? Steve. Steve? Yeah, Steve Davidson. Suleiman doesn't stay here now. Where did he go? They already shifted to Ontario. Ontario? Uh-huh. Okay. Do you happen to have the number there? No, sorry. I don't have that number. How come you're lying to me? You f**king man. I don't have that number, okay? You're lying. What are you saying? What? You're lying to me. I'm not lying. Yes, you are. I am not lying and I am not Suleiman's wife, okay? You're lying. Liar. You are a liar, you f**king man. What? You try to call me next time here. Honest to God, I'm telling you, I'm calling the police. Why you say that? Why are you disturbing us then? I want to speak to Suleiman. I told you that he's not in. Give me your phone number and he'll give you a call. S**t up. I don't give you my phone number. Then why are you calling us here? S**t up. You s**t up. You s**t up. You s**t up. You s**t up. Why should I s**t up? Because you s**t up. F**king you son of a b**ch. What? You son of a b**ch. I don't know. Your mother is a b**ch. She's a malaya and she's standing in the road and my husband is the one who's f**king him. What? F**k you. What you say to me? What? What? You are mother's child. What is b**ch? I don't know what is b**ch. You don't know b**ch? No. Your mother is f**king all the men. That's called a b**ch. Oh. Then you are b**ch. I'm not. You are b**ch. I'm not. You son of a b**ch. What? You have a foul mouth. If you want to talk to my husband, I'll give you his phone number and call him and see what he wants to talk to you. What's the phone number? You want the phone number? Yes. Okay. 598. 598. 91. 91. 29. 29. Yes. Call him and see what you're getting from him. Uh huh. You son of a b**ch. You are b**ch. F**king idiot. The more music radio pod. on Skid Row. guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo This is Arlo and Mr. T's. If you want to call in at theskidrow.la, it's 1-800-893-9562. guitar solo guitar solo guitar solo Alright, welcome back to the More Music Radio Pod. We have Olean in studio. Yeah, man. These guys, these guys are tuning up and Scott just comes to me and says, you know what? We're just going to come out swinging, man. So, I guess you guys are going to bust a song for us right now, right? What are we going to hear? We're going to hear a song called Evangeline written by Luis Perez and David Hidalgo and we'll talk all about it. We're going to try to play their song right now. Alright, cool, man. Live on the More Music Radio Pod. Olean. One, two, three, four. guitar solo Evangeline is on the road Just barely 17 When she's on the road She left home Don't know where she is Or where she's going She is the queen Of make-believe Evangeline I can still remember This little girl Black eyes and staring At the big world Ran off to find Some American dream She left home Don't know where she is Or where she's going She left home Don't know where she is Or where she's going She is the queen Of make-believe Evangeline She left home Don't know where she is Don't know where she is Don't know where she is Don't know where she is Don't know where she is Don't know where she is Don't know where she is Don't know where she is Don't know where she is Don't know where she is Don't know where she is Don't know where she is Don't know where she is She went out dancing All Saturday night Six dark and then high Blue line and all the rest Monday morning She's all alone Headline by the nightstand By the telephone Evangeline Is on the road Just barely taping When she left home Don't know where she is Or where she's going She is the queen of fake belief Evangeline She is the queen Of fake belief Evangeline Evangeline Evangeline All right, man. That was awesome, man. Oh, hey, you know what? It looks like we already got a phone call. All right, caller, you are live with Olean on the More Music radio pod. Hey, what's going on? Who this is? Hey, what's going on, man? Is this Citric? Oh, hey, tell Citric to say what's up, man. Hey, how you doing, man? Hey, thanks, man. Yeah, man, what'd you think about Evangeline, man? Thanks, man. Hey, man, Browntown Looters, man. The Mormons and Browntown Looters played at Mahoney's a long time ago at City of Industry right there. Yeah, man. Yeah, man. Yeah, we got to hook up again, man. You guys should come down and bust some stuff. You guys are doing that. I don't want to be guys jacked the white dude in the bed. All right, cool. Hello. Hey, what's going on? What's going on, man? This is Vince. Hey, man. Long time no talk, man. Yeah, man. Thanks for tuning in and listening, man. Yeah, you just heard Olean. What's that now? Yeah, man. Thanks, dude. Hey, you got a show, too, right? You got a show tomorrow. You do a hip-hop show. Yeah, we do like a street hip-hop show, man. You know, they paint all the fucking shit from the 80s, 90s, 2000s, and now, you know, like just, you know, like underground hip-hop, mainstream hip-hop, but, you know, like real hip-hop. We're not like the fake shit that's out right now, you know? Yeah, man. Some real shit, man. But we go live, man, from fucking 7 to 9 on LARadioTV.com. Oh, cool, man. Yeah, I'm going to check that out tomorrow, man. Yeah, how are you? Everybody check it out, too. Hey, man. Yeah, dude. Yeah, dude. Yeah, dude. Yeah, dude. Yeah, dude. Yeah, dude. Yeah, dude. It's good to hear that you're still, like, doing music and stuff, but I saw you in a couple movies, man. I saw you in Idiocracy. Yeah, man. Yeah, that was me in Idiocracy. Man. This guy's an IRBD? Yeah, man. It was cool, man. We turned on that movie, and I'm like, hey, man, I know that guy from somewhere, man. What was his character? They slapped a wig on me. Yeah, they slapped a wig on you. What was your character again? Yeah, they fucking did. Is that Puppet or Little Puppet? Hey, what was your character's name again? I forgot. Oh, the Secretary of Defense. Oh, yeah, dude. Oh, yeah. That's funny. Yeah, we saw you in Harsh Times, too, man. Remember that? Yeah, yeah. Yeah, Harsh Times. I played fucking Casper. Yeah, that's right, dude. Yeah, with Christian Bale and Freddy Rodriguez and shit. Yeah, you got blasted in that movie, too, huh? Yeah, man. Everybody on the show saw me in the movie. I'm on the new movie. They be ironic. People be going, hey, that was the baddest movie. Too bad you got blasted, homie. That's really funny. I guess, you know, that's just the way the shit is, man. Yeah, man. I was hoping you weren't going to get blasted, but I was like, no, he's going to get blasted. Watch. After the wig, right? You're like, oh, shit. Well, cool, man. It's good talking to you, man. Maybe we can get you in over here, man. You're doing Pueblo Cafe right now, right? Yeah, right now, yeah. Right now, we're still doing music, man. We're doing, you know, stuff. We're doing Pueblo Cafe, but we're still repping, you know, Block Royal, you know, fucking Luda Family, you know, but Brownside, we haven't really been doing nothing. Just Pueblo Cafe, you know. We've just been marketing to the straight Latino market right now, you know? Oh, cool, man. Yeah, man. Come down, man. We'll drink a few beers. All right. Yeah, man. I mean, you know, whenever you guys, you know, you guys are available, maybe next week or whatever, whatever, you know, it's cool. Just let me know. All right. Cool, man. Yeah, dude. I'll give you a call, man. All right, man. Hey, man. Good talking to you, man. Thanks for calling the Moor. Music Radio Pod, dude. I'll be checking you out tomorrow. All right. Yeah, no, you guys got some dope shit, man. We were fucking cracking up over here earlier. I was on the fucking, on the little sketches and shit, man. Oh, yeah. Those were crank calls that myself and my two other friends used to do when we were like 16, 17 years old. Yeah, no, that shit was tight, man. We were fucking, we were rolling over here, man. Cool, man. I'm glad you enjoyed it, dude. Yeah, you guys keep it up, man. You guys are doing good shit right there, man. So, you know. Hey, thanks, man. We're going to be playing some Brown Town Looters later on in the set, too, man. So, keep listening, dude. All right, then, Citric. All right, man. Table sounds, you know, everybody in the studio there, man. And I hope to see you guys soon, man. Blasos, man. Thank you, brother. All right, then, man. Keep it up. Keep it up. Later on, dude. All right, peace. Yeah. Yeah, that's cool, man. Talk to a movie star, dude. All right, huh? Oh, man, that was weird. I was like, man, that's fucking cool. He has a SAG card and everything, dude. Got a speaking role. Really? In serio? Yeah, man. So, hey, man. We have Olin in studio, man. We got distracted with the phone calls, man. It's cool to get phone calls here and again, you know what I mean? Yeah, we were excited. But yeah, man. So, tell us about that song, man, Evangeline. You guys are working on something. Right, right. She, her name is Evangeline, the queen of make-believe. What we're doing is we're working on a play right now. So, we just kind of came down to play some of the music. And hopefully, you know. We kind of took you back to 1967 because that's when that song is supposed to be played live. Yeah, so we're kind of, we're doing another period piece. Like, we, you know, we work in theater every so often and get to do these kind of cool LA stories. And this is, this one takes place 1967 in East Lowe's and Westside, basically LA. Well, that's cool, man. And so, Evangeline, these guys will tell you one of these days. Evangeline is the main character. And she, check this out, she's a young lady who comes from a typical East Lowe's family. You know, parents came across the border, you know, back in the early part of the 20th century. And, you know, started a family in LA. Right? And, you know. So, what's up with this? This chick, she's like the star of the play. She must have something going on. She's got everything, man. And she goes off to an audition as if, you know, anybody goes to an audition, man. You know, just to dance, you know, or just to go out and try theater or the arts is hard even now, you know. Although with fucking shows like, what, I just left the house and there was like, you know, some fucking talent show that was on. What was it? There's like a new one with that one British dude, right? I think it's fucking. Easier than ever now. Fuck. But back in 1967, man. You know, trying to get, you know, on the three channels that were on TV was a little bit of a challenge. Randy wants to say something. What's up, man? I want to hear your fondest memory of the gong show. The gong show. Hmm. Man, you know what? I had to watch like reruns because. Oh, shit. Unknown comic? Unknown comic? Yeah, yeah, yeah. Okay. All right, the unknown comic. I think I saw the Doobie Brothers on there, man, but I couldn't remember. So. What was your favorite That's Incredible? Oh, shit. That's Incredible. Fran Tarkington? That's all I remember. The ski jump. No, no, I think Stacey Pross or someone was skating on there. Oh, that was amazing. You know. Barney Boy. I like the ghost ones. Well, yes, we've been working on the play Evangeline, but we haven't really read the script. So when I hear the full story, we'll let you know. We're actually fortunate. To be able to do it. You know, Luis Perez and Teresa and Rose Portillo. Tio. Rose Portillo. They're writing the script. They're still writing the script and we're doing the play in a week. But the story has been there and it's written pretty much by Luis Perez, who wrote the song Evangeline. And it's a Los Lobos song. Oh, that's cool, man. And what it's. If you had to describe what the play is about, it's about, you know. Getting out of your comfort zone no matter where. I mean, so it's a universal theme and it seems to work because it's something we all go through. You're saying she had like a double life or something. Yeah. Yeah. I mean, she here she is. Actually, the character is 19 years old. She hot or what? She's fucking super smoking hot, dude. Yeah. Yeah. That's that's who Evangeline is. So she she she's you know, she she lives in East Los Angeles and somehow there's this there's some family. There's a lot of turmoil going on. The old man just died. And and, you know, they got to make some dough, you know, somehow because she's so hot because, you know, beauty in this town, you know, sells right. Right. You know, and sure enough, back then, imagine again, we're talking about the three channels that were on, you know, that were available back in the late 60s or any time before, you know, 10 or 15 years ago. You know, there was only a couple of shows that were on. In fact, after there was like it was there was programs. But when we were doing sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales sales of these pop shows that were on TV at the time. So Evangeline, she's a typical kid, watches these programs, and she's got a natural gift for just bringing out a huge persona on stage that attracts people. So it's kind of like Hairspray, but with a hot chick instead of a chubby one, right? Yeah, I haven't even seen Hairspray. But is that what her story is? It's a John Waters movie, at least I can say that. I didn't mention she happens to be a go-go dancer. Oh, all right. Yeah, that's her double life, right? So she has a straight persona, and then in the nighttime she gets all freaky. Yeah, so musically we have to kind of approach it that way and see if we can interpret their songs a little bit, try to capture some of the go-go dance in music. How many songs are you going to play in the play? As little as we have to, but as many as they tell us to do. So right now we have a good, maybe... eight songs, because maybe like four full songs and the rest kind of like... All the music is by Luis Perez and David Hidalgo for all the scenes. So anything from their book we might have to do. Their music is always kind of painted these huge pictures. Their music kind of goes beyond the actual recorded music, so it lends itself to painting these stories, one song, one global song could do that. But... How does it feel to be working with your idols? We haven't met them yet. We met them on Monday. We're scared shitless, man. Oh, really? You're scared? Why? You think he's going to be a dick, huh? And then you're going to be like, oh, man. I knew it. I hate when that happens, man. Tell them I told this guy that after we work with them, our cycle will be complete. That's true. That's true. I forgot why and how. Maybe you can explain. Okay, well, look it. You know, like, this band has so much basis on Los Lobos, East LA roots, hill-type music. I mean, like, they live, you know, grew up, like, two blocks away from them. Same story. Yeah. Same visions, you know, everything they talk about. And, like, when we write our songs, like, 10 years later, it's like an identical reflection, just, you know what I mean? Yeah. So, like, I was telling Scott one day, I go, you know what? After we work with them, we can, like, almost, like, complete a cycle, like, you know, where we began. Right. And, like, hopefully after this, you know, we're going to... Oh, that's great, man. That's great, man. You guys are kind of nervous, huh? So, you guys are going to meet them and, like, play the songs for them and stuff, or what? Sucks, huh? Fuck. I know. Yeah, you did. Yeah, yeah. It's the worst, man. We don't... We didn't know what we got ourselves into, but it's... It gives us a chance to tell, you know, we like to do these plays that tell these, you know, L.A. story, or take place in L.A., you know? Yeah. Sometimes they're deeply L.A. stories. Sometimes they're those... Mostly in theater, it's the human story. You know, it's what it's all about, you know? And hopefully these people will come out to the shows we're doing at the Autry. In fact, we're going to do three shows at the Autry Museum right off the 5 Freeway, and the dates are Wednesday. October 19th, Thursday, October 20th, and Friday, October 21st. All 730. You know where the Autry Museum is? Yeah, yeah. It's on my way to work, actually. I pass it all the time, man. That's right. You work the most. So, but yeah. What we're going to do, guys, is we're just, you know, we're... We're calling it Lobos Play, but what it really is is a production, and there's a company, Teresa Chavez and Rose Portillo, who have this production company that puts on plays. And have been putting on plays for 20 years about productions. And they've been doing it and doing it and doing it. And in fact, Evangeline has been live, you know, a couple years, and there's been two, you know, a couple people, a couple of the vatos had it before us. So we're the third vatos up there together. But we're going to treat her right, you know? Oh, all right. We're going to rock her, though. We're going to fucking rock her. Treat her like a lady. No, no. Yeah, man, fucking... You know, I always... I always say, man, I got to get out to the theater more, man. I really like to check that out, man. You know what? Leave the back door open. Let me know when it's open. Precisely. You know, and you know, I... I'm just walking like I'm in the place. I want to give this to you, Vince. You know, we were here on this podcast in June, right? Middle of June. Yeah, yeah. And then, you know, and we're not playing a whole bunch right now. We're just, we're in a different mode, you know, raising families and whatnot. And so we've only had a couple shows in this year compared to, you know, the... Typical hectic, like, fucking, you know... Right. Thing we have done for 17 years. But you're at our shows and you're, you know, promoting your... Promoting your things that you're doing. But I appreciate the support, seeing you out there, man. Hey, man, no problem. My pleasure. My pleasure. All right. Thanks. I need that, man. Thank you, our gracious host. I needed that. You don't know how much I need that. And then to invite us up again to, you know, to pitch our wares and stuff. Thank you. Thank you. Thank you. Thank you. But again, so we're doing a play called Evangeline, the Queen of Make-Believe. And it's written by Rose Portillo, Teresa Chavez, and Luis Perez about productions. It's putting this all together. This particular thing we're doing, that we're pitching right now, in the end of October, it's going to be done at the Autry. But this is an excerpt. The play itself premieres next year. Oh, okay. A block away at LATC. We're going to do, I think it's like a, by the way, guys, watch the band's face when I tell them it's going to be a 24 show, but it's going to be like a six-week commitment. Wow, man. Mutiny. You said 22. Yeah, you broke it to them here, man, on the show. Thanks, dude. But it's going to be at LATC. And so we're doing an excerpt. It's a piece of a play, and only for a couple of nights. It's a unique thing to experience, because we've only had this gig for, what, a few weeks, boys? Yeah. You know, we just jumped on. We just jumped on to this thing. Wow, man. And kind of forced our way in, actually. But it's part of an art show at the Autry Museum. This thing is called Art Along the Hyphen. They have this thing where they allow, I can't say allow Chicano's in there, but it's a Chicano show, which is always kind of cool, and there's a whole bunch of things going on. Yeah. Yeah. Yeah. Yeah. In fact, I don't know. You guys ever seen the movie The Exiles? No. Oh, man, brother. Angel knows about it. Who's in that? It's in 1961. It's all these Native American heads in Bunker Hill, man. It's like, it's a Bukowski scene, if you've ever seen one. You ever seen that movie? No. Oh, man, it's great. So this is part of the exhibit. Evangeline is part of the exhibit. But the movie Exiles, it's just about cool low life in Bunker Hill. It was all knocked down for, ironically, where we were hanging out at the Grand Performance in California Plaza. Yeah. Those ghosts are with us, man. Anyway, so this play is a big thing. We're just jumping on to something that's already going, and hopefully they don't, you know. Oh, man, so you sound kind of nervous about it. So you guys have been working hard on it. No, no, no, no, no. You're just going to go and play in front of your idol. Yeah, why don't we play another one by our idols? Yeah, you guys want to play another song? We're actually rehearsing a little bit and working on these tunes that we haven't quite perfected. But we're going to interpret them and play them our way. Fuck it, man. Go balls out. All right, everybody. Olean live on the More Music Radio pod. All right. All right, folks, you're listening to Olean. We'll do a matter of time. So this song and the play comes at a pretty important time. It's an important song. I want to say one thing about all the lyrics and music that we're going to be doing for the play is that they are poetry. And this particular song is about, again, about the immigrant experience. And so, yeah. But with the California kind of twang to it. All right. One, two, one, two, three. Speak softly. Don't wait, baby. Come and hold me once more. Before I die. Happily. There's a lot of work out there. Everything will be fine. And I'll send it for you, baby. In just a matter of time. Hard life. The only thing we know. Come on. Come and tell me once more. Before you have to go. There's a better world out there. Though it don't feel right. Will it be like I hoped? In just a matter of time. And I hope it's all it seems. Not another rapid dream. There's a time for you and me. In a place living happily. guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo Guitar Guitar 1 Not another empty dream There's a time for you and me In a place living happily Walk quietly Don't make a sound Been believing what you're doing I know we can't be wrong Don't worry about us here It'll be alright And we'll all be together In just a matter of time And we'll all be together In just a matter of time A matter of time guitar solo A matter of time guitar solo And we'll all be together In just a matter of time You and me In just a matter of time guitar solo And we'll all be together In just a matter of time Shit, that's a rhyme. I can't be wrong. Sorry. Sorry. Dude, that was fucking nice, man. Luis Perez wrote them lyrics and he's scribbling away on a pad right now. Thinking... He's writing the next scene. He's doing it. I mean, it's his music, so basically he had us step in so he can concentrate on the writing. You know, I mean, he can do the whole band thing in his sleep. Yeah. But, so... Well, I mean, it must mean something. You know, I mean, the guy's, like, been in music for all these years. He means the bottle, desperate. No, I think it has a lot to say for, you know, your reputation. Your reputation and stuff through the years, man. I've always loved you guys, man. Like, it's so good to have you guys in. So anyway, man, let's... Thank you, homeboy. Let's take a quick break and play a couple more songs and we'll be back on the More Music Radio Pod with Olin. More, more, more, more, more, more, more. Yo, motherfucker. You are listening to the More Music Radio Pod from Skid Row Studio in downtown Los Angeles, California at skidrow.com. KLA. Listen to the dirties that fall upon your casket Listen to the flowers that fall upon your grey side Lay in my casket Stare at the wood Just me and Raymond Fifty feet deep We try to scream We try to shout Ain't nobody gonna listen Nobody what? Lay in my casket Stare at that wood My three piece suit My shiny shoes My three piece suit My carnation In my chest Six feet deep Lay in my casket Stare at the wood Nobody listens And you never know if they would You know that they wouldn't You know that they wouldn't Nobody listens Lay in my casket Stare at the wood I'm laying in my car I'm sick, sick, sick Lay in my casket Just me and Raymond Six feet deep Just me and Raymond Lay in my casket Six feet deep Just me and Raymond The Sunday Fest My three tie out I can see my face in my shoes Your offer is The dirt upon my chest Just me and Raymond Lay in my casket Just me and Raymond Lay in my casket Just me and Raymond Lay in our casket Stare at that wood I try to warn the young dogs I'm coming at the wood! Stick me deep. I can hear your mother cry. Listen to the flowers drop. Above my casket. Hey! Hey! Hey! Hey! Hey! Call in, bitch! 1-800-893-9562 Ichi Hapyaku Yakuza Kuguroni I came from my house the other day Coming at me really good There was a ballpark sitting right there It was crazy, crazy, crazy For real? Oh, shit. For real. I had a dream one time That I couldn't run fast And people were chasing me I had that dream No, but seriously I dreamt the other day That I got shot right here Oh, shit. That sucks. Did you die? No, no, no. I hear that's a bad thing If you die in your dreams And I've been killed a couple times In my dreams, man. No, I don't know. I just feel like Like Spider-Man and shit. Supernatural. Yeah, man. The zombie dreams. You guys have zombie dreams? No. Oh, man. Those are good, man. I'm protected. Yeah, man. No, no zombie dreams. I'm not scared of zombies. I never did until I Yeah, they're slow. It's just But it's kind of like Like, you know One or two of them At a time you can handle But like a whole crowd of them You know, and it's like You gotta think about You can't be firing gunshots Because they'll hear it And the whole crowd Will come after you and stuff. Pretty crazy. It's just scary dreams. I got bit a couple times. Like, might as well Have sex with the zombie. Just be part of him, you know? Yeah. Know yourself. Just, you know Just be sure you have A bottle of Purell To put on your On your pito afterwards. Use it as lube. So, yeah, man. We've been hanging out With Olean. We've been hearing Some music, man. It sounds fucking great, dude. Sounds fucking awesome. Thank you. Thank you, man. I don't know what to say. It's an Olean-themed More music radio pod tonight, man. I've been looking forward to it. Well, you know, The last time we were here Was the first time, but That kind of left A good impression on us, actually To come and share the table with you And, you know, talk about The scene that We're still a part of. Yeah, man. What do you think about the scene, man? You know what? The music scene Will always be a music scene. And as long as there is a music scene, I'm happy there's a music scene, you know? Yeah. What are some of the bands you like That are playing to Can I plug one in right now? Yeah, plug it in. Exile and Blue at the airliner Right now. Oh, I missed it. It's happening right now? I missed it. Oh, shit. I like the Shagrats. Maybe we could call them up And see if we could hear them In the background, man. We can get the number To the airliner And see if they played. They're playing right now. Yeah, but do you know those guys? Yeah. That's cool, too. Well, I know, yeah, Like, my friend got in With the Chinky Eye guys, The ones, you know, They threw it, so. Yeah, man, we can call them up If you want, man. See if we can get them On the line, too, man. We'll look up the number To the airliner. So, cool, man. You guys are going to play Another song? Or what you got going on? Yeah, man, we'll play. You guys look like ready. We'll play another song for you. But we actually We wanted to plug One more show. On the 20th First, I believe. No, it's going to be In our neighborhood, Boyle Heights. That's right, Boyle Heights. October, Saturday, October 22nd, 9 p.m. And this is going down At an old salon, An old place That we used to score a blow And get hookers at. It was called The León de Oro Back in the day. Just blow, man. Okay, okay. Back in the day When we were In kindergarten. It's an old Ballroom that I hear stories about. I've even heard These old tales About, you know, Guys meeting, you know, Dancing with women With hooved, you know, Like these devil I mean, it's like These urban legends Going on about this place. All right, this place Is on First Street. It's called Salón de la Plaza. It's 1866. Saturday, it is the 22nd. We're playing with The Shag Rats. Oh, cool. You were telling me About those guys, right? That's right. Wild Pink Horse. Wild Pink Horse, too. And these guys are doing And you know what? The coolest thing about The music they're playing Is they're not They're not really trying to do it. It's kind of like Their skill level, But it sounds Like the thing That we're trying to sound like, Which is, you know, 60s garage Garage rock. Garage rock. Yeah, that's kind of cool. It's actually refreshing To see some kids Fucking capture A piece of music That was jamming, you know, At that time. And to fucking do it. And that's cool. It swings. Yeah, that's what I was telling these guys. Like, there's always Going to be different scenes No matter what era you are, You know? Like, the 60s, You probably had the mods And rockers And all kinds of stuff Going on, right? The Vietnammers Versus the non-Vietnamers. Yeah, yeah, man. So, like, in that case, So what scene do you guys Like, fit into? Like, what are the You know, I'm trying to figure out What scene my band Fits into nowadays. As of next week, We're doing theater. We're doing theater. We're doing theater, man. And another week, We're playing Irish music. And another week, We're doing somebody's Cool Jewish wedding. And the thing is, Our scene is where It takes us. And we don't really have one. So that's... It's the L.A. scene. Yeah, you guys are beyond that. L.A. scene. But at the same time, That's kind of always been The way it's been. But not really. When we first started in 94, What happened is, We hooked up with, like, This whole Silver Lake scene. We were kind of completely Different from that scene. And that scene now has Completely gone. I believe, Because the music That's coming out of there Is not as fucking Balls fucking to the wall As it used to be. Right. It's kind of wishy-washy. Music is still good, though. But, like, They choose to fucking Book, you know, Horrible shit. But good music is there And even better. You know, it's all out there. Yeah. Yeah, the stuff that's, like, You know, getting, uh, You know, the good shows Is kind of like Pussy music, actually. You know? Yeah. Just, like, Pussy fucking wishing. You say it like it's a bad thing, man. Yeah, you know, I mean, You know, sometimes, you know, There's, Pussy music is called for, You know, like, When your heart is broken. And, uh, you know, you're sad And you want to play some, You know, sad sap Fucking music or something, You know, but, Fuck, man, I mean, Where are all the fucking Rock bands, you know, The fucking kick you In the fucking stomach Fucking rock music? Well, check them out. One of them, They're called the Shag Rats. Yeah, yeah. And they're doing this Real 60s, boom, Cha-cha-cha-cha-choo. Lobos have been doing it For 40 years. Well, yeah, so, There's still some Fucking good music out there, You know, it's just, Because people are coming Into L.A. and they're, like, Taking a look at the, You know, what's going on Right now, and, like, I just don't want them To get the wrong impression, You know what I mean? Not everybody's a Fucking douchebag here. True that, true that. That's why you should come To see the Shag Rats Saturday, October 22, With Olin, Salon de la Plaza. 1866, East 1st Street, 9003, It's in Boyle Heights. It is. Cool, man. I want to check that shit out. All right. So, what do you guys Have in store for us, man? We're going to rehearse Another tune, probably. All right. Or no, we're going to do I'm glad that we can Help you out With the rehearsal spot. I know. Thanks for leading in With that, The Voodoo song, By the Voodoos, you know. Oh, yeah, man, That reminds me, We're playing with Voodoo Glow Skulls, Man, I told you about that, Right? We're really excited. No, I don't listen Every week, And you haven't been Plugging it every week For two months. I might have mentioned it Once or twice, you know. Where's this going to be, brother? This is going to be At Alex's Bar On October 22nd. Yeah, over in Long Beach. That's going to rage, man. You know, that shit. Yeah, man, we get to play With Voodoo Glow Skulls. I remember when we were In our first band, The Dyslexics, man, We went to a Voodoo Glow Skulls Show, and we're like, Oh, man, we want to play With these guys. It's going to be so fun In 15 fucking years, And now we finally get To play with them, man. It's cool. We like that band, man. Yeah. Pretty fucking rad. Riverside. They've been telling Chicano story for a long Ass time, you know. Yeah. Cool, man. You should have them On the show. I bet they'll come down. Yeah, yeah. There's talk about that, man. They said they might Want to come down And do something. Yeah, man. So you guys are going To play another song. Tell us about this song, man. What's it called? Well, it looks like We're going to do One of our tunes. Yeah? All right. Which one? Let's do... Yeah, I'm sick of Fucking Los Lobos songs, man. I want to hear Some fucking old lesions. Why do you love Amber? What about me? What about me? You ain't ready for us, homie. Come back to us, homie. Come back to us, homie. Come back to us, homie. Come back to us, homie. Come back to us, homie. Come back to us, homie. Come back to us, homie. Come back to us, homie. Come back to us, homie. Come back to us, homie. Come back to us, homie. Come back here, God, since last day All will mount on His eyes, His wings Past the port, then to the person on the cliff Hand in side, pen and paper, empty pack Nothing doing on my back Rolling down the avenue Cause I got nothing else to do Yeah Yeah Yeah Yeah Oh yeah By noon the sun held high On the south side of the sky Flooding as far as the end of all its might Above my dome a web of wires Like a branch down in the sky Where pigeons bob their mellow teeth Stuck deep by the trees Yeah Yeah! Yeah Oh yeah Oh yeah Yeah Oh yeah Oh yeah Oh yeah Always time to go Way to love is true Take room for the Lord Know that ye need their help Sweat, pain, and heart to lend a word Always time to go Way to love is true Take room for the New Let them question it all too, yeah Take room for the New Let them question it all too, yeah Take room for the New Let them question it all too, yeah Take room for the New Let them question it all too, yeah Wet old hipster from L.A. He parks out all day Some chookies play the pokes Como si, como no And in there lies the run Just a ruler on his side Customs and traditions With small grand up predictions Oh yeah Oh yeah Oh yeah Oh yeah It's always time to go Live to make another show Die to make room For the new Let them question it all too Yeah Yeah Alright I feel like I just Pulled off a Nice holly and I got a yeah And I feel it brother Thank you We have an applause Sound effect too Yeah Bust that out Yeah Yeah Yeah Thank you brother Thank you We got different kinds of Applauses too Some with cheering Like a state We got a stadium Clapping and shit Yeah Alright Olean Alright Thank you Jerry Woo Oh man That was cool man What was that called That one's called The Last Chicano Oh cool And it's It's It's not about You know That ain't ever gonna happen Right right Hopefully No no Hopefully Did you say hopefully Unless Yeah unless we all go back right Yeah we reproduce man Shit Yeah man So you guys got another one You gonna play or what I see you guys Molding around man Yeah we're looking at our list here How about we do Another tune From Evangeline Okay Okay it's called I Walk Alone This is for TC Chris Chavez Yeah I tell you when we were doing this I tell you when we were doing this I tell you when we were doing this I tell you when we were doing this I tell you when we were doing this I tell you when we were doing this I tell you when we were doing this I tell you when we were doing this One, two, one, two, one, two, three, four. I'm gonna walk alone, I'm gonna walk alone. I walk alone, and I walk with you. I walk alone, I can't walk with you. I don't want nobody else, babe, no one else to do. I said life is too precious to live alone. I said life is too precious to live alone. See a house without love, babe, ain't a house at all. I'm gonna walk alone, I'm gonna walk alone. When I hold you tight. I close my eyes when I hold you tight. It's a dream that I have, babe, almost every night. I'll walk alone, I can't walk with you. I'll walk alone, I can't walk with you. I'll walk alone, I can't walk with you. I'll walk alone, babe I can't walk with you I don't want nobody else, babe No one else with you Hey! Yeah! Alright, man. Olin on the More Music Radio Pod. Thank you, David Hidalgo, Luis Perez, and Cedars even in there singing their song. Man, that sounded great, man. Hey, we're going to take another break and we'll be back on the More Music Radio Pod. Don't take this offensively. The More Music Radio Pod. Oh! Jinjo, my love to you. Skinroad.LA Oh! Oh! Oh! But I pop your head open like a pimple. Blood all over the place. Add some color to that pale face. Once you were pink, now you're fucking red. Now you chair with geek cause you're fucking dead. That's how I live like Joaquin Molleta. I kill caballos and I take that video. Except when I do it, it's a crime. Even though you white devils do it all the time. So now you listen close like you don't understand about how you fuckers think you got the fucking land. You motherfuckers took everything that's mine. Now you wanna take my spirit and my mind. Set it up for the new world order. Lots of them wanna listen and time's getting shorter. I see you fell for the fucking scam. So now you're past the vacillate to Uncle Sam. They fucked you up and got your brains. So now in days you're putting on the chains. They wanna brand me with an ID chip. But I got my grip on the full loaded clip in the ends. Justify the means when you out killing greedy things. I put your ass in every lawn. Cause this time I bring it down Babylon. Who's this kid quick to step just like River dancing? On the mic I'm enhancing the microphone. I stand alone. You're all clones like the roots. It's just like this. All whack MCs that get the boots. The timberland or the lugs. It's just like this. They're all bugs. Thugs think they're all ruggish. But in the reality they're all rubbish. They should go back and take a shower. I devour MCs when I claim the fame and power. That's my crew. I left you black and blue and lying in the street in the roly poly. You pray holy Jesus who's gonna save me? No not you. I'm coming at you and you don't got a clue. Like Scooby Doo and all the friends. I don't give a fuck. Rock the mic and to my very end. Fifty years of age I still be catching rage. Front page of the times. Best one knows how to rhyme. Oh Oh Oh Oh Oh Oh Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. This is Karen Centerfold. Call in to the Moore Music Radio Pod. 1-800-893-9562. 1-800-893-9562. Call in. 1-800-893-9562. All right. Welcome back to the Moore Music Radio Pod. We're here with Oleem. Man, we've been hearing some good shit, man. I'm having a good time. How about you guys? Well, yeah, I just heard the Browntown Looters. Yeah, man, Browntown Looters, man. Living life to the fullest. I just saw some downtown looters myself. Funny thing, yeah, we're smack in the middle of downtown Los, and, you know, it's a movie scene, you know, they're popping off fake caps. Yeah, they're filming a movie downstairs. It makes it really hard to get parking too, man. Oh, yeah. Parking? Yeah, it was kind of... It was a struggle, but then, you know, everything is, right? Yeah, you hear gunfire and stuff, and you can't tell if it's a movie or real life, you know, at least in my neighborhood. But it's bringing income into the city, right? Right. In one way or another. Gangster-ass Tony Villaraigosa loves that dough, boy. Yeah, you know that, I heard that his last name is actually a mixture of his name and his wife's name or something, is that? He's from our neighborhood. What's up with that? You know, he's... There's a lot of gangsters in our neighborhood. Can we say, you know, he made it in a way, I just remember one time we did a show at, I don't know, we were doing a show somewhere, and I just wanted to know, he's such a gangster, and he was, you know, hanging out with the band because he was like, he actually introduced us, and he told the joke and fucking, and he went around, like, giving everyone a high five, and Gilbert, our bass player, left him hanging. Big time. Straight left him hanging. And Tony's like this, yeah! And Gilbert's like, you know, ah! Oh, man. So now you see him, and you're like, hey, man, I thought you knew me, man. Gilbert left him hanging, so. Got him. Cool, brother. It's not every day you get a get a mayor, huh? Get a get a mayor, get a get a mayor, huh? Get a get a mayor, huh? And leave him hanging like Gilbert did. Yeah, man, we heard some rap music just a while ago, man. We heard Olean with Morning Glory. Ooh, see more. 1997. Yeah, man. 1997, the end of the true school hip-hop. Yeah, I didn't know you guys did true school. We did true school, too. The sequel. And this one, you know, they always say the sequel sucks, but this one, actually, the sequel was better. Shit! Morning Glory, man. You know what that means, man? Like, it means a lot. Like, Morning Glory, I was reading these Carlo Castaneda books at the time, you know? Morning Glory, like that herb, you know? It's also like a... Hallucinogen. You're talking about the seed of the Morning Glory bloom? Yeah, yeah, yeah. So, you know, at the same time, you know, all this is going on, and then we got, like, new stuff going on. We're experiencing, like, peyote ceremonies or, you know, getting invited to, like, sweat lodges. Have you guys ever done that? Of course. We were, you know, we've been part of that scene, too. We're part of many scenes. I never did that. So what goes on there when you do that? Take it step by step. I want to go... Let's pretend that you're taking me on a peyote trip. How naked were you and how high? Are you prepared to sweat? That's the thing. That's the question I tell my coworkers in the office, you know? Like, do you sweat? Do you sweat? You know? You stay in the office, you stay lethargic with your fingers, but do you sweat, you know? Like, you have to sweat. Yeah. I'm sweating right now, but it's because I'm fat, though. That's good. And that's why it's special. It's a self-flagellation kind of, you know, force yourself into a meditative, you know, but you're perceptive of everything that's going on, you know, and you're suffering. Just like going into a Catholic thing. It's like a spiritual thing. Like, some people, they do that ayahuasca. You ever heard about that? But it's physical. You drink the ayahuasca thing. Oh, that's South American. South American, yeah. I heard about that. I never did that. This is kind of how we kind of, I mean, well, at least me and maybe a lot of others, but we come, you know, we come as immigrants 500 miles over who knows how long. We get to this land that's, you know, it's been, it's an unindigenous people's lands out here. And so we come with respect, you know, kind of thing. And we try to commune with them in their ceremony and be like, all right, cool, you know, like, we're a presence here, too. You know, we're in the Southwest. We're like an older, you know, an older version of you or younger. Whatever. But, you know, we try to kick it with them, you know, like in LA, everything, you know, we all try to kick it, you know, like tell them about the South African wedding we had. That was off the hook. You guys had a South African wedding? Yeah, it was the only time I was glad we ever got burned for a gig. We've been burned for many gigs in our lifetime, but we, I don't know, somehow I had to be, you know, 10, 15 years ago, maybe, you know, 10 years ago, but we, I remember now, I was playing trumpet in the ELAC Latin Jazz band, just messing around, having fun, and got a gig from some African dude who was from Sierra Leone and his mom had just passed away, so he hired me, a trumpet player, I was playing trumpet with a trombone player to play a couple, you know, a song at a gravesite. Boom, we did it and pulled it off somehow. And then he hires Olean to play his son's wedding and shit. It was a big old thing in South Pass, but you know, so we had, I don't even know if we ever got music ahead of time, but we had to learn some African grooves and then they put us on stage and then here comes out you know, Big Mom with the headdress. Oh shit! A lion is like in the corner. This dude, dark glass, charcoal man, gets on a strat and plays the delayed guitar. Did they have the ladies with the big long chichis hanging down and shit? Neck bracelets? No, but there was limbo, like I never seen in my life. So it's like this floating music, you know, and it was, again, part of this world journey that we've been on for a long time. And, you know, the cool thing is that we were playing jarochos, you know, jarocho music is like this, you know, golf music of Mexico type, like Cuban, Afro. Yeah. And we electrified it and made it like High Life, kind of like what their music is. So we were grooving, like we had that party going, we, you know, like Rollo, you know, Rollo, our drummer was, you know, he got props, like everybody was like at the end of the day, oh man, that drummer. Oh shit. And we, you know, that was one of our best times. We have a film of that somewhere. But in the end we got burned for like the guy, he was supposed to pay us like a few hundred bucks and the check never came. He paid you in bones. I wish, man. Yeah, but it was kind of, it worked itself out. So you guys had enough fun where it was just like, fuck it, man. Just like one of those instantaneous things on stage where you kind of adjust to different people and their energy that they bring and kind of like being this backup band that... You're like the conduit, right? Yeah. We've been really fortunate to back up a lot of people or just play as a band or someone else sings stuff and anyway, it's just, we love learning and we'll probably hopefully keep doing it. And in that list, we've done it with Willie G from Demoniters and actually like work with him, play with him, get our ass kicked by him. With Zach De La Rocha, we did a really cool show with him and played his original music where Zach sang. I mean, Zach sings. You always hear him go, you know, but like the fucker could sing and so we fucking, you know, we got to do a thing with him and... He drives a Prius. So he's also like down, for the earth. So that's pretty cool. And white jigs. Cool, man. He was a cool cat to work with, right? Yeah. I thought so. Man, you guys have been lucky to work with like a lot of people, man. A lot of well-known people too. A lot of people who do good shit too, man. Well, it's it's not the easiest thing to do, you know. Fuck, you know. But they usually come in and school us. So that's... We try to be open to that and for some reason we're the last resort, so we take it. Speaking of Angeline. Yeah, well, I mean, it really shows that you guys have learned a lot, man, since you guys have started. I mean... Keeping a band together for as long as 17 years, it goes beyond the usual walls that you hit, you know. You know, you know, which is a lot of things. A bad gig, a bad tour. This guy's looking at me wrong. Why is he in a bad mood? You go home with these bad feelings and this guy's old lady doesn't like this guy's old lady and, you know, all these kinds of things. And you have a manager that, you know, things go wrong and stuff. So, like, there's a lot of things to tear down a band, but here we are. You know, still friends and keeping it going on because, you know, you gotta take those hits, man. And it's all about the recovery and coming back and remembering that we're just playing music. We're doing it. Yeah, man. It shows, man. It shows, man. All the hard work's paid off, man. And you guys are still having fun, man. You know, that's what it's all about, too. I mean, once the fun goes away, it's just like there's no point in doing it, you know? That's true. I guess that's one of the reasons why we actually learn different styles, because, like, we can, you know, we can learn something new, and it is fun and sometimes it might be a little challenging and sometimes we can do it and sometimes we can't, but we try anyway. And who knows? Who knows what's gonna happen next year? Oh, actually, I do. We're gonna become Irish in the spring. What are you doing in the spring? Every year we do our St. Patrick's Day show, we, you know, pay tribute to Elvis Costello on the Pogues and do a particular record that we play every year, but this year we're gonna, right after that, we'll be working on, we'll be actually doing a play. The play that we're pitching to y'all right now, which is Evangeline, the Queen of Make-Believe. So we're having, spring's gonna be fun, you know, and it's gonna start with this Pogue show and then just explode with this play that we're working on. And it's gonna be at the LATC in spring. That's great, man. I'm really looking forward to that shit, dude. Alright, man, so you guys are ready to play another song, man. Looks like you guys are ready to go. Yeah, well, we're getting early to, actually we're moving quickly on Midnight, and we're gonna play a Good Morning song. Alright. Called Good Morning, Aslan. Alright, what key we doing? Like a matter of fact, the song, sorry, Angel, the song's gonna open up the play, it's gonna, and it does what it does, which is paints an East Low scene. 1960 7 There's a tattooed heart with a narrow through the middle, a name that looks like dirt, and a young girl's looking at a makeup in her face. On her toes. Gotta say one, two, three, more, these four and four. There's a young man playing on a backyard right next door. Everybody's mother's got something in the kitchen, and she's got the tiller to floor. Gotta say one, two, three, four, these four and four. You can run, try to hide away. Here it comes, comes another day. Red rooster to the cruise on a Mexican tour. Unchained by the fate. Somebody's daddy's out there, somebody's hunky on the farm. Where can we go? Go! Gonna be late. Gotta say one, two, three, more, these four and four. You can run, try to hide away. Here it comes, comes another day. If you're looking down the highway, no, never run. Gonna be late. Gonna be late. Gonna be late. Gonna be late. Gonna be late. Come on, ASAP. Come on, ASAP. There's a big red heart with an arrow through the middle One place that I call home When I get lost, I don't even got a needle There's a piece of food on my own I gotta say one, two, three, four, three, four, and five You can run, try to hide away Here and now, try another day You can run, try to hide away Here and now, try another day Where you are Where you are Where you are Where you are Where you are Where you are Good morning, Oslo! Good morning, Oslo! Good morning, Oslo! Let's eat! Wash your hands! Let's eat! Wash your hands! Let's eat! Spectacular! Spectacular! Spectacular! Peritonal! Peritonal! Peritonal! Peritonal! Peritonal! Peritonal! Peritonal! Peritonal! Piri tu al, espectacular Piri tu al, espectacular Piri tu al, espectacular Piri tu Piri tu Piri tu Piri tu Piri tu Yeah! Alright, man! We're gonna give it up for Olyan. That was Supper? Supper. Alright, man. Just melted into it. 1997. Yeah. Awesome, man. Cool, dude. And you even played through a broken string, man. Angel. I did, man. So much for Olyan. That sounded great, man. And O-Oh yeah! Hey, you guys wanna talk to the airliner? You wanna call him up? Are you guys kidding or what? Wow, that'd be shit. Who are we gonna talk to? Who are we gonna talk to? We're gonna talk to the airliner. There we go. So-lo-my. So-lo-my. What's the name of that band? Let's see if we can get that band on the line. Well, Exile, he's a DJ. LA hip-hop DJ. What's his name? Exile. Exile. Exile. And then Blue is his rapper. He's been backing up. Okay, Exile there? No, not Blue. Blue or Exile? You asked for him, man. I don't know those. I don't know. Yeah. Alright. I'll tell him if they wanna come down. Yeah. Nah, they're closed. Probably going off right now. They can't hear the phone. They're not gonna answer. Oh, well, we tried. Thank you for calling the airliner. We are a live music venue located at 24th 19th. The joke's on you, buddy. Los Angeles, California 90031. Please visit our website at theairlinerla.com. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. We're live. broken string. So, yeah, we'll just take a break and we're going to play... That's the story of our documentary, by the way. That's the name of the title. Working title. A couple broken strings? Yeah. That's a good one. Working title. You can have it. Cool, man. So, we'll be back after these songs on the More Music Radio Pod. Gracias. The More Music Radio Pod. Hot kid will drop Hot kid will drop Hot kid will drop Hot kid will drop Hot kid will drop Hot kid will drop Your golden incense call me here Your prayers and labels keep me near Walked with you while I whispered through the wind Feel your heart until we meet again Ah Don't tell me we'll be apart Don't tell me we'll be apart Don't tell me we'll be apart Don't tell me we'll be apart ¶¶ ¶¶ ¶¶ ¶¶ La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería La muerte es más fuerte que la existencia mujería I'm here to clean up the puke Well cool man, thanks Olean and anybody listening right now I want everybody to know that we're the Mormons are playing with Voodoo Glow Skulls on Saturday, October 22nd at Alex's Bar Yeah, we've been taking a little bit of a break We got our old friend Jimmy back playing bass and Joe