Adventures in Babysitting 25th anniversary commentary

Adam. Good evening, ladies and gentlemen. Thank you for tuning in to a very special edition of The Call Sheet. I'm Keith Coogan. I'm joined here by John Donahue, AJ Locascio, and Gabriel Romero. What's up? How are you guys doing? Yeah, Gabriel Romero is a filmmaker. AJ Locascio is probably the funniest guy I've ever seen and heard. What the hell is that supposed to mean? What am I, Swiss cheese? Well, I'm coming to you. I'm going backwards. I should sit over there next time. I dealt this way, and then we're going to bet this way. I'm going to sit in your seat next time. Yeah, forget about it. I used to be first introduced. I used to fly in the Back to the Future video games. And John Donahue. Right here. That's how I really... Apparently the unfunniest guy. Hey, I didn't even get a description. Thanks for promoting tonight's show. We're doing a special commentary for this movie here. It's the 25th anniversary of Adventures in Babysitting. Yay! 29 years? I sound all whiny. What happened to my life? That makes you 50. Yeah. That makes me 50. Elizabeth Shue is 72 years old. And Chris Columbus is somehow 38. I remember watching that movie in the third grade. I saw it in the theater. We actually had theaters in my hometown. You don't want to know when I saw it. I was a fetus. I was in the womb. But a funny, talented fetus. Exactly. Whether in the movies or VHS. I remember they had VHS. I remember those big cassette thingies. The DVD. The VDV. VDV. And now on Blu-ray. This is a great celebration. A beautiful print. An amazing sound. And no extras. What? Gabe, did you hear me right? There's no extras. No extras? No, there's no behind the scenes. There's no commentary. There's no press kits. There's no... What's the point of a Blu-ray? It's got shrink wrap. It's a video game. Where's the choose your own adventure part? Look what it says on the front. Laser discs were cooler than this. It's got a nice pink sticker. It says certified totally 80s classic. Does it have interactive menus? Who? That's my big pet peeve when it's like special features. Interactive menus. It's like, well, I hope so. I want to watch the movie. They had to put that because the buying youth today have no idea what Adventures in Babysitting is. Oh, classic 80s. We'll buy that. No, I'm kidding. Thank you for tuning everybody. So get your copy. If you have a copy, if you're downloading this after or listening live tonight, and you have your copy of Adventures in Babysitting, this 1987 Touchstone Pictures release, grab it, put it in and queue it up and then go to hit play. And I want you to pause it. So that's we're just setting that up. Get it all set up for preparing. Where do they pause it? And we'll start. That's important. What's that like at the Touchstone logo just before it as soon as you start it and it starts playing like a second, just hit pause. Okay, it should be. It shouldn't be. You know, we don't have to be synced by time code. I don't think. Is that important? You're not nearly that fancy. We shouldn't. I don't think audio will. We won't have audio here. I was going to ask. I don't know how that works because you're going to hear like double people at home. I'm like, I can hear it in the studio. It should be all sorts of muting so that your copy at home. You can listen to your audio while you listen to us live or or we're also listen later. We have a call. Three, two, three, four. Hey, who's who is this? Three, two, three number calling in. Hello. Hello. Hello. Is this someone else with a 25th anniversary movie coming out this week? Wait, do I have a wrong number? Is this? Is this? Is this? Is this? Is this? Is this Rodney Eastman? It sure is. Oh, man, I pocket dialed you. I was trying to call my girlfriend, but I'm glad I got you. I'm flattered. Yeah, yeah. You should be with me. You know, I love the eight o'clock show for call sheet every Saturday night here. It's good. Roast studio dot com because it's it's it's, you know, for people that are shut in and stay at home. A lot of my fans don't go out. They can listen to eight o'clock on a Saturday night. They're not going anywhere. And for everybody else that likes to go out, it's early enough. You know, by 10 o'clock, you're done. You're done with, you know, nine, 10 o'clock. You're done with my radio show. You can go out and have a night. You've done your pre gaming. You pre game with. You can listen to it while you're taking a shower. Rodney, didn't you work with Elizabeth Shue, our little America sweetheart? I did. I worked with her a couple of years ago in the great city of Des Moines, Iowa. I just love Des Moines. And we did a film called Jane Jones with Abigail Breslin and Alexander Nivola. Is that right? I thought you were about to say Skarsgård. Yeah. Well, something like that. But yeah, she was just she was just getting her feet wet again. I think she had just done Piranha. And she was just amazing. And a real sweetheart. So great to work with. And. But, yeah, I actually. It's we're getting old, Keith. It's actually the 25th anniversary of a little movie I did called Nightmare on Elm Street three. Congratulations. The Dream Warriors. That's right. Really. And you know what? We're going to talk about this next week. Would you be on the show next week? Next Saturday night, eight o'clock. Rodney, would you come here to Skid Row and tell us all about that? Yeah, I would love to. That'd be amazing. Okay. And actually. If there's any horror fans out there, there's a screening on Monday the 13th at World Famous Man's Chinese Theater on Hollywood Boulevard. A 25th anniversary screening of A Nightmare on Elm Street three Dream Warriors. And I'll be appearing and doing a Q&A after. How do we get tickets to that? Can we get that online or go through the theater? How do we. Is it a private event? Is it? Is it just. No, no. It's open to the public. Special Hollywood people. The first 200 people that come are going to be given a limited edition poster put together, especially for the anniversary. You can buy them online at Chinese Theater. I guess I should have the link. Actually at movietickets.com. And just go to the. I don't know. Go to the Chinese theater and you can get tickets online or you can get them at the event. It's at 930 August 13th, Monday night at the Chinese Theater on Hollywood Boulevard between Highland and La Brea. I don't have the address in front of me. So was Skid Row fans, Call Sheet fans, Nightmare on Elm Street, Rodney Eastman fans. Let's go Monday night on the 13th and then listen next week on the 18th. Saturday, we'll have Rodney on to talk. Thanks for calling in Rodney and have a good night. Go call your girlfriend now. Great talking to you Keith. Look forward to Saturday. All right. You too. See ya. Bye bye. Yeah, that'll be cool. I'm a horror geek fan. So, all right. So is everyone ready for, or are you guys done eating? Chipotle. No, I hope everybody's having a good time. Ready? They got their popcorn. Keith, I would like to add before the movie starts. We have some Blu-rays of Adventures of Babysitting from Beyond the Marquee, actually from our friends at Disney. Walt Disney Home Video has supplied the Blu-rays of Adventures of Babysitting and an original movie poster, one sheet that Keith is going to sign. We're going to be giving it away in the next few weeks. So log on to www.beyondthemarquee.com. How can I win this? What can I do to fix this? $50 and a blow job. Wow. It's cheaper. It's buying it for like 10, 15 bucks in the store, but I'll take. Hey, parents, if you did get this commentary for your children by any chance, I forgot to remind you at the top of the show, you should be on iTunes and everything where we are. It's pretty explicit. So I don't intend to not be that explicit if we're watching when we're watching the movie. Really? Okay. They say the F word, though. They do. One of them is very clear, like, like, can't do that anymore. Right. But the other one is kind of pronounced like, like, like, like, don't fuck with. Well, we'll get that would want to come. Don't ruin the movie. Is everyone ready? Do you guys want to watch this? This film? One thing out the review on the old DVD says filled with fun and laughter. Judith Christ. She just died like two days ago. Famous critic. Just let you know someone who because she knew she'd have to face up to that. No, just saying filled with fun and laughter. See on the on the list on the Blu ray, it says experience all the laughter and excitement in a whole new way. Judith Chris zombie. Yeah. That's horrible. Thumbs down on that joke. Okay. Blu ray. DVD. It's gonna be a long night. Enjoy at home. Here we go. Get ready to start. So we'll we'll hit play. And then we'll pause it. And so here we go. Play. I count down. I think I don't know. Nothing worked at all. Crashed. All right, here we go. Pause. We ready and we're gonna count down. Enough. Five, four, three, two, one. Okay. Okay. Okay. Let's go. And you should be hearing some guitar. This is the crystals. And then he kissed me. We're not gonna hear any of this because of copyright. This is commentary for the film. And part of the reason I want to go. Hi, Lisa. Dan six. See any movie that has these three dancing scenes. He's a choreographer. So Monica Devereaux, Chris Columbus, his wife was a choreographer for Lisa here. I think also it did some help in the blues bar scene. And the frat party scene. Go Lisa. We love. Oh, thanks, Jeremy. Our producer here turning our fan off so you can get a clear listen at home. Must have air. So she's dreaming of her. Ooh, nice. Maya Bruton. A great, great little sister. Also in Parker Lewis can't lose and back to the future. Anthony Rapp famous for rent, both on Broadway and on film. I'm gonna go with that. Great. Casting was rough. We went through multiple castings and screen tests. And everyone from Phoebe Cates, Valerie Burton Alley. They say a Bridget Fonda, Michelle Pfeiffer and others, but I didn't see them there. Frederick and William Steinkamp edited on a flatbed and actually with the film in a white glove. Todd Hallowell, actor and production designer. I don't know. Imagine quite a bit. He does. He still works. He passed away last year. Great outdoors and a terrific DP. David Simpkins, Briscoe County Junior, Warehouse 13, Angel, Buffy, go on. David's great. This is his first feature script. And an absurd. It went through many drafts. We had rehearsal periods where we spent two weeks running through it all. He's so cool. Do you save your old scripts? I don't know. I don't know. Sometimes. Sometimes I give them away. Sometimes, you know, sometimes a memorabilia house will love it a lot more than I would like here. Take it. I just saw a Fantasy Island script with all the signatures of Herbe Vélez-Chise and Gerardo Montalban and Jill Whalen, Scott Baio, Jimmy Baio. Wow. They're selling it for $3,500. Do you still have this script? This script? Yeah. I'm not sure. It opens in El Guaco's Arizona. Arizona. And she goes to the hair salon and she's getting her hair done ready for the date. Talking to Brenda. And this extra huge blowout with like a perm and she hates it and she goes home crying. And they changed all that. Ooh, Gabe, tell us some credits. This man might have been it. Did you know that was Bradley Whitford? Yeah, I know, right? I just, it's... Cabin in the woods. Yeah, no, no. No, I'm a huge, I'm a huge Whitford fan. Are you really? Yeah. And I bumped into him too when I was working at Warner Brothers. He's such a nice guy and it's funny because he jokes about all of his earlier stuff is like the asshole from Connecticut or the asshole from New York or always plays the Northeastern asshole for some reason. He was perfect as the asshole in this film. This was the audition scene for all of the babysitters. I sat there, they put a door, just a door. And this 35 millimeter cameras. They actually shot it. They actually shot it on film. The screen test. And I watched Valerie Bertinelli and Phoebe Cates both do this scene as well as Elizabeth Shue. It was great. It was pretty much as written. This scene did appear in the movie as written. Arsh. No, I'm not interested in kissing you. Why do the girls, the hot girls always like the assholes? Why is that? It's a question as old as time itself. Maybe I should be an asshole. What do you mean? You don't know. You don't know. You don't know. You don't know. You don't know. You don't know. You don't know. You don't know. You don't know. You don't know. You don't know. You don't know. You don't know. What was that? I mean, well. Did you just do an impression, AJ? No, no. I was questioning. Now, what would Michael J. Fox say about Elizabeth Shue? Because he worked with her in Back to the Future Part Two and Three. What would he have said to her? What do you think he would have said to her? Boy, you're really putting me in the spot here. What'd I bring you? Jennifer? You're not going to be a monkey. Was that you and everything? Come on. At least she was Jennifer. She was Jennifer and she wrote the play. Say it in Michael J. Fox's voice. At least talk like him. I don't know. I don't know. You look different about 10 minutes ago. She was played by Claudia Wells in the last one. Mom gets one scene. And of course, Penelope Ann Miller, who had previously just done Biloxi Blues with Matthew Broderick. Mark Nichols. And I think that this is a lot like Ferris Bueller's Day Off. But with moves. David Simkins admit there was a little bit of an inspiration from Ferris Bueller's Day Off. Gene Siskel. Gene Siskel. He actually said this was more fun. I'm not, I'm misquoting, but something like this. He's gone now too, but he said this is more fun than Ferris Bueller. Crazy. Crazy good. I appreciate the soundtrack. Unfortunately, there were so many different labels and artists and moderate budgets touched on at the time was doing about eight to $12 million budgeted movies and locking all their stars into multi-picture contracts that limited how much they could make in the future, even if they hit really big. So Cocktail, they had already prearranged Elizabeth Shue's contract for Cocktail when she did this. Wow. There's Lisa, there's Maya. What's up with that hair? Why did they do that to me? My hair is not naturally that color. Well, maybe downstairs. Why are you wearing it like that tonight? It's ginger. Don't you kind of wish, you know, you had that hair again then? Please sack a ginger right there. Is it prices right or let's make a deal on that? I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. Is it prices right or let's make a deal on in the back? Is it let's make a deal? I can't remember. This is in Toronto. The Anderson house is actually suburbs outside of Toronto. We shot that two months in Toronto for the bulk of the films and big sets and interiors and who did those pictures? Us. Oh, did you mean to fall up the stairs just now? Yeah. You did. Yeah. As I say, move your skates. You're going to kill somebody with these things. I can't hear it. We're setting that up. Yeah. Can't hear it. Well, you know. This is right. It's like where you freak out about the clear cell. Like this is one of my favorite things. I still, you know, vividly remember. Oh my God. The most incredible woman in the world is here and I have a zit and I don't have clear cell. I'm going to die. It's such bad acne and in the movies they put the makeup on and you work all day and you go home and sometimes you don't wash it off and you wake up the boy and you're just, you break out really bad. You're sweating underneath this makeup. In front of Elizabeth Shue. Is she like Thor? You think? Elizabeth Shue? No. No. Oh, her. Sarah. She is. Great art department. Thor chosen. I think he was a cheap license at the time. To be perfectly honest. Other comic book heroes would have cost much more for the film. Oh, by the way, Touchstone Pictures. You know George Bush didn't have a lot of successes like a baseball team owner or running oil company. He did sit on the board of Silver Screen Partners 3, chaired it and it made incredible profit. They funded all of the Touchstone Picture movies, the Outrageous Fortune and Stakeout and stuff like that. Boy. And so I'm sure he had a lot to do with that. There I see a trip on the skin. You fell again. You fell again. You did it coming in here tonight. Big stunt. What's the deal with you and stairs? Very cute. Did they let you keep the sweater? Why are we in this red like Christmasy summer? This looks great on Blu-ray. You gotta appear the awkward teen. That's why I can't show the rippling bicep. I'm not gonna show you the bicep. I'm not gonna show you the bicep. I'm not gonna show you the bicep. I'm not gonna show you the bicep. You gotta appear the awkward teen. That's why I can't show the rippling biceps. Awkward teen. Keith, that red sweater pops on Blu-ray. It pops. It's like 3D. We're a little shiny, a little sweaty. Yeah, it's nice and warm. We've been shooting nights already and this was some of our first days, but we were indoors. You'll see when we get outside, we're squinting really badly when we get outside when we leave the house because we had been outside working nights. Outside was just too bright. It's a sweater. It's a sweater. It's a sweater that's bright. Very crushable. I can't get over that sweater. I'm sorry. I love the tucked in collar. It's tucked in. Gotta be neat. Gotta be clean. You can't talk unless you're Michael J. Fox. No, I know. Apparently. Sorry. I haven't seen this movie in like 10 years. A whole movie, one change of clothes. Really? Yeah, but like five, six different versions. All broken down and mostly shot kind of in continuity. Now, I don't mean to interrupt again, but did they do your hair before you put the sweater on? They did. I had to keep that outfit on. I stretched out that neck to get around that hair. That's awful. What a dress. Wow. God, look at that dress. That is... Oh, that's where we got the red hair. Welcome to 1987. C-3PO. Yeah, that's great. What's the deal? Okay, they're going to the associate center to go party and she's eating breakfast. Are they going to be out for like 17 hours? Are they going to go run some errands in town before they go to the party? Why not? She looks like she's a baked fucking potato. Watch your mind. Yeah. I just love business. I'll grab any prop and fuck this shit. Love it. What do you think, Michael J. Fox? Wow. Too much, John. I don't know. What do you think, Owen Wilson? Oh, yeah. Nope. Guys, be nice to each other. Folks might download this. I thought you were Chipotle. You did... They're hoping to learn something about this film, not your rivalry here. Come on. Owen Wilson and Michael J. Fox. I'm going to watch Chipotle on the way home. I'm going to watch Chipotle on the way home. I'm going to watch Chipotle on the way home. I'm going to watch Chipotle on the way home. I'm going to watch Chipotle on the way home. I'm going to watch Chipotle on the way home. I'm going to watch Chipotle on the way home and it's going to be fucking closed. Sucks. Why don't you go? We'll pause the movie. Yeah, here. Hold on for a second. I'm going to run to the corner. Crazy. Grab me a burrito. Was that the Owen Wilson? It's crazy. I'm sorry. I don't know. I don't hear anybody else in the room but Michael J. Fox. What do you mean, John? Whoa. Thor's in this movie. Man, you just... It's all I'm good for. You know, I've done other things now. Not big things. Yeah, Chipotle. Lots of things, but there are other things. That's right. You had the Jeff Goldblum utterances. That's it. That's all I've done. What would Jeff Goldblum say about this movie? About Keith's sweater. Crunch bar just paved, man. They just paved good money right there. I'm moving on to Crunch bar. Yeah, because you ate it. You ate it on screen. Waved it around. That's the big box right there. Here, fuck off. Yeah. Okay. She's so cute, isn't she? Come on, Lisa X. Shue. Come on. Lisa, that's what we called her on set. Lisa Shue? That's cool. It's a little inside tidbit. You want to remember how to spell Elizabeth Shue. Remember, it's with an S. S-H-U-E. Now, every take, you had to clean that window. Well, not you. No, we rubbed raw bacon on it, actually, for him. Oh, God. Another hair dye job, because Anthony Rapp's very blonde. Wow. They made his even redder than mine. Yeah, but they didn't tease his. No, he's a steamroller man. He's just a steamroller. He's a steamroller. He's a steamroller. He's a steamroller. He's a steamroller. He's a steamroller. He's a steamroller. He's a steamroller. He's a steamroller. He's a steamroller. He's a steamroller. Daryl is the typical horn dog 80s. He's great in this. You guys have good chemistry, if I may say. Well, thank you. Just saying. Just like us. How about if it was Jonathan Ward and Will Wheaton? Oh, yeah. Yeah. We got to do it. They were down to the wire. Yeah. And we swapped. I auditioned for Daryl. Oh, is that- And Anthony Rapp auditioned for- Oh, yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. He's someone's friend. Oh, look. Debra Hill had produced, so she had the rights for the music and the picture. And it's just music and picture. I don't think there's any dialogue. The great Penelope Ann Miller. Rocking the bus stop scenes, shot like in seven hours with a steady cam. They just banged through this and shot all of her, everything in this bus station was shot in a day. Geez. The one scene with the hot dog vendor was an insert at the soundstage because they added it later. Wait, so you're saying Penelope worked one day on this movie? Just in this scene. She did this scene. Oh, I didn't. No, she worked. I haven't seen the movie in a long time. More than one set. I was waiting for the Blu-ray. Yeah, no, she busted her balls in the stuff here. And hysterical. I love the dialogue in this scene. Puts her in peril now. Mm-hmm. That's the whole crux. It's her fault. That's her fault. Everything else that happens is. She's the MacGuffin. Look at the size of those glasses. It's the 80s, man. It's just like she's. She's in band. Her jacket, if you look in the back, it's like Hemingway High band. And who's that dude? Did you get to meet him? Did you go to the wrap party? I don't know, but she's in his house, man. What? She is. That's true. That's a line from the movie, Michael J. Fox. See the guy with the. Right, right. Yeah, there he is. Oh, that's funny. I'm actually, I'm engaged in the movie. I've never seen this as a silent film, so. AJ, how old were you when you first, did you have a babysitter throw this on? What happened? When I first saw this, I mean, I was probably like four or five when I first saw this, but when it came out, I was not born. I was being born in the process of it. When did you see it though? Oh, I saw it. God, I was, I saw it when I was, yeah. I remember my aunt brought it over. She's like, you're gonna love this movie. She sounded like that? She's exactly. Okay. What does my aunt sound? You're gonna love this movie. You're gonna love this movie. Yeah. Sit down here. That's closer. I'll be back. Sit down here. I'm gonna go outside and have a cigarette. I'll be right back. Me and your uncle. We're gonna be out back. Yeah. I need some Benson and Hedges. Yeah, I saw it when I was younger. And then, and then again, she came over to babysit us and it was this again. She put no effort into like supervising you at all. She just come over, put in adventures in babysitting. Tease your hair, put on a red sweater. Exactly. We're gonna do some role playing. Denied you, Clarisselle. Did you ever go as one of your characters for Halloween, Keith? Just cause you had the costume? The fox. No, my mom went as Uncle Fester when she was. Oh really? 12 years old, yeah. But I never. I say this year, you just, you break it out of the closet. You put on the big red sweater, you know, we'll tease your hair, dye it red. Keith, I'm gonna go with yours from Cheetah. This Halloween? I found one costume piece. It was the jeans from Don't Tell Mom the Babysitter's Day, the ripped up jeans. Funny you're wearing them. And they're like a size 28 and I'm never fitting in these jeans again. It looks like a sausage stuffed into like a roll for dimes. Dude, that's, wow. That would be awesome. That's quite visual. We can't see. We're just, break out the wig, walk around. We can't see. There's no, we can't see. There's sun and it's terrible and we can't see. Now I can't see. You can't see anything. Wow, yeah, no, we can't. Crash and. So tell us what's happening now. Okay. Describe to us. I'd like to tell you what's happening. Everybody pause. Pause. Three, two, one. Pause. If you're watching the movie, it's pause. We had an inexplicable crash. So pause. This is live. This is live. What is this? Something happened. I didn't touch anything. I can eat my Chipotle now. This is live radio, people. What happened? What happened? What did it? In the meantime, cue up Cocktail. We're gonna watch that. Hold on, let me log into my Netflix. We'll bring it up here. It's still going. Okay, we're back. So hit play. Redo. Hit play, hit play. Now. From the beginning. No. You should be singing Elizabeth. Get in the car and run them over. She just said get in the car and run them over. You might have to re-sync. This is, this is. Just get in the car. Okay. He should be walking back to the car now. If you're not re-synced, it's not quite that big of a deal. I don't know what I touched. Me. The hearts of millions. That's why, that's why John's got a huge smile on his face right now. That's not all that's huge. I was just saying, that's not all that's on his face. What's in the Chipotle? If my mother's watching. You got the X special burrito? I don't know what I had. I'm gonna crack open this. So exactly what freeway is this? That we're watching Keith. So second unit. I could, but around Chicago, I think they were trying to establish. Wait, you're telling me you weren't actually in that car as it drove down the freeway? Oh, man. It's weird how they make movies like that. He's on an illusion. But we did get dragged around a car for weeks and weeks. And, but not only in Toronto, but then in Chicago and then the insert stages back in LA. Like we spent some fucking time in this station wagon. I tell you. Oh, and most of the time behind us, Chris Columbus is back behind us in the rear of the car. That's right. In the rear of the car. Let's talk for a second about you working with the original director for Harry Potter. Yeah. Chris? At this point, the writer of Gremlins and Goonies and Young Sherlock Holmes and quite, you know, Spielberg protege in this film has been said to be kind of in a John Hughes-ish genre. Yeah, very much so. That's, you know, I think Chris Columbus does have a handle on filmmaking and working with young actors. So that's kind of, and he's so marketable, you know. Absolutely. At first it was tough and sophomore picture's always tough. He did the Elvis picture, the Heartbreak Hotel. And then, you know, came back with Home Alone. Bicentennial Man made tons of money, but I like that movie. Not a favorite. It's like there's hit and miss. I love Nine Months. It is a bit of a cult classic. Like Bicentennial Man? Yeah. Really? I wouldn't call it that. That's given it quite a bit of status. No, there are people, swear by it, man. I don't know anyone that's ever sworn by Bicentennial Man. He directed the film version of Rent that Anthony Rapp is starring in. Yeah. And he's starring in in Broadway. What a crazy, I don't know what the hell. It's a connection. And Anthony said he wasn't sure. He thought maybe I'm too old to be Mark. And of course, you know, it was just, it had to be. I think, because Chris had seen Anthony on Broadway. Oh, was he in Rent the movie? Anthony? Yeah. Yeah, he played Mark in the movie. I don't know, I walked out of it. It was horrible. Oh, really? Oh my God. It was so bad. Anyway, let's not talk about this. 192,000 minutes. I'd get hate mail. You'd get hate mail? No? On top of what I generally like musicals. I love musicals, just I wasn't into Rent. She's telling a good, scary babysitter. Me and Anthony got along great. Yeah. Good friend, yeah. You still talk to him? He spent so much time. Yeah, three months. Nah, Twitter. Really? He lives in New York. What am I gonna do? We tweet, talk through Twitter. We're so close. That's not talking. We tweet. I tried to talk to him in New York last fall and I couldn't, uh-oh, danger, the stakes have been risen. If you're not queued up, someone's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. He's gonna pick someone's越. I can't start it right now. It's closed. They just, you just missed it. There was a Playboy in the car. Very exciting. Where? Oh, in the, yeah, there wasn't a real Playboy, was there? We've set up the guy with the hook, and we've set up the flat tire now. We took over this whole, like, you know those, like, weird overpasses, like at La Brea, where you can get off but get back on again? And so if you, like, close, I don't know, there was an overpass that didn't really matter. They could close it. And so we took over this kind of side access road. It looks just like an on-ramp. And so it looks way more dangerous. There was at least two accidents while we're here. People kind of looking at, what's this film crew? People slowing down and watching. In the middle of the freeway, moving freeway. And this is actually Chicago, because the city is behind us, and it's very clearly Chicago. So we were out on the expressway, as they call it. The expressway. I don't know. As they call it. Eat and die. Them fancy expressways. Look how her hair. She didn't bring her purse. See, now this answers if there was a cell phone. I always like to play the game. If there's a cell phone, would it change? It would change the movie. Absolutely. Well, she forgot her purse. So it wouldn't change the movie in this case, because she forgot her purse. So she forgot her cell phone too. And of course, I don't know why. We would have them. Yeah. The little girl would have them. Yeah, she would have one. I was watching Moneyball, and like the nine-year-old girl would have one. So that movie with the one that just came out, The Sitter, with Jonah Hill, was it any relation to this movie? Because I was out of the country. I don't know. It came out. It left. I hadn't seen it. You left the country because this movie was coming out? I did. Because that movie was coming out. That movie was out. It was as far along in development as you can go, and then change just enough to not get sued. Really? Probably. Yeah. Because remember the rumor of them doing further adventures in babysitting? I don't remember that. They were going to do like it's Raven-Symoné and Miley Cyrus. It was all, nothing happened there. Can you imagine that? Further adventures. Fans were like, no, somebody set up a website, don't fuck with the babysitter. Nice. And they're like keeping up with news of, we have to petition and not let this thing happen. So The Sitter was rated all the way up. And rated R. And different, you know? Yeah. I haven't seen it. Well, you were out of the country. Playwright, John Ford Noonan. He wrote a couple of white chicks sitting around talking. He's also great in flirting with disaster. He's the friend of the truck driver. Remember flirting with disaster? No. Ben Stiller? No. Okay. I saw it once. John Ford Noonan. His brother, Tom Noonan. You might remember him from- Noonan. Noonan. From Manhunter. That's Caddyshack. And- Of course. Of course. Absolutely. He played the priest in an episode of Louis CK, Louis' show. I wasn't born yet. You don't. Okay. You're working. All right. The hook just happened. If you're not synced up, the hook just happened. And the ninjas came back. You look terrified, Keith. That's incredible acting. Thanks. Was he off camera for that? Do you remember? I'm touching Elizabeth Shue. This is all I know is I'm touching Elizabeth Shue. Now, did she let you use my question? Was there any inappropriate touching? That's what I was going to ask you. You got your hand on her ass right there? Through that camel hair coat? You couldn't get through it, man. Locking Keith. Get her cane male armor on, man. Was your trailer next to hers? How did that work? Did she talk to you in between? Did she call you Carl and you're like, it's Keith? She had a trailer. Yeah. And we had- A trailer for the other five people? Honey wagons. We had honey wagons. All the kids have to share a trailer? No. We were all in honey wagons with a four by six foot cell. For people who don't know- And I'm so bitter. No. And she had- So a honey wagon is where you keep the prostitutes on set, right? I was going to say, explain to people who don't know what a honey wagon is. They used to be hauled horses and to cover up the smell of the horse shit when they converted it to actor stalls, they used honey. Wow. That's one story. The other is- It's crazy. They went up to Franklin and would grab all the girls from all of the places on Franklin up in Los Feliz and go, want to go to the movie studio? Movie studio? And 20, 30 girls would pile in and the honey wagon would pull in to the studio. So she had a trailer. You had a trailer. She had a horse trailer. Fake snow. This is a shot- I love the total- Diversion. Yes, she had a huge trailer. She was 23 years old. She ever let you in there to play some Atari with her? I lost it after I had a honey wagon. There's no, hey, want to come into my honey wagon and hang out? No. So what you're saying is she didn't let you into her honey wagon. That's what we're getting at. I'm sure she would have loved it if you'd gone to the horse story. There was like these little candles in there. I don't know. It was nice. She wasn't luring you in. Great respect. She's carrying this picture as- I'm not going to lie. I'm not going to lie. Do you tweet her now, too? No, I do not tweet her. You don't tweet her? No. No cards on Christmas? Oh, look at that. This is back in LA. Is that a reaction to the cards on Christmas? We did all the special effects, little insert. We're filming all these things, chop, chop. Oh, beautiful city. Found the most busted up, the most! Look at that light. Look at that light on you guys. And that is a tow truck for tow trucks. Or like for trucks. That is a super, that is not a, because we had to fit, what is it? That's your honey wagon room. Four or five in a cab. Right. They used your trailer for this scene. First night of shooting you're looking at. So yeah, what they did, first night of shooting, they threw all of us in this thing and tied cameras and they almost lost a camera. And it was a $250,000 Panavision Platinum. Us and Innerspace were the first two movies using this new camera. Ah, I love that movie. Used platinum parts for the precision, so it wouldn't tear the film and blah, blah, blah. And they knocked one off the front of Pruitt's truck. Wow. And it was fine. And also notes, the studio thought that Maya Bruton was having too much fun and squealing. It's like, why is she having all this fun? They're supposed to be in danger. And they found out you were squealing. That was the script. And that was Chris Columbus was like, more, you know, this is so fun and she's supposed to be loving it. And I think that's the thing. It's great. Well, it makes sense because she's young enough to not realize how much danger they're in. And everybody else is scared shitless. I don't know if I was a kid. Her opening scene. So the babysitters was at the hair salon. Her opening scene is cut to basically a little young girl's version of Quicksilver. Hills, streets, cars, her on her roller skates, going between cars as fast because it was, they're going to set it up for a chase later with the back. They're like, we're not shooting this with this girl. So they're like, okay, we see her. We see her coming down the hall in the kitchen with roller skates on. Cause that's the same thing. Yeah. There weren't, they just kind of demonetize the whole roller skate aspect. I'd be terrified if I was that age and in a truck with a guy with a hook, that'd be it. I'd be scared now. What would Michael J. Fox say if he was in a truck with a guy with a hook? Stop it. They were like, come up with something when he reaches for the gun. And is it a hand? No. Oh, good. Oh, yeah. Oh God. I should have a subtitle sign. Finally, we stopped moving. God, that was just so crazy. I think I see the whole set was in that mirror in the truck. You see the whole crew of the cameraman. You can catch it on Blu-ray. That little statue. There's a double pane glass right near Lisa's shoe. That's two panes. There's a candy glass and then a reinforced glass. And they shot a steel ball bearing at us through an air cannon and broke the one glass and made it. And you can actually see the other glass behind it. If you look really close right about now. Oh, yeah. Yeah. You ruined the movie for me. But we're in there when they actually shot that thing. You can't get away with that. Just getting us in danger. This is like third, fourth night of shooting. I was going to say, is it the last night? Because that would make sense. It's true. God, you have a zoom on the camera? Oh, sorry. We actually used a zoom. It's not often used. That's one of the stunt. Stunt coordinators, stunt guys. Well, it's, you know. With a good line too. It's like we say back home, guns don't kill people. Husbands who come home early do. Where do you come from? George is with that bastard again. What happened to our movie? It smells like leather in here. Oh, my God. Leather? Now, do you tweet that dude? Here comes a big air ball. Watch the fight. And he's going to miss him by a bit. Yeah, right there. Wow. That was like, yeah. That was. We didn't see it, but it sounded exciting. I took your word for it. I was like, hey. You were totally important. You're missing some great stuff. Our poster just took off. Her shirt. Size of the movie. You guys can't see anything. And a lot of this scene was improvised when we did rehearsals, Calvin Lovells, and us. Just kept going over and over it. And finding truer sounding dialogue and bringing him. He said he'd be not quite as threatening to the kids. And we were in our own skewed. She was already lost her mind at this point. Right. And couldn't quite deal with it. And had a lot of fun with it. And we had so much stuff that we did in rehearsals wound up being used later. And it was all written down and wound up in later drafts. And we had. Went to the Chicago. Bears. Gridiron Stadium. And stole their jock straps to try to get the $50 to pay for the windshield. We. What? It was a toy box that was missing. And instead of the drug box or whatever. And so they were chasing after the toy of Sarah's toy box. And she's hanging from Thor's hammer off of a bridge. Wow. It was like the end of Annie. They're like, it's too close to the end of Annie. Because everybody would be remembering that. Yeah. This scene looks like a scene from Nighthawks. Let's not use it. We're still in a car. I don't know what that means. Yeah. We're still in a car. Annie and Nighthawks? Are they? I don't know. It's a double feature I think next week in the driver. The new Beverly. There's that. I love the new Beverly. They played this at the new Beverly last year, Keith. And you did some Q&A for it. No, it was. That's the same alley from the fly, by the way. David Cronenberg's the fly. Really? In Toronto. Yeah. The location manager was all over it. Yes, I did Q&A. Thank you. And I didn't get a chance to say anything because John Donahue kept... What? Just kidding. It was great. Oh, because you're talking about right now. Thank you. No, you introduced me to New Beverly Julia, who's trying to save film. You're right. And you did a Q&A for Toy Soldiers in this because I couldn't get a print of Don't Tell Mom, The Babysitter's Dead. A double babysitter movie would... That would be awesome. That would have been great. That would have been great. But Toy Soldiers was just as good. Warner Brothers, you. Yeah. They used a DVD. You should have given me a call. I'll sneak into the library downstairs in the studio. Ooh, that's completely illegal and cool. Now they'll know who stole it. Once I break into the library, I get, you know, I'm going to catch the rat. This is one of the first big set pieces. They'd taken this huge warehouse and cut it in half. One half was going to be the party and the associate center. And they just did one floor that was both dressed for the party and for the under construction floor at the end. And then this was the shop shop on the other side of it and built everything. The fake office and stairs and rafters. The rafters were real, but they built all this stuff around to get to them. And the rafters were about 30, 35 feet up. And music. Still such a shame, no soundtrack because of all the different rights. They couldn't... They couldn't do it. But just all of the blues, you could smell how funky that city is. Beautiful. Now, did they have to change the music for the DVD or the Blu-ray? Because the rights, you know, back then you didn't, you know. You know what? I was reading Dream a Little Dream. They changed the music. They lost some rights or something. As far as I know, no, I haven't watched the Blu-ray. And we're not listening now to the audio. Right. Just watching the... Ooh. Now, there's so many actors in this movie that still work, which is just fantastic. They'll be on like Law and Order and... Elizabeth Shue. And special victims units. Mm-hmm. We're the 1%. Let's not get negative. Stay positive. Just saying. I mean, way high. Was there a significance to the name? He's someone that Simpkins likes. Hemingway. That was it. I don't think it's a real school. I think they tried to say that I knew her through band, that I knew Brenda somehow. Oh, yeah. Yeah. Yeah, she looks like a flautist to me. That was her backstory. she's like a flautist. You would say that, Gabe. That's great. Oh, people are getting hit. Oh, God, we're in... Oh, you're touching me again. So none of that was real, huh? Was that a blue screen that you were standing next to when they put her in the air? Zero acting. Zero acting. AJ, none. You don't understand. I crushed so hard on her while we're making this. So no little hints, no secret behind the scene things you could tell us about, like there was no romance. Yeah, but none. Zero. Nothing. Not even a little, like you snuck into the trailer and you peeked in, you saw a little, a little of a... Side boob. A little nip. Shoe boob. When they were shooting the scene where she's dancing at the beginning of the movie that was like a closed set. There was like three. It was so hot up there and there was like three people. I bet it was hot up there. No, I would have liked to have seen that. No, no. See, if I was, I don't know. It's a Disney picture. You didn't have a girlfriend at the time or anything. You could have got away with that and the rascal on the set that's just like, who's stealing Elizabeth's shoes underwear? Sesame Plexer, though, was hot. Who's that? Isn't that a, it's a water park in New Jersey, Sesame Place. That goes out with later at the end. Oh, oh, oh. Sesame Plexer. I hope Gabe at least got my Sesame Place joke, but... We're in deep shit now. How would Michael J. Collins ask around? He wouldn't. He was already dating her. Was he really? Was Michael J. Fox dating her? No, he was. No, I don't think so. No, not in real life. All right, let's stay on this movie. Let's, yeah. Same bus station from Midnight Run. Really? Yeah, the exterior. I love that movie. The interior's in Toronto. Exterior's in Chicago. But you guys didn't know that because it hadn't been made yet. That's right. No, they were like, we got to use the same bus station as Adventures of Baby Snake. De Niro's like, I'm not going to shoot this unless we shoot. Or they shot a babysitting movie. I'm putting it out. Yeah, I'm not going to do it. I'm not going to do it. I'm not going to do it. What? No, for you. There's a credit I can't figure out. At the very end of the movie, it says passenger. In this movie? Yeah, and I looked, and this woman with glasses is in the credits, woman with glasses. Right. But I can't figure out who passenger is. And she's credited, so she has lines. Maybe you could tweet Chris Columbus' ass. It's not the woman with the umbrella. I don't know. I can't figure it out. So there's a missing credit. Yeah. It's crazy. Some angry editor or someone just threw that in there. Yeah, that's me. Fake credit. You have another issue on the Playboy. Did I tell you I was watching Sea of Love a couple weeks ago on Blu-ray and Sam Jackson was in it? He was. And yeah, and his credit in the movie is black guy. That's his credit. Black guy. He's been typecast ever since. It should be his credit in every movie he ever makes. He did graduate to Black Jedi. Yeah. That is his credit in Star Wars. It just says black guy. There's a story. Makeup artist was dabbing his head on Star Wars and he said, what are you doing? She goes, you're shiny. He goes, of course I'm shiny, motherfucker. I'm a star. A little trivia. He's also the only one with a purple lightsaber. That's on a Star Wars trading card. Oh, that's not. Also has a purple lightsaber. That's her double. Only one with a purple lightsaber. So there's so many times and then we cut and that's her. So we didn't, we lost her after midnight because of Twilight Zone. Coogan Law. John Landis. Oh, that's right. And bags really came down on working minors past midnight. Even in Canada? We got away with Anthony Rapp. I was already working as an adult, but I wasn't emancipated. It was the thing where you take, you graduate from high school. I was graduated from high school by 16 or whatever. So I was able to work as an adult and travel alone. I turned 17 on the set. So I was like 16 and 17 on screen. And Anthony still had to do school and Maya still had to do school during the day. Like I said, teacher. You had to hang out in your honey wagon while he was in school. Gave me more closeups. They had to be off. Hey, come into my honey wagon. Guys, go to school. I'll be in my honey wagon. John, have you ever gotten a honey wagon? I have been in a honey wagon. My first day in a honey wagon on a film set. My first day as an actor. I was sharing my honey wagon on the other wall with some dude who could not stop shitting. It was the worst spell and I had to sit outside and I had to sit in the car in front of my beautiful honey wagon while this guy shat all day. It was a horrible. Was it audible shits? Like was it? Yeah, you could hear everything. And I opened the door and said to the AD, I said, listen to this guy. She's like, should I call a medic? It was terrible. I hope he still had his mic on. I was like, what would it sound like if Jeff Goldblum was taking a shit? Come on, AJ. What do we bring you for? Oh, oh, ah, ah, ah, ah, ah, ah. That's what you're saying. It was a bit of an orgasm halfway through there. Everything Jeff Goldblum does sounds like he's having sex. Always. I mean, he's either having sex or taking an amazing shit. Oh, he's caught between the two. Oh, it's fragrant in here. The aroma and... Oh, look at that. What movie was that on that you were... Dirt in the coffee. Oh, no. Coffee in the coffee. You don't remember. It's coffee ground. Well, of course, but we don't know that. I didn't think of that. We're watching a movie. It's so smart when they do that. So this was shot just for the trailer and they promised us this little bit of dialogue, the Buckmore Hour, and they snuck it into the print. It came right at set. They're like, oh, say this. It's going to just go in the trailer. It's like, ah, bastard. This is the other side of the Chop Shop set is this. So right where the backdrop is, right behind that is the office for the Chop Shop. And they shot a bunch of party stuff and they're like, what's going on? And they're like, what's going on? And they're like, cut about two thirds of it out. Did you already talk about how high up? And it was all Second City people too from Toronto. Oh, really? All the cast were heavy duty hitters in their like current Second City troupe and did a bunch of improv and what you see is kind of what's left of what they did right there on the set that can juice up the party scenes. They're going to put that on the Blu-ray, but they didn't. They should put the screen tests. They got those laying around with Valerie Bert. They would have to be so cool. They'd have to pay her. Yeah, they'd have to get a release. They'd have to pay Valerie Bertinelli. She's making a lot of money from those infomercials she does. So she's doing good. That's why we're bringing this to the fans and really at most you're going to have to pay like 99 cents as a premium episode. That's it. I'm just kidding. I have a question. How high up were you when you walked? Did you already talk about that? 30 feet, 40 feet. Yeah, there's a scissor lift under us and so we're kind of safe. Sounds sexy. Bunch of stunt doubles and intro vision. They've used the intro vision through that, which is front projection. Okay. And back here in LA we shot it. So they shot the plates there on the set and then when we got here they made a little fake beam and put us in danger. Same as the end of the movie when she's out on the outside of the building. They used that front projection. Stand by me. Outland. Stand by me. The train. The fugitive. The train scene which is the fugitive was all with this intro vision. It looks great. You get it in dailies the next day. There's no process missing. It's in camera. Too bad they didn't leave the train sequence in this movie. Yeah. Ooh, another fake backdrop with another fake. There's a lot of bad mats in this, but they move the building around as they need it in the city. It was the 80s, man. That's part of it. Part of the fun. Hey, I'm looking for the kids. Yeah. Oh, I noticed they're just gone. Okay. He punched that file cabinet about 16. That was not Sarah. You can tell because she ran by so fast. And covers her little face. Yeah. We're in full swing here. And at this point, we're two, three weeks into the movie and we don't know what day is up, down. We're shooting nights and we just stayed on nights the whole movie because it takes place at night. Yeah. We stayed on nights forever. We never saw the daylight again. I gotta be honest. I'm a huge fan of movies that just take place within one 24-hour day. After Hours was a big inspiration for this. And Chris Columbus wanted us to watch After Hours. I'm rated. For that quick kind of movie from one place to the other. Ferris Bueller's did it too. But I like those high continuity kind of movies. Now we're gonna go chase after them for an act. Gotta have some action, man. A shootout. Is there a shootout? I don't remember. It was a night on the town. A night of adventure. One night stand. A night of madness. They named it quite a few different things overseas. There's the fly alley again. And suddenly we're in Chicago for real. What time of year were you shooting this? This was January, February. So the... So it's not terrible that you're in... It's a wind chill. It's so cold and the breath, the fog on our breath is absolutely real. Well, I was thinking about it because you're in the sweater and the letterman's jacket. She's in that huge coat. Yeah, and I'm wearing full... Silk underwear underneath long. Long sleeve, long john underwear and sometimes we do thermals on top of our silks. So we'd have a silk and a thermal then our outfits because it's butt-ass cold out there. We're running around jumping off things and up on buildings. Say what? Who are all these white kids in this club? This is the same club. This is Fitzgerald's outside of Chicago. Shot Color of Money here. He gave him the balabushka here in this bar. I'm sorry. Yeah. What was that? Horrible. It's a horrible... Black people... No, no. They cut his love over there. They look... It's literally... A zero from... One of the... It's going to change the subject. One of the reviewers gave it a zero. One of them gave it a negative two because of the racism. Really? And they said it was a racist picture and... Okay, so we go completely all 80 black extras. Not another white face in the house for the blues bar scene. Then that's what I'm saying. I'm like, who is my kids in this club? But the gangs are rainbow gangs. You will see Anthony Rapp's brother sitting next to... That's right. It's completely rainbow. I'm a horrible human being. Wow. I absolutely hate... No, you're not. Keith doesn't think you are. But John, you're pretty certain of it. Listen. I don't know what to say. I got my money's worth. What would Michael J. Fox say? Wow, that's racist. No, I did it. I apologize. I appreciate that. Thank you, AJ. I appreciate the support. to shoot the blues bar scene, John. Two weeks? Two weeks. Three days. Three days. 13,000 feet of film, four cameras. They just set these rails of Dolly in the back and just kept kind of moving them slowly and we just did it over and the whole thing from beginning to end. From beginning to end. From beginning to end. Over and over. We were just burnt out on the thing by the time we were done. But it's a very memorable, famous, classic scene from this movie. They really wanted it to be. And it is. It is. Because it was funny. When we were rehearsing, it was, okay, we've got this great train sequence and we've got this, you know, we've got the hospital, okay, frat parties, things fun. Okay, the tow truck driver stuff, Joe Gipp, the car thief, all this was playing in acting out. The scenes were working. Everything was working. And then we get up and we go, and the blues bar scene. And then we move on. Because we didn't have the music. We didn't have lyrics. We did the lyrics, but we weren't, they were like, we're going to change all this. So we would be doing kind of like theater stage runs of the movie and moving from scene to scene and scene just to see if it worked and flowed and getting sweaty and getting like building up to the stakes and being out of breath in these scenes. And then we go, and blues bar scene and then move on. So until, and we were in Chicago, so we'd already been shooting for two months. Sunday, they go come in for like two hours and we're going to record and just record with the blues band in this classic like record studio with Albert Collins and the Icebreakers. And- Do you tweet them? The very next day on set, we had a rough cut of it. Yeah, I tweet the Icebreakers to the grave. I tweet Albert Collins. Oh, he's dead? I don't know. Already his leg hurt here. He had severe diabetes and he had- I thought you said diarrhea. Later, I think his foot was amputated, but I could be wrong. Yeah, he's one of the- Wow. Now they're wrong. They're rocking. They're liking us, little white people. Go ahead, Gabe. Say something. Really? Say something racist again. How is it that I make the exact same comment and Keith's fine, I'm a horrible racist? I never said that. You just did. What did you say? What was racist? You guys walked in, you're in the blues club, and I say, you know, who are these white kids? Yeah, I hate the way you did. It's right. You know? It's the way you said it. Really? I just don't believe we win them over. I mean, it's complete manipulation. The music, the cutting, the editing. He's, you know, adorable as hell and totally sells the, I think it's not the best singing by all of us. Okay. You're an asshole, John. Plain eyes. Oh, look at you with your choreographed dancing. Yeah. Get a little hunched up. I was in the skeeth because you were in your honey wagon and it's very tight in there. Is this where you really fell for Lisa? You're watching her sing, strut her stuff. I'm over her by now. Oh, how much time did it take for choreography? I mean, did you already talk about this? Did you, the choreography, how long did it take you to get that? Oh, two minutes. Really? That's all they did. Yeah. They were like, I think we were in the hospital or something. She's like, this is what we're going to do. We're going to rock this. Can you do, like, what dances do you know? And we basically, like, you all knew the dance around a little bit. She's like, all right, we'll keep it simple. Wow. And you would because you're not supposed to. The remake will be Bollywood. There's going to be a whole number. Say something, Dave, in the Bollywood. I'm not even saying anything about Bollywood. I have no comment for Bollywood. I don't know what's wrong with me. It's the whiff of, never mind. What's wrong with you? Nothing. I'm fine. This is fun. Are you having fun? Hope our listeners are having fun too. In a minute, we're going to pause, take a quick break. We're going to take a studio break. We're going to hit, we're going to say three, two, one, pause. Yeah, we're going to do that. And we'll try to sync up there. They're, oh, just kidding. No, they had to loop some of the music because we were not getting out of the bar fucking fast enough for the editor. If you listen closely, his guitar solo loops a little bit there. So great. He'd never lip synced before in his life. And if you watch closely, it's off, especially during the singing part. And Albert Collins said, I've never lip synced before. I've always played live. Who was in the Blues Brothers? What's, what's their name who said, you better think, who was that? It was Aretha Franklin. Aretha Franklin could not lip sync either. I heard nobody. She's in trouble with that. I think it's a good time to pause. They're running outside of the Silver Dollar Room and we're going to pause in three, two, one, pause your movie. So you should see a shot of the four kids with the Silver Dollar Room behind them and a little bit of fire and some bums and just pause while we reset it. They're not bums, they're house. We'll be back with the next 54 minutes of John and Gabe fighting. politically correct enough for you, John? AJ forced to only talk as Jeff Goldblum or Michael J. Fox. The homeless people are of various races and creeds. I, there's no bums I think. We're okay. Nobody's fighting. I'm going to pray for mankind. We'll be right back. Thanks. Good roll, studio. You're listening to Skid Row Studios. You're listening to Skid Row Studios. You're listening to Skid Row Studios. You're listening to Skid Row. Studios. You're listening to Skid Row Studios. You're listening to Skid Row Studios. You're listening to Skid Row Studios. You're listening to Skid Row Studios. You're listening to Skid Row Studios. You're listening to Skid Row Studios. You're listening to Skid Row Studios. You're listening to We're listening to Skid Row Studios. Skid Row Studios. I'm not doing it with you. Please do it with me. Fuck that. Can you please have sex with me? At Skid Row Studios. At Skid Row Studios. Maybe. Okay. Aaron, how long have you been running? Tune into Sexy Time Talk from 9 to 10 p.m. Pacific Time on Wednesday nights here on Skid Row Street.