Skidrow Studios
⚠ 18+ ONLY
This site contains explicit language, adult humor, and mature content.
You must be at least 18 years old to enter.

By clicking "I'm 18+", you confirm that you meet the age requirement.
✕ I'm not
← Back to Episodes

Interview with Death Crox, cassette release show

2h 07m 38s
💾 1.3 GB
📅 2016-02-16
File: verymanic_160216_200459_WPR001.wav
Duration: 2h 07m 38s
Size: 1.3 GB
Aired: 2016-02-16
Hosts: Jimmy Cabbs, Los Johnny, Chester
Guests: Farron, Adam, Brian, Jason
Jimmy Cabbs hosts the Very Manic Jimmy Cabbs Show, featuring an interview with the band Death Crox (Death Crux) who discuss their new cassette tape release, their influences from black/death metal backgrounds, and their upcoming tape release show at the Complex in Glendale. The episode also includes Jimmy's rants about the Black Sabbath concert, Valentine's Day, and the death of Vanity.

🎵 Playlist

2:00 Lord of This World — Black Sabbath 🎧
13:00 Metropolis — Motörhead 🎧
40:00 Animal (F**k Like A Beast) — W.A.S.P. 🎧

📄 Transcript [show]

Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. I absolutely refuse, sir. Hear that? Yes. It's Sergeant Donnie Donowitz. You might know him better by his nickname. The Bear Jew. Have you heard how out of the Apache you got heard about the Bear Jew? I heard of the Bear Jew. What'd you hear? Beats German soldiers with a club. He bashes the brains in with a baseball bat, what he does. Werner, I'm gonna ask you one last goddamn time, and if you still respectfully refuse, I'm calling the Bear Jew over. He's gonna take that big bat of his, and he's gonna beat your ass to death with it. Now take your wienerschnitzel at your finger and point out on this map what I want to know. Fuck you. Fuck you. And your Jew dogs. Actually, we're all tickled to hear you say that. Quite frankly, watching Donnie beat Nazis to death is the closest we ever get to going to the movies. Donnie! Yeah? Guy's a German here and wants to die for country. Oblige him. You're a roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman roman The true days inside a modified reality There's more, there's more to life than all of this There's more, and I got more to say Tugging trouble, boys in the bubble My world, it ain't gonna smash Tugging trouble, I can pay double Yeah, but what's running cash Here at the Bastard's Mash I've had it tougher They can't compete Yeah I ain't lived till you lived a little on the street Can't ever stop it My lust for life Coming and packing with my microphone and bowing eyes There's more, there's more than blindly listening There's more I know you hear me now Tugging trouble, boys in the bubble My world, it ain't gonna smash Tugging trouble, I can pay double Yeah, but what's running cash Tugging trouble, rocks down to rubble Don't you take me out with the trash Tugging trouble, I can pay double Yeah, but what's running cash Here at the Bastard's Mash Here at the Bastard's Mash Here at the Bastard's Mash Here at the Bastard's Mash Here at the Bastard's Mash Here at the Bastard's Mash Here at the Bastard's Mash Here at the Bastard's Mash Here at the Bastard's Mash guitar solo Talking troubles, boys in the bubble My world, it ain't gonna smash Talking troubles, I can pay double Devil wants blood and cash Talking troubles, rock down to rubble Don't just take me out with the trash Talking troubles, I can pay double Devil wants blood and cash Here at the business match Here at the business match Yeah, here at the business match Alright Warning, the songs you are about to hear are intended for mature listening audiences only. If you have a weak mind or heart and don't like words like shit, fuck, or cunt, then please refrain from listening any further. Alright, it's time for some real music. It's showtime! We have seen imitators! We've also seen duplicators! But now, it's time for the originators! Los Angeles! And the rest of the world! Many have tried to imitate. They've tried. They try so hard. They try. Many have tried to duplicate. They try. But there's only one true, real underground subversive show with integrity. You're listening to the very manic Jimmy Cab Show. I am your host, Jimmy Cabs, along with... Los Johnny. How you doing there, Los Johnny? And Chester. Chester, how you doing there? Good, man. How's it going? Are your fingers still working the knobs correctly? I don't know what's going on. You know, it's really interesting. God, where do I begin with all this? First of all, real quick, Chester. How do people get a hold of our app? And how do people get a hold of all that? Just go to weplayradio.com. Everything you need is there. On either side. Either your phone or whatever device you use. Live video, audio, right there. Weplayradio.com. And go to iTunes and subscribe to Jimmy's show. That's right. The more subscribers Jimmy gets, the better it is for Jimmy. Yeah, the better it is, the more aluminum cans I get to recycle. Yeah. Earth first. All right. Here's the deal. So last week, Black Sabbath came to town. Yep. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know where to begin with this. One of the things that I want to say right off the bat is that this generation fucking sucks. They have no idea what the word excuse me, pardon. Well, Counsel, you have to give context to what you're saying. Listen. So you're at the show. Yeah. Let me recap a little bit. Just thinking about that whole thing just infuriates the fuck out of me. Wait till I talk about the Valentine shit. Oh, man. Black Sabbath came to town, and, you know, me and my lovely lady decided to go, go to that fucking show. As you can see, there's an image of me right there enjoying Black Sabbath. One of the things that I find interesting is that I've been accused of being a music snob. It's not that I'm a music snob. It's just that, you know, you've been around this scene for so long, you kind of know how to conduct yourself, and you know how to act. Yeah. I think the word is called taste. It blows my mind how people my age and older people, older, act more immature and stupid. People that have been smoking weed and drinking for 20, 30, 40 years, and they're still fucking being dragged out by cops, Englewood PD. Fucking Sabbath, dude. Fucking Sabbath. Fucking Iron Man. As we're walking in, there's this, like, it had to be 60. I'm talking, like, just picture me at 60 with the gut and, you know, the double chin, and he's being dragged out by Englewood PD. Wow. And mind you, Wow. They were being very nice. Excuse me, sir. Because if it was... We're going to have to escort you out. Exactly. Because if it was Albie PD, you know they'd be dragging him by the fucking neck, right? All right. Easily. Okay. So that right there gave me... Excuse me, sir. You're really out of line. We're going to have to take you to the station so you can come down. We're going to take you... Can you please just get in the backseat of the car? We're going to drive you to the station. If you want to call your lawyer, you might want to do that. Let me get down here. Stop it! Okay. Fucking Iron Man. As I walk in, I start sweating profusely, because as you know, my antisocial personality disorder, being around people, stupid people, mind you. Sure. We get into the venue there, and I see a beer stand, and I say, you know what? I need a drink. So, boy, what a mistake that was. The young lady behind that concession stand must have been the slowest fucking poor server ever. Hold on, child. I got you. She must have been Guatemala and Frank's cousin. I mean, this fucking bitch was just taking her fucking sweet-ass time, counting dollars, you know? Like, didn't know how to do... Hold on. Didn't know how to do the change, you know? We just ran out of Modelo. All right, whatever. And as I'm waiting there... Did you pay with the debit? Oh, the debit? Oh, hang on. I don't know how you... Dude. As I'm standing there in line, right, a mob of kids just walking in front of me, crossing, no excuse me, stepping on my fucking man heels, you know? No excuse me, no pardon, no nothing. Not even a look in the other way, like, okay, sorry, man. And so for me, that was the beginning of the end. Obviously, the show... I don't know how you do it, man. I don't think I've been to the big rock show in a long time, and just hearing things like that... I mean, it's bad enough to see that stuff at the Five Star or any small bar like that. You're like, come on, dude. Right. But to have that magnified in the big rock sense, like, ah, fucking hell. Yeah, everybody was hooting. And sparing myself the $200 of getting there, buying the shirt, buying the beer, and stumbling back home. Yeah. And not only that, but, you know, having to deal with... I mean, that Black Sabbath set, everybody was hooting and hollering how great it was. Did they play the hits? They played all the hits and the ones you don't want to hear anymore. And let me tell you, they didn't look too happy up on stage either. They're just plowing through. For someone who's... Yeah, it's just like, we got to get through this. You know what I mean? I mean, they're old. Dude. It goes... I mean, we've talked about this in the past, where, again, the fact that they're alive, hats off to them, man. Ozzy should have been dead 30 years ago. I'm not saying that to be a dick, but, I mean, that's a hard partying life these guys have led. And, again, the fact that they're still alive, cool, right on. Can you play the songs? Sure. Should you play the songs? No. You had your run, man. Listen. You had your run. I get it. You know, like, someone's going to say something like, look, you got to give them a little slack because of their age and all that. Okay, fine. You know what? Again, this is the same scenario with the Slayer thing. Been there, done that. It's just not for me no more. But let me tell you what was interesting. The very next day, I went to the Whiskey to go see Michael Monroe. Ah, who we just listened to earlier, along with Black Sun. Let me tell you something. That fucking artist, really, the guy's over 60 years old, man. Chester, do we have images of Michael Monroe from the live show? Look at that. Damn. Look at that. That guy is 60 years old, dude. That guy. Killing it. The whole show, about over an hour, just high energy, just nothing but rock and roll angst. An incredible fucking show, dude. The guy's been jumping up and down. The guy jumped all the way up. The guy climbed up all the way to the second floor of the Whiskey, you know, by the cellar. I mean, dude, incredible. I was like a child. I was like this. Wow. So, Michael Monroe really, do we have more images? Look at that. Look at that. Brought out his sax. Dude. And not to mention. Still trim as fuck, man. Dude. Yeah. That guy makes me look fucking despicable. The point is, is sometimes when you least expect it, it's artists like these that really rejuvenate the whole rock and roll. It gives you a bit of faith. Yeah. I mean, there's certain bands that can do that. And again, what's Sabbath doing? They're standing there and they're rocking out. Cool. I got it. They're standing there making sure that their fucking money cleared. Yeah, exactly. Sure. Did the check clear? All right. Zoom, zoom, zoom in the boom, boom. Chester, play my Valentine music, please. Look at this. Valentine's weekend was this weekend. How was your Valentine? Lonely. Crank that jam, Chester. Yeah. All I want to do is a zoom, zoom, zoom in the boom, boom. I hope all of you had a great Valentine. I know I did. Let's see some images of some love. Everybody was having love. Chester, you got any images of love up there? I got that. Oh. Oh. Oh. People were fucking this weekend. Let me tell you. Hey. If you did not. Oh. Oh. If you did not get laid on Valentine's Day, all I got to say is there's something wrong with you. Straight up. I got to tell you something. I was going to go into details about. That's such a shame. You know, I don't know. Look at the monitor. Exactly. I'm distracted. I've been drinking. I don't know what's going on. But yeah, the whole. The whole Valentine's Day thing, fortunately, was on a Sunday. So a lot of people were just like, we just get it over with on Saturday. Look at that. Look at. That's my cousin. That's gangster love right there. Oh, yeah. Look at this one. You got that other one, Chester? Happy Veterans Day. There you go. That's true love. Look at that. Yeah. That's what you call sexy right there, baby. All I want to do is boom, boom, boom in the zoom, zoom. There's this bar counselor that my friend takes me to that. You may know it. It's called the Eagle. Oh, the Eagle. Yeah. There's nothing but gay fucking. It is a gnarly leather gay bar. And I saw stuff like that going down on the regular. I'm not gay myself. But hey, I go anywhere that pours a strong drink that I do not pay for. Yeah. Well, you know, I just want to say that Valentine's Day was Sunday. I hope most of you got some good zoom, zoom, zoom in the boom, boom. And remember to always choke your lovely lady properly. Make sure she comes first. Let me just give you. Some very good advice. A lot of gentlemen make the mistake of choking their lady this way. Sideways. Yeah. No. You got to squeeze by the side gently. You have to squeeze, not crush. There you go. You have to squeeze the carotid artery. There you go. The two arteries that connect the oxygen. Those are the oxygen tanks. That's right. Between your lungs and your brain. You take that out, you are going down. That's right. So when you're going to choke your lady, make sure you choke her responsibly. And of course. Always remember. And crush her thorax. Always remember. In between calling her a bitch, make sure it's consensual. Yeah. All right. Sad news. Vanity. Chester, play some vanity for me. Let me just say this. In 1982. 1982, I was 12 years old. And at 12 years old, I was walking into, at that time, my local Sears and Roebuck store. I remember that. I was shoplifting heavy metal cassettes. I think at that time. If I recall, I think I was. I jacked. Judas Priest screaming for vengeance that day. But as I was searching, I stumbled upon Vanity 6. Had no idea who this group was. All I know is I was mesmerized by that very sexually explicit cover. Beautiful woman. Beautiful woman. Three fucking coke whores were on the cover of this cassette tape. I must say, Vanity. Wow. She was my first African-American woman that I masturbated to. Hey. Look at that. She was a piece of ass. Look at that. I remember this album clearly. I mean, I'm a bit younger than you are, but how can I forget? Right? I like girls. I like girls. Something that feels funny. I like girls. Now, if you look at that image, Chester, look at that. Look at that. Look at that image right there. God damn. Don't they look like three coked out fucking sluts? Dude. Sexy, right? Hell yeah. Vanity is fucking hot. 1982. Chester, doesn't that. You got to remember. The chick. The main chick. She's super hot. Yeah. You know, that white chick, though. I don't know. She looks a little fucking skeezers. Those are the type of chicks black dudes like because they, you know, they'll do it all. Right? Hey, that's actually true. No. Anyways, Vanity died. What a shame, man. Quick note. She used to go out with Nikki Sixx. That's right. He fucked the shit out of her, too. Yeah. And smoked her shit. Yeah. Yeah. Yeah. All right. We got a great show for you today. Here's the deal. Death Crux. Lost. Los Angeles. There is an amazing band that. What an eclectic group of guys. Ancestors buried at sea. Lightning swords of death. Members of these groups have gotten together to form Death Crux. So. I'm excited. Here in Los Angeles Friday, they're going to be playing their tape release show. A cassette tape release. Wow. Talk about going old school. Wow. Right? Hey. We're going to introduce you to Death Crux. I really like this band and I know you will, too. So. Why? You are a Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo guitar solo WASP that's an acronym for something animal fuck like a beast man I love that song I mean oh Valentine's Day reminds me of jail very proud of that too reminds me of jail before that we heard Seven Sisters of Sleep from their record Ezekiel's Hags out on Southern Lord Warmaster before that we heard Noothgrush the song Entropy from their record Live at the Acheron and we started this set with Japan's Own Coffins the song Tyrant from their split with Ilsa not the She-Wolf Ilsa but just the band Ilsa yeah you know the Coffin Show got cancelled tonight what a shame but you know what no need to fear relax I'm sure you know it wasn't the promoters fault poor Dan he's always getting blamed for shit it was visas and the immigration the US government so I'm sure once they sort that out they'll be back again you should take for granted people that bands who come out from Europe have to go through a lot of fucking hurdles you don't just waltz in like we're gonna play your fucking show they don't just waltz in like Salvadorans do you know what I mean they got shit to do here alright Los Angeles never gets the respect it deserves throughout the country let alone the world you know all I hear is about San Francisco all I hear is about New York London fucking Florida you know you hear about all these other cities and then when you mention Los Angeles people look at you like you know! whatever what you guys already played Wasp the real the real deal is is Los Angeles really does lead the music scene that is my opinion I say that on the record there is a subculture and a subgenre and an underground that really is thriving and is ahead of the game very innovative and creative bands that really are breaking the mold and creating new genres of music come from Los Angeles and I'm very proud to welcome my guests here and I'm very proud to be here to be here for those of you that have heard of Buried at Sea for those of you who have heard of Lightning Swords of Death for those of you who have heard of Ancestors am I missing any groups? I think that's it right? for those of you who have heard of Photography we already heard Wasp you know there's a new there's a new band that's been playing here in Los Angeles and I'm going to really dig deep into this called Death Crack they're playing this Friday at the Complex in Glendale for their tape release show cassette cassette I gotta tell you that's fucking awesome to say but I don't even think I have a cassette player I haven't had a cassette player in like five years you guys should both get like yellow Sony Sports Walkman hell yeah dude I had one I still have my well then the fuck does it work? that's the question it should be on your hip in that very non-functional little clip dude I'm gonna have to go get batteries alright let me introduce my guest Death Crack thank you for being here Jed thanks for having us I hope you're enjoying the SS She Wolves drinks I do courtesy of the very medic Jimmy Cab show you guys are part the Irish meal alright so let's get into why don't we introduce ourselves here Farron why don't we start with you I'm Farron and I sing in Death Cracks and to my right is Adam who plays bass and I'm and to his right is Brian who is the guitar player and unfortunately because we have not a big table we have another member over there yes our wallflower Jason who plays the synthesizer keyboards and we're missing one more Crack yes there's a there's a stray Cracks tonight and he's gotta work but he plays drums he's Brandon and he's we love him very much let's start off with the basics Death Cracks what is this is this a is this a super group is this is this just are you just guys who were bored with your projects and you just got together to create new music no explain to me what is this what is Death Cracks I think everyone in the band had time because their other projects were astray or taking a break or you know it's also it's I used to think it's it's I used to live with the drummer Brandon and we used to talk a lot about wanting to do something that was kind of away from the the the grinding metal that we've been playing right kind of venture into the other kinds of music that we like but we totally just literally talked about it and never did shit for a decade did you talk about this when you were you know indulging in substances and you know getting high or well I'm only well I'm only always indulging in substances did you talk about this you know when you're hiking I mean yeah yeah man I mean well you know I was into I was playing black metal for a very long time and I need and I and in the last like 20 years there's been so many different flavors that fall under that mantle and in there there's been a lot of like I've I've I've heard a lot of atmosphere and I heard a lot of experimentation that kind of made me think it'd be great to pull a lot of atmosphere that I like about this and this and this and do something that kind of takes the vocabulary that was gained by all of us that have been playing in doom metal and black metal or or taking photographs like and we could just fuse it back into something that was like the other kind of music that we like which is you know death rock and goth and dark wave and kind of going for more Christian death and napalm death yeah yeah definitely like I think you can also hear that in the other bands too because I know Farron and I talked a lot about it and then when they did when Lightning Swords did their last album there were parts in there where I think he was experimenting with the things that he's doing now with us I can definitely hear that I wanted to sing Jimmy while they were playing I just wanted to sing clean for a little bit let me commend all of you first of all for really embracing the true artist mentality meaning that you don't allow yourselves to be pigeonholed or confined into what you are doing and staying limited to that music is vast music is indeed energy music is what opens the mind to the world to the world and opens the mind to the world and opens the mind to the world and opens the mind to the world and opens the mind and the consciousness and it brings us all together whether we like it or not whether it's with love or hate music can be something powerful and positive or destructive but the point is it's energy and I hate when these stagnant non-creative predictable artists just regurgitate over and over and over the same shit and there's generation of music fans who just eat the same garbage over and over and they don't expand their minds they don't expand into other ventures of music you know the fact that you come from the black metal background you know exactly what I'm talking about that whole elitist fucking narrow-minded type shit what I like about this group is it really shows true artist true artist ship is that even a word artist artist okay whatever the point is is it shows creativeness and the fact that you you know go out out of your comfort zone my question to you is there's so many influences when I hear your tape do you get accused of trying to mimic or copy certain iconic dark ambient artists not yet except by me I probably are you very critical no but I'm like saying I'm trying to like you know channel in I've been I've been croaking for I'm like just trying to sound like a you know like a like a like a pterodactyl with AIDS for the last like 20 years. And so it was, it's fun to use different muscles, you know, and I'm definitely, when I hear a song, you know, I'm influenced by the stuff that I like and I'm finding my own voice, but, you know, I don't think anything on, I actually don't think anything on the, on the, of these four songs. I don't think it really, you can hear, we wear our influences on our sleeve, of course, but like, you know, it's, it's still a totally different thing. It, it, it's all over the place. I mean, we're still figuring it out too, a while ago. I mean, there's a lot of influences and I think maybe sometimes you'll hear bits and pieces of things that, that we like, but when we went into it, none of us had ever done it before. So. Your skies are starting from scratch. Yeah. I mean. How exciting is that? Is it exciting? Does it bring you back to when you were a kid in the garage? Yeah, definitely. I love Buried at Sea and I like being in, being in Buried at Sea. And it's exciting to be playing with those guys again. And it's awesome. I was a big fan of Lightning Swords of Death too, but it's cool to do something you've never done before. I've never tried to write a song the way that we write songs, but I've always listened to songs like we're trying to write, I guess. So it's, it's, it's, it's fun in that way. And that's what we talked about. It's like, we've already been in bands where it was stressful and you were really trying to make sure that things came out on time, that you showed up, that, that, that it became just kind of an obligation at some point. It became a job? Yeah, it became a job. And with this one, we're like, we all have other things that we do now. And we have those bands that we, we do stuff with occasionally. We play music, but this was supposed to be fun. So we constantly have to remind ourselves. There's no pressure. Right. No, we've been taking it easy. Like from the beginning, we're just like, let's write some songs. You know what I like about this tape? You know what I really like about these four tracks is that it's fresh. It's refreshing. What I mean by that is, there's such a fun energy to this tape and don't get me wrong. It's not like no fucking, you know, chipper fucking type of fucking thing. What I mean is just, you can tell that everyone gets together and they're having fun. Would that be a good synopsis on that? How long have you guys been playing? About a year now. About a year. Because I know you've had a couple of shows that you played, correct? This is going to be our fifth show on Friday. Okay. So, the first show we played, we didn't have Jason yet. Okay. So, it was, it was, it, we hadn't, you know, we hadn't fallen into our sound completely. Like once he joined the group, like, it was like, aha. The peace. Deet Crox. Yeah. You know, but. An interesting question I have is, it's, I'm a fan of every single band that you guys have been in at one point or another. And, what's great about this is that there's, I mean, there's similar threads, but at this, I mean, if you had told me like, oh, the guy from Lightning Sword is the singer. Right? You wouldn't think of it, right? Huh? The guy from Answers, what? Huh? Barry did see, huh? It just would not have, I wouldn't have made the connection, but whatever. But, so how, for me as a fan of all your prospective bands, how did it go from, okay, writing these super long songs at a time, and then, you know, you're like, I'm going to do this. I'm going to do this. I'm going to do this. From, okay, writing these super long songs as Ancestors does, these gnarly, brutal songs that, um, Lightning Sword did, and these super long Doom songs that Buried It Seated. Like, how do you rip those little pieces apart and mix it all in together? We were like, let's just find a way to like alienate all the fans of our other bands. It didn't work because a lot of people are like, oh man, I've been, I just want to goth out so bad right now. And, they start, they start, they start, reaching for the, for the cobwebs, or just doing the one where you hold yourself and cry. But I mean, you know, apparently the, the time for Death Rock was like, I think people are kind of ready for it, you know? Yeah. And there's so many, I mean, just, I can speak for myself when, uh, just by pure chance, I just happened to hear Cocktood Twins for the first time. Thank you. Wow. And, in, in here, just by pure chance, I, I was, I was hearing them like, wow, shit, this kind of sounds like Bathory sometimes. Or like, there's certain guitar phrases that are very reminiscent of, you know, black and death metal. I'm like, oh, interesting. I, again, one of those things where, possibly, I wouldn't, I would never listen to when I was younger, but now, and again, hearing it through these particular filters that you guys come through, it, that's where the gravity comes in. Like, ah, I get it. It's, it's a much more easier transition than just hearing it cold. I would, I would think that creatively, it's also rejuvenating, no? Because now you've kind of brought, you know, broken away from, I don't want to say you were shackled to your projects, but you, you're free to do what you want. And that right there in itself, must be intimidating at first too, no? Because you're so, It's still intimidating. Right? Talk to me a little bit about that. Well, just for me personally, I, I haven't played guitar since I was in high school. I played bass in Buried at Sea and trying to come over and start something, doing it, doing something different than I had done before, just because I was interested in doing it with no real, no expectations of what that thing was going to end up being was freeing, but it was also incredibly intimidating because you don't want it to suck. Yeah. So it was gratifying too, when things just seemed to click with us so, so easily. We, I mean, we got together, I mean, there's a lot of stuff that ended up in the garbage that was not good. But it did take a while and it's, and now it's, I don't know, it's exciting. There's no rules, which is crazy. Yeah. There's like no expectations when we went into it. Like I was like, I've always kind of played instruments, but never stayed sharp or whatever. Like I wasn't in shape. And then Brian's like, well, I haven't fucking played guitar since whenever. And I was like, all right, so we're going to pretend that we're just starting from the, from ground zero or whatever. And then just like, see what happens or whatever. You know, I think originally it was going to just be like sloppy jams and like, see what happened. And then we just kind of started like, it just molded itself. Huh? All right, man. Okay. Death crux. What's the correct pronunciation? Am I pronouncing that correct? Deep. We like the way this guy from the show abroad, said, I don't know your name. Deep crux. If you can just say it like that, that Hispanic fucking. Salt. Deep crux. East cross. Deep crux will be playing this Friday. As I mentioned before, they're going to be playing their perils of English tape release show this Friday at the complex. Make sure you get out. We actually, we got a pair of tickets to give away. So we're going to be giving out the numbers. So you could call in the first person calls or free shit Tuesday. Yeah. Free shit Tuesday. But in the meantime, why don't we listen to a track off the perils of anguish? Chester, take it away. Raymond, pull your chair over here by me. I am sure you've all heard the old wives tale, but no hypnotized subject may be forced to do that, which is repellent to his moral nature, whatever that may be nonsense. Of course, take this scar and strangle Ed Mavoli to death. Yes, ma'am.! You are a You are my king I am your king This is us This is us This is us This is us This is us This is us This is us This is us This is us This is us This is us This is us This is us This is us This is us This is us This is us This is us And I'm not scared of death Stillness of text and grace I'm not afraid of death I'm not afraid of death Death Even the dead Death I'm not afraid of death Death Even the dead Death I'm not afraid of death Death Even the dead Death I'm not afraid of death Death Even the dead Death I'm not afraid of death Death I'm not afraid of death Death But a least a least But a least a least But a least a least But a least a least But a least a least But a least a least But a least a least But a least a least But a least a least But a least a least But a least a least Now it's going to. All right. All right. We're sitting here having a good time talking about death. Death. Corrupt. Death. Corrupt. Lost Johnny, what did we hear? Besides me talking before a hot mic, we just heard lightning swords of death from the record Baphometa Chaosium. I think I pronounced that correctly. The song Psychic Waters. Oh, yes. My favorite song off that particular album. Before that, we heard Christ the Witch. Their song Fraterna Semper... Sorry, Serpentia. That was a tough one. And before that, we heard the new project of these guys, Get Crooks. The song hypnotized from their tape, which is coming out for a party this Friday at the Complex. Pairs of Anguish. There you go. Chester, why don't you tell us what the call number is here so people will call in. I got some free shit to give away, and also I'm going to give away a pair of tickets. And these guys have advice to give. Relationship advice. What is the call-in number here, Chester? It is 1-800-893-9562. Repeat that again, because, you know, our listeners are probably packing a bowl as we speak. 1-800-893-9562. All right, make sure you call us. I'm going to be giving away a pair of tickets to see Death Crooks when I announce it. Don't call me now. As we were talking during the break there, we were talking about how each and every one of you belongs to different separate projects. Packages. Fucking dick. When you get together, did you find it hard to artistically combine each other and write new material? And do you find yourself kind of being somewhat over... What's the word I'm looking for here, Tom? You don't want to stretch yourself thin. Yeah, I mean, do you find yourself kind of like, you know... Nope. Is this just uncharted waters for you? We just get out there and... Because you're singing on this tape. I'm just gelling. It's so fun. You're singing on this tape. And surprisingly, I was very surprised. You sing very well. Is this something that you knew beforehand? Is this Farron coming out of the shower? This is... I think it's scary. It's easy to hide behind, like, you know... But, like... I've already done that, you know? I wanted to see what else I could do. And I was like... You know, it was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was a song that was Like we go into practice. Yeah, because I didn't know you played an instrument. Yeah, like I've kind of played recreationally since I was a teenager, but never really tried to be in a band much. Like I've been in a couple like years and years and years and years ago. But I've worked in metal. That's how I know you guys. But I've never really cared to be in a metal band, but I've always wanted to be in a goth band or a punk band or something. So we started talking about it. I was like, I definitely want to do that. Are you looking forward to dating the goth girls that are going to be attending? I mean, I don't know if you're single or not. Hi, Karmz. Do you find yourself dealing with a lot of labels that a lot of people are refusing to listen to your new project because of your prior bands? That's actually a good question. I mean, what was the initial reaction? He's like, again, if I just happen to see a show and I see like, oh, that's the Learning Source guys and so-and-so. And like, what's the reaction? What the fuck is this sound? I'm not saying that like that, but like what's been the initial reaction from when you guys have played? Like, oh, this is what you guys are doing now. I think, well. I haven't heard any negative reactions. No. I mean, just a reaction. I mentioned earlier, we kind of set out to like, let's just like bum everyone else. Let's just make it as slutty as possible. And, you know, like, it's weird. People so far, I'm sure there's some people that are just like, fuck you, bitch. That's the idea, though. But like, that's a win as well. What have the Mexican black metal guys said? Because, you know, they're pretty open-minded. Jimmy, don't pretend that they're not going home and listening to Morrissey. Right? Like, every single one of them. They're still cranking Menudo, too, man. We had them in mind when we started this band. We're like, well, listen, we had a built-in audience. Let's just start. We're Death Crocs, and we know the satanic Hispanic community will be behind us completely. You know what I like about this band? I've seen your live footage. I've seen the YouTube live footage, and I'm being dead serious. This band is fucking sexy, dude. There's like a sexy, diabolical, deviant vibe to it as well. Is that deliberate? We're just fucking sexy. I mean, we never did it on purpose, but, you know. This goes with the territory, I think. Yeah. I think it's the musk. No. I don't know. I mean, I think it's... There's a real sexual overtone, like a real dark sexual overtone on this. Tell me more about how you feel about it. Well, I'll be real honest with you. Be really detailed. I don't want to be that guy. I don't want to be that guy that says, hey, this is how it is. But when I listen to your tape, what resonates to me, there's like a real cardinal pleasure aspect to it. In other words, that it's very free, very non-constricted, and very completely open, but there's also a lot of sexuality in it, man. I mean, when I listen to that tape, I find it, you know... I'm surprised. I would like to do a little zoom, zoom, zoom in the boom, boom while listening to your tape. I mean, that is a compliment. I'd be honored. Beware, she-wolf. Look out. We like to think of it as being sexy in the form of, you know, like more like of the necro variety. Like, you know. I don't know. It's gossip stuff. It's a lot. It's a lot. It's a lot. It's a lot. It's a lot. It's a lot. It's a lot. It's a lot. It's a lot. It's not a porno grind variety, but more of a necro variety. Necro porno. Necro porno. Have you ever watched, like, tentacle porn? Ooh. No. Oh. So, if... You stumped cabs. That's a big deal. Really? You've never watched, like, Japanese... You've never watched any anime that involves, like, Cthulhu having sex with... I've seen some of that. No. It's pretty gnarly. ...school girls. Well, I don't know. I mean... I am now. Well, there... We... There's kind of, like, a... There's a sex kind of... All right. Most of our stuff is... A lot of it's coming imagination-wise from this idea of, like, copulation between, like, monsters and human beings. Right. So, if you're hearing some sexy thoughts, it's probably because it's kind of... There's, like, this... There's this... I'm going to go into it again. There's this... There's this... Let it go, dude. Let it go. There's this movie that didn't get made, right, in the 80s. Okay. It was going to be, like, The Hog. Hunger. And it was going to have, like, a new wave soundtrack with some goth bands. And it was going to be really cool. Never got made. H.R. Giger designed all the creatures for it. And I've read... I've always been obsessed with this unmade film. So, like, you know... We kind of always talk about, like, the vibe of, like, what is it about? And it's always just, like... It's, like, fucking aliens and stuff like that. That's, like, just erotic sex with... Like, non-human entities. Would you like to see... Would you like to see at your shows? Because from the footage that I've seen, it's, like, a very dark ambient type of environment that you bring on stage. Would you like to see, like, a very debaucherous sexual energy in your crowd? Would you like to see, like... Because, I mean, you've been to the death rock clubs. I mean, I haven't been to them since, like, the late 80s, but... Did you ever hear of that band Sleep Chamber? Yeah. I remember. Yeah. I remember that. Didn't they used to... It was one guy making on the music, and then the whole stage was an orgy of girls. Was it really? Yeah. I don't remember that. I remember the band. I remember the band, but I don't know about that. Wow. Wow. I wish you could replicate that. That'd be fucking nice. See, Cab? Look at, man. Death Crux has awakened a beast in you. I'm already going to go get some... I'm already going to get some fishnet stockings to put on my fucking arms, right? You know what? Tentacle porn. I think you should paint up and, you know... I'm saying... Feel it. Talk to me about this Friday. This Friday, it's your tape release show. What made you do a tape instead of the usual? A tape. A cassette tape. Well, it was funny because we... In the mic, my friend. We were trying to make a demo to get shows and just kind of see what was going to happen with this project that we were working on that turned into a band, and then eventually we had the tape and the recording was done, and we were like, well, it's kind of better than what we anticipated. It's been just as far as quality goes, recording and mixing and everything, so it turned into an EP, so... But you guys have more songs. It's way cheap to make tapes. Well, I mean, it was that too. It was that too. Our expectations weren't that high, like we were trying to just make something to put out that was affordable that we could afford to do ourselves. But it helps. Yeah, so that's why... But ironically, there's a revolution in music going on. It's been going on for a couple years. It's been going on for a couple years. It's been going on for a couple years. It's been going on for a couple years now, but tapes are coming back. A lot of bands are releasing cassette tapes, and it's funny because the youth, the young generation... When they're not stomping over you to get beers. When they're not being rude and stepping on my shoes. They really are hungering for cassettes, man. Well, they're... Just like vinyl has come back and it's become dominant in music. Even VHS tapes are coming back. Are they really? That's weird. That's weird. I don't want that. I've seen that. That's pretty weird. I mean, all the bands that influenced us. I was to dig out... Dig out the original copies. I'd like to say that, oh, yeah, this is my Sisters of Mercy vinyl. It's not. It's like a bunch of fucked up, hissing cassette tapes of The Cure and... Mixes of mixes. Christian Death that I bought at a Sam Goody or something. Yeah. Yeah. That's the truth of it. All right, we're going to give away... Chester, give us the number to give away. We're going to be giving away tickets, a cassette tape, and a t-shirt. And advice. How can people get a hold of this? How can people get a hold of this free shit? 800-893-9562. Say it again? 800-893-9562. All right, we're going to play some music. Make sure you call us. You're going to get a free shirt, cassette, and tickets to see Death Cracks this Friday at the Complex. Take it away, Chester. Take it away. Take it away. Take it away. Take it away. Take it away. Take it away. Take it away. Take it away. Take it away. Take it away. Take it away. Take it away. You're going to give a witness a black and green latte. You're going to give a witness a black and green latte. You're going to give a witness a black and green latte. He must have blood upon the stone To command the sacrifice There will be trees shepherded with food Chaos will rise around the world Most of the streets will be filled with fog And they will be barred from the road Each type of world will rise And drowns the others And each will be killed But they are not a least We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. You're a Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports Supports a recent episode of Portlandia where he did not play Glenn Danzig. We got to get Craig on the line. We got to ask Craig about that. Craig was as surprised as we all are, I think. And Glenn was... We're referring to Crazy Craig Super Rock Sunday. Which would mean Earth 2 Craig did not transverse the barrier and imprint upon him. So we have regular Craig and we have Earth 2 Glenn and some maybe we should back up. Let's rewind. Alright. There's this retarded theory that because there's a children's book from some of the oldest fuck members of this table can remember from their childhood. There's a children's book called Berenstain Bears about a bunch of Jewish bears that would hang out together. At some point basically you go back and look at these bears and now they're a bunch of Gentiles. They're called Berenstain Bears. And there's a website that says that this is evidence that two membranes of the multiverse have collided upon each other. There's also mention on this website. And this is like clickbait from like months ago. I apologize if you know all this. But like there's a there's also the Mandela effect as in Nelson Mandela. Wait for it folks. It does tie in. They say that there's a huge number of people that claim to have distinct memories of mourning his death when he died in prison, which he did not. So the first thing I thought of when I saw Glenn on Portlandia doing a character, doing a bit and being great and funny and wearing shorts when I didn't know. He had legs. Because I've never seen his legs before. I worship Glenn. Believe me, it's the only reason probably I'm doing Death Crocs. But I just was like, that's not the Glenn I know because he's smiling and hilarious. And I was pretty sure that he would just tell Portlandia to fuck themselves. So what I'm saying is there, if there is an Earth 2 where the Berenstain Bears come from and Nelson Mandela died in prison, it's possible that this is a funzig over there. And when there was a conjunction of some sort and the worlds collided upon each other, we ended up with funny Glenn Danzig. Danzig having fun. Funzig. The mind of Farron. Funzig. But there's also the other universe that we're still dealing with now. It's another collision where Paul McCartney became an old woman. Oh. Oh. I like that thing too. It's really a thing. Wait, please elaborate. That's all I know. Oh, okay. It makes sense. Yeah. This topic is just fucking beyond, beyond me. We went off the fucking rails of the crazy train. We went off. What can people expect Friday at your tape release show? How would you explain a live Death Crocs show? That's a good question. Nudity. I'm not as dumb as I look. No, seriously. What can people expect from your show? Because each one of your projects has a demographic of people. A fan base that they're accustomed to seeing. But this project, what can you describe is the essence of a Death Crocs live show? Jason. Come on, Jason. Get on the mic there, man. I have a question to you. What can our audience expect? It'll be foggy. It'll be... There you go, ladies and gentlemen. It'll be foggy. It'll be sexy and it'll be foggy. Chances of fog and... I'll be erect by Sunday. Smoke. Let's see. Jeez. Do I need more? You need more? A little more. A couple more. Give him a drink. Yeah. A couple more adjectives would be cool. Maybe sweaty. But not gross sweaty. Just kind of... Sexually sweaty. A nice dew. Soggy like a wet sponge. It'll be kind of shiny. Moist. But... Leathery. It'll be kind of leathery. Leathery? Okay. Right on. So, yeah. What do you enjoy about... Stop playing Indie Spin. Oh, yeah. We're gonna... As opposed to your... We're gonna break you here. We're gonna break you here. It's... It's a little... The songs are shorter. So that's nice. Kind of... I have less gear. In my other bands, I'm in like Rick Wakeman status now where I have all these things. And this one's just kind of simple. It's just candelabra. Do you like the simplified effect? Yeah, it's nice. I don't really have to think about it as much. And plus... It's... Yeah. Does that free you up to enjoy the stage and playing the music more? Yeah. And like all the spooky stuff is kind of a tendency that I've my whole life been trying to like... Not... Like, you know, not haunted mansion myself out too much. But this one I can finally embrace. This is the guy that brought the candelabra, by the way. It was his idea. So do you find yourself... This question goes to you as well. Do you find yourself kind of... Not only embracing this project and the energy, creative energy that comes with it, but do you find yourself also being more free to expand on other creative horizons that you probably wouldn't with your other project? It's a lot more fun. It's a lot of the fun stuff that I've always wanted to do. And like when... I like that. I like that you guys keep saying that. Fun. Like Brandon... I remember Brandon asked me to play this show and I was just like, well, can I bring a candelabra and wear a bunch of makeup? Like that was my... Yeah. ...main concern, you know? A valid one too. It's fun. And it's... That's the type of stuff I've always wanted to do and felt not really able to. Yeah. Yeah. How old were you when you got your first keyboard? Oh, geez. There was always a piano in my house. So... What about your first candelabra? Oh. Well, that's... I don't know. That's personal. That is very personal. Yeah. Real talk. That's between me and my candelabra. If someone was to ask you, where would this band... Where do you see this band going in a couple of years? How would you answer that? Do you see this being a project that you want to keep instilling the creative breath and keeping it going or is this just for a time period or where do you see this project going? We should take it as far as it goes. I want to be like Depeche Mode. Ah. Oh. Elaborate on that. Depeche Beast Mode. I don't know. That's like the coolest band. So I want to be like them. You know, it's really interesting. I read this article. You know what? That actually made sense to me. No, it does make sense. I read this article recently where they interviewed a lot of aggressive heavy bands that fucking nerd out on Depeche Mode. For real. Converged to a Depeche Mode song. A lot of like heavy aggressive bands have covered Depeche Mode. Leviathan also covered Depeche Mode. So Depeche Mode, one of those weird bands that you would never have put together that have influenced the heavy music scene. Interesting. You're writing new music. How is that going? And are you expecting to sometime this year record a full length? Or would you like to record a full length? We got two new songs for the show. We're going to taste it. Originally, the plan was to try and do a full length. But we also decided not to really limit ourselves. Like trying to come up with a plan where we feel locked in to do one thing. And kind of seem counterintuitive to how everything else has worked. The no plan thing has been working. Yeah. So if, and we've been writing pretty quickly recently, like it's picked up because we kind of found our groove, I guess, about as far as how the band works and how the songs, how we work together, I guess. How you want to present the whole thing. Yeah, so it's picked up speed a little bit. So maybe it'll be a full length or maybe it'll be a split or maybe it'll be EPs. I mean, just the fact that you guys are in the room doing the thing. I mean, that's the victory in itself. You know what I mean? Do you see yourselves touring with this project? Probably. Would you like to tour? Yeah, I think we probably will. Probably within the next year, probably something more substantial. Is there a specific band that you would like to support? I don't know. Like what would be the, what would be a band that you would like to tour with Killing Joke? You know, this band, I think, I'd love to play with Killing Joke. Hey guys. For sure. That'd be rad. We'll totally play with Killing Joke. I always had to see Killing Joke. Killing Joke. That would play. Yeah, that was, I was really bummed that they didn't play when they were, the show that was supposed to be here. Well, I mean, that's the cool thing about Death Crooks is that now that I think people are a little bit more open to the idea and starting to piece together like, well, this kind of sounds heavy, but it's not overpowering or it's not like just constant blast beats. It was like, but it still has the same delivery, but not with the same intent isn't to bludgeon. And I think that gives a bit more leeway to being able to play with other types of bands where I can totally see Death Crooks playing with, fuck, I don't know, a Krizian or something like that. And it would still, it'd be awkward, but it would still work. When Beyonce calls, we're ready. Super Bowl. Super Bowl 51. What I like about this project is that it really encompasses the energy of, it can go anywhere. And what I mean by that is there's no, there's no, there's no, there's no, there's no, there's no, there's no, there's no, there's no, there's no, there's no, there's no, there's no, there's no, there's no, there's no, there's no, there's no, there's no, even though it's been, I don't, I've never, have you guys classified yourselves? Have you guys labeled yourselves as a Death Rock band? Because I haven't heard that. But I like that it could go anywhere. We like the Death Rock because it's, it puts us, because we're Southern Californian Death Rock and Southern California owns Death Rock. Oh, without a doubt. It allows us to have, to enjoy the elitist, like black metal hate that Norway has enjoyed for a long time. So I could, we can be like, we really like your band even though it's not Southern California. Don't worry. I think that it's fun. So I mean, but I mean, we're all over the place, you know, I mean, I, who knows what the next thing is. It's a, it's a really interesting parallel between Death Crooks and this other band called The Black Queen, which features a Greg from the Dillinger Escape Plan. That, that project sounds nothing like Dillinger Escape Plan. It's, in a good way. And I think, again, one of the things we touched on earlier was the fact that Death Crooks does not, Crooks, sorry, does not directly sound like any of the aforementioned projects of these guys. And that's what gives it their currency to kind of flow in between and around genres, underground genres. But it's like inevitable, like, I don't know. You have to expand, you have to blend and expand various genres in order for music to stay interesting. You know what I mean? Like, you can't just play the same shit. No, I, I, I agree. And, and again, as I mentioned earlier, one of the things that I've always admired are artists that, musicians, artists that really don't let themselves be fucking anchored down to a certain classification. You know, you should be able to expand and do what you want, how you want, when you want. And what it does is it just really opens up the mind and the ears to a whole other, you know, creation, creative element to whoever's listening to your music. You know, there may be, there may be an audience that's not familiar with that dark, ambient, death rock type of music and now they're gonna venture off into it and they'll discover, you know, pivotal artists, you know, that created, like, Christian death. There you go, look backwards. Maybe they didn't know they needed that music and then now they feel better that they're hearing it. What I really like, this is what I really like because for someone like myself who has been around, I don't want to use the elitist been there, done that. Well, not according to Salvador, sorry, Guatemala Frank. What I like is, is this is what keeps me interested in music. You know, I was mentioning earlier how I attended the Black Sabbath concert last Thursday and I was bored out of my fucking mind. Okay, while everybody else was hooting and hollering, I was bored out of my mind and then the next day I went to go see Michael Monroe and fuck, what a show. And it reignited my interest again. It brought back that adolescent, you know, fire, that angst of like, okay, this is why I'm into music. And I think what you guys are doing is, aside from your own projects, which they're all incredible in itself, is you're bringing back the fun, but at the same time, you're reigniting curiosity into the listeners with whatever age they're from. And that is what keeps this Zub Chandra revolving and what keeps it real and what keeps it genuine. And so I commend you guys. Yeah, man. Fuck. Thank you. Thank you. All right, we're running out of time here. Death Crocs is going to be playing. Did we get a call? I know I got messages on the Facebook thing. Whoever sent me messages, I'll check them out. I don't know if we got a call or not. Warhammer's coming to town. So make sure you look. We'll have Watermelon Frank fucking call us and give us the information on that. I don't have that with me. Why aren't you at the shows? Why aren't you at the shows? Death Crocs. For those of you that sent me messages about the tickets, I'll reach out to you. They're going to be playing this Friday at the Complex at Glendale. Make sure you go. This is the Perils of English tape release show. What a great cassette. I commend you for this. Cassette. Cassette. Okay, where's the camera? There you go. Look at that. Cassette. This is a tape. This is fucking awesome. With two sides. This reminds me when I was fucking, you know, shoplifting the Vanity Six record and the cassette in 1982. Make sure you go see Death Crocs. What an incredible band. I commend each and every one of you. Yeah, man. I look forward to the show. I look forward to seeing you guys play this Friday. That's brought to you by Church of the Eighth Day. We're going to end the show with some Warhammer. Thank you for listening. Chester, take it away. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Behold the end of the world The end of the world The end of the world The end of the world The end of the world The end of the world The end of the world