Olin live Pogues tribute, Jake Gallagher call-in drama

Stop breaking my balls. Nathanael Nathanael Pop up the stairs, pop up the stairs, pop up the stairs, pop up the stairs, pop up the stairs, uncased guitar in one hand, percussion bag in the other. The kids across the street, although they have now grown, soup up their ramflas. Karen's dog, Fatso, lies in the middle of Rambo's drive. Her dark, watery eyes follow my wicked path. Yeah, my city terrace neighborhood seems peaceful, but not for long. Bam! City Terrace Drive. Junkies with long sleeves and knee-high socks. Hefty mothers pushing strollers. Oil-stained men leaning into their engines. Beautiful young chicanas walking in blue. Pair of pushin' strollers. All thrown together like one of them crazy mixta tostadas they have at Siete Mares. I've seen you there on Saturday morning. But on the serio tip. Five young, bald gangsters share a leño in front of Hilda's Market. Now I'm walking to practice and they see me. They check out my guitar and they're like, Hey, Holmes! And I'm like, oh, shit. Hey, man, throw some roll-outs real quick. And I'm like, oh, man, I would, you know, but I gotta get to practice and shit. I'm late. They were unconvinced. With a blank look in his eye and a joint in his mouth, the leader of the pack flexes up. And he's like, right. And my face needs like, well, then please it then, dog. And I'm like, oh, shit. Well, I don't have any dog, but Casper's got the chronic. And in unison, they're like, no. And I'm like, yeah. One of the little badasses speaks up. He's like, yeah, but every time I go to Cas. Casper's pad, his Fita throws us out. And one of his own boys is like, nah, man, she throws your sprung ass out. She's down with us. And they start laughing and shit. And they take all that bad energy away. And I sense that. I'm like, all right, dogs, I gotta go to practice before Kenny smokes all this shit. And they start laughing again. I'm gone. Practice. Rehearsal, rather. It's on. It's on. We'll do it live. Broadcasting from downtown Los Angeles. We'll do it live. Fuck it. It's the More Music Radio Pod. Do it live. I can talk. I'll write it and we'll do it live. On skidrow.la. Fucking thing sucks. In five, four, three. Hey, what's going on, everybody? It's me, Scott. It's the More Music Radio Pod on skidrowstudios.com or skidrow.la. What do you like better, skidrowstudios.com or skidrow.la? What do you guys think? I personally like skidrow.la. Yeah, I like that. What are our options again? Skidrowstudios.com or skidrow.la. No, I'm with Dan. LA. .LA sounds cool. But some people get confused because they're stupid. They don't know, like, oh, .LA. It doesn't have to be always .com, you know? .com. .com. .com. .com. .com. .com. .com. .com. .com. A dirge, rather. Yeah, man. So I would like to welcome Olin to the More Music Radio pod again. Good to have you guys, man. Yeah, man. So tonight we're going to hear some Irish stuff, right? Simon. So every year you guys have a show. That's true. And you guys do the Pogues tribute, right? Yeah, yeah. We take our favorite record, Brum Sodomy and the Lash, and play it in its entirety. That's the heart of the show. But we also do other Pogues music as well. Oh, that's cool, man. And this is happening on St. Patrick's Day, right? Yeah. And we are live right now Thursday night on March 15th. So if you are listening right now, you should call up 1-800-893-9562 and talk to us, you know? I mean, we ain't got nothing else to do. We don't have any fucking beer right now. Do you believe that shit? Yes, we do. I cannot believe it. Well, you know. Some of the smarter ones that, you know, actually snuck in some beer or, you know, whatever. The snappy talkers in the back. Can I get a sip, man? Oh, shit. Yeah, man. Something happened now that fucking this fucking idiot fucking fucked it up. Tell me about it. What the fuck happened? I'm fucking so fucking pissed off right now, man, you know, because it's like this is like you're never going to fucking just come across just a fucking studio that will let you come and do a radio show like this, you know? Right, right. We're not getting charged anything, you know? This is a fucking avenue for everybody to, you know, to be creative and to, you know, to do a good show, you know? Like some people like Jeremy says, hey, you want to do a radio show? I go, yeah, I want to do a radio show. That sounds fun, you know? And he's like telling people, hey, you want to do a radio show? And they're like, yeah, you know, we'll do it. Sounds fun. It's just fucking some people, you know how they say like fucking there's always going to be some fucking asshole at the party that's going to fucking ruin it for everybody. The fucking cops get fucking called. Fucking everybody has to fucking go home. And we have to turn the music down and shit, you know? Right, right. Right. Right. Man, like, you know, hey, you guys got to fucking move your car off the lawn and stuff. The neighbors are tripping, man. You know, the cops are fucking, you know, they're fucking tripping out and shit, you know? And like fucking we don't have any fucking beer here. And I'm fucking pissed. I want beer. Wow. I want beer. Explain. What's the snapper? Who are the cholos that fucked it up this time? Or was it? I brought the snappers. Yeah. These are like hipsters. Fucking hipster fucking assholes. And the whole fucking hipster attitude is like, they fucking, what's cool about it, what they think is cool about it is because they're just like, oh, fuck you. They don't give a fuck about anybody. You know, no fucking consideration. They just fucking come to the party. Oh, we're artists and shit. You know, we could do whatever the fuck we want. And so fucking this fucking show that goes on before us, they're fucking the asshole fucking crew went down and at the security guard booth. You know, remember you guys walked in. There's a security guard booth there. Right. Fucking left a bunch of fucking beer cans. And we're fucking rolling. We're fucking doing joints and shit at the fucking, at the fucking thing. And it's just like, fucking what the fuck caught, you know, fucking, and it's like, dude. And so now it's like, okay, fucking party's over. Nobody can fucking bring anything in right now. You know? So we're under fire. So we can't even bring beer. These fucking assholes. And you know what? I got to say, I fucking met that guy. And like, you know, I try to be like, what's his name? What's his name? Jake Gallagher. Jake Gallagher. And you know what his claim to fame is? It's like he was in the, that Facebook movie, the fucking social network or something. Yeah. He was, his role was, he was one of the guys playing face mash. You know, that fucking seemed like, oh, that girl's hot. You know? And that's him. And he's like fucking a rapper and shit. And I try to like be cool with it and shit. And like, you know, try to be open. And like, we went to this fucking horrible fucking event. And like, he's there. And like, you know, we're like, hey man, how you doing? Good to meet you. You know, whatever. Total fucking asshole, dude. Like, what is it? Like total, like, you know, didn't want to fucking like really like look at us or shake our hands and shit. We recorded. I'll, I'll, I'll clip out. I'll clip out some stuff for you guys. Well, you know, that's, that's, that's. So it's like, all right, whatever. That's cool. You experience that a lot too, man. Hey, I don't give a shit. Okay, cool. That's fine. No problem. But now we can't fucking drink beer because of these fucking assholes. Fuck that, man. Well, you know, man. They're fucking dicks. That's, that's, that's why sometimes like, like mentioning the Pogues when, when we first met them, man, they, they're complete opposite of, of these, these rockstar people, man. They were just these fucking homeboys who were just, just showed us love straight up, man. And that's why we do this tribute every year. Um. Because they don't go disrespecting. No, man. They're, they're straight up about respect, man. They're not going to be rolling joints in front of your mom's, on your mom's porch and shit, you know? Well, you know, they could be, but they would still be, they do it respectfully, you know? They would, they would, they would do it in a way that's, you know, you know, fuck, you know, that's, that's cool. But at, at the same time, man, you got, we kind of relive your past and when you had your first fucking, you know, your first, not beer, but you know, that whole first fucking wave of, of, of you feeling you're important, you, you, you might make the mistake and say, fuck everyone else. But you know what? Um, at, at, at the very end of, of, of the whole tunnel of life, man, it's, it's all about respecting everyone, man. Yeah. And for, for the cat who, who disrespected, um, your spot, well, you know, hopefully, uh, he, he doesn't fucking do it for the rest of his life. So, you know. It's just like, you know, just fucking be cool. Don't be a fucking asshole, man. You know? It's like that, that you're just being a fucking dick. Like we, I mean, everybody's cool here, you know? Right. And don't go fucking disrespecting and ruining it for everybody else. Anyway, moving on, man. Right on, right on, right on. And it's so fucking hot in here too, you know? That's cool. Maybe the building got mad. It's just like, you know what? We're going to turn on the heater and fucking unit, whatever. Let's take off our pads under this desk. Whatever unit we're in right now, they're like, you know, fucking, we're going to fucking light the fucking flame under them and shit, you know? But, um, I don't know. Hopefully fucking, you know, uh, the fucking smoke will clear, the dust will settle and like, you know, we'll be allowed to, uh. Jake Gallagher, if you're listening, call in and explain yourself. Yeah. If you're listening right now, I don't think he's listening. I mean, I really doubt that he's listening or he's even going to hear this, you know? But call 1-800-893-9562 and, uh, you know, hey, say something for yourself, man. You know what I mean? Apologizing to Jeremy, goddammit. You're being called out. This is what happens when you fuck around over here because this, dude, this fucking, Jeremy put his life's fucking savings in this fucking shit, you know? Right, right, right, right. Every respect to the cat, Jeremy, by the way, man, I, you know. You know, fucking Jeremy. Me and Joel are fucking pumping fucking tons of fucking money and energy and like total focus on this and, you know, this is all it fucking takes for them to fucking kick us out and that's it, you know? Then what the fuck are we going to do? You know? Maybe we can go to the fucking Brooklyn Music Center and just do it there. You know what I mean? Yeah. That'd be great. Come on down. So, I don't know. That might be plan B. Cool, brother. All right. So, cool, man. But anyway, we're here right now and so we haven't talked to you guys. We haven't talked to you guys in a little while, man. So, what's been going on? Did you guys get that Evangeline gig? We got the Evangeline gig. Yeah, man. All right, dude. Congratulations. So, at some point in the show, we'll definitely talk about this upcoming play we're working on. We're working on it now and it premieres. It's a world premiere and it's going to be here at the Bootleg Theater starting May 3rd through June something, middle of June. Yeah, man. Awesome. Yeah, thanks. I can't wait. I'm going to be there, man. That's fun. Yeah, yeah. And then you were telling me about your experiences over at the Bootleg Theater, right? Oh, yeah. I played drums in the orchestra for The Stranger. There's a play called The Stranger or something over there. Yeah. Really cool. They were trying to tell you not to drink while you were there, too. They were trying to tell us not to drink, too. And it was a really weird story. The co-founder of the Bootleg Theater, her name is Jessica Hanna, and she was really cool, but she was working with these other people, too. And there's these rules. When you're an actor, there's some guild. And they're like, hey, we can't have alcohol on stage because we can get in trouble and stuff. And they try to tell Tony, the guy who wrote the music for The Stranger, they try to tell him, hey, the actors, I think the actors are getting kind of jealous because we're fucking partying and drinking and playing music. And they have to be on point on their spots with their lines. And their job was a lot harder than our job. Hey, becoming a musician. Yeah. You think it's easy? Yeah. Hey, and then tell me if you think it's easy. You know, so they were kind of like jealous, you know? And so they said, hey, well, you know, you guys can't drink. And then Tony said, well, you guys got to find somebody else to do the music thing because we're not going to do that. Like, that's one thing where we were going to stand firm on is that we need our beers. You know what, Vince? And they left us alone. That's pretty fucking interesting because at that same place is where we workshopped Chavez Ravine. And, you know, that was my first time really working with Culture Clash. And at that place at the bootleg? At the bootleg. Yeah. It was called the evidence room at the time. Yeah. Oh, okay. Okay. I remember, you know, Scott and I, we're kind of still, you know, before we really got hooked up with the whole theater scene, you know, we're just that was a part of our thing. You know, we have a couple of beers and do some music. But when we started working at the Culture Clash, the stage manager came up to me and said and took my Guinness and said, you know what? I think you got a drinking problem. I said, oh, man. What are you, a detective? No, but you know what she was really saying is, you know what? This is theater. This isn't. And at the same time, it opened my eyes. And, you know, like, you know what? You're probably right, because we were doing way more than just playing music. We were acting and shit, too. So at that point, I never, ever had a beer when I did anything with Culture Clash. It was always a shot of espresso and boom, do the play. That was a trip because. At least you got that, though. I mean, that's a pretty good buzz right there, too. You know, that was cool. But at this, you know, then it told me at the level of what we had to rise up with, this being with Culture Clash and them. And, you know, they kind of looked at us sideways a little bit, too. And then after a while, you know, we, you know, we wait till after the show, then have a good time. But that's that's that's the whole thing about theater. It's a different animal. I have respect for people that do that because it's it's not an easy gig, man. It's tough. It's rough, man. It takes so much time and effort and energy to do it. You know, it's like take so many people, you know, and like I think that's why the theater tickets are so expensive, you know, because it's just it's just like, you know, it consumes a lot of money to put together. I mean, you got to get the fucking director. A lot of moving parts. Yeah. You need the choreographers, you know, whatever. Gilbert's gonna be the choreographer. But yeah, man, that's a cool place, too, man. It's a really fucking cool spot, man. The Bootleg Theater. They also do shows. They're the fold does shows there. Good music there all the time. Yeah. But our silent partners, Gilbert DeSoto and Angel Waters are sitting here in the room to kind of just listening in. But they'll you'll be hearing them a little bit. Sweating it out. Sweating it out. What do you guys what do you guys think? Are you guys comfortable? Sorry, it's so stuffy in here. Yeah. Look at that. I love these mics. Gilbert Gilbert's gonna. You sound like Barry White. I guess. Gilbert Gilbert. He's. Or like Theo from the. Gilbert Interpreter. Yeah. Yeah. He interviews telepathically. So. Yeah. You guys are like the quiet guys, right? Yeah, we are. We were opinionated. George Harrison here. You guys talk about stuff they did before I was. Well, let's hear from. We're so much better now. Well, now let's focus on. We're in the mix. I mean, Gilbert's been in the mix for how many years you've been with this group? Gilbert. At least five, I think. Hey, man. At least five years, man. At least five years. And. Yeah. I mean, it sounds almost as if he's become the voice to the of the band. Like, I like your voice a lot. You know what I mean? Like on the sound. We're using. Yeah. Yeah. I mean. Utilizing that. Well, I mean. And I know when to. You know. Like I got the Kobe mask on. My glasses are getting all fogged up. Mine too, man. You gotta like. You gotta lift them and air them a little bit. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. doesn't like to reveal your age, Angel? No, I don't care. He's just being polite. Actually, I don't fucking know. But Gilbert, we met Gilbert about five or six years ago when my brother and I were, well, mostly me. I was doing a lot more teaching back then, and I had a kid band that I was directing, and Gilbert... The Old Souls. Yeah, it's a great group of kids, and Gilbert's daughter and his niece were in this little band that I was directing and shit, man, and they were just such a... That's a cool name, Old Souls. They were a great group of kids, and now they're like, what, seniors now, Gilbert? Yeah, yeah. Lonnie's getting ready to go to college, so... You gotta have an Old Souls reunion, man. Oh, man. Let it happen. Such a good group, and just good kids and stuff, so then Gilbert just kind of jumped in and kept going, and so we have this play coming up, and I doubt we'll be friends after this play because we're going to wear the shit out of... Both Angel and Gilbert. It's fun, though, man. Yeah. How many... Are you going to be doing it every night for the first couple weeks? No, it's going to run weekends, like Thursday, Friday, Saturday, Sunday, this play, Evangeline, The Queen of Make-Believe, and if you go to aboutproductions.com, there's a whole bunch of info about it, and it's a play that takes place in the 60s, in 1967, so we won't be drinking beer. We'll be dropping some L. Yes. D, D, D, D. Hey, so how was it, though? I mean... Yeah. Yeah. Yeah. Yeah. You were saying the last time that you guys were nervous because you had to go and meet the big guy, right? Yeah, it was an audition, I guess, you know? Yeah. And we passed, and now we're, you know... How was it? Were you guys, like, sweating, and then you guys... What the fuck do you think, man? Fucking Louis looking at you like this. Oh, really? Were they friendly? I mean, tell us about those guys. No, he was really friendly, but he just kind of, like, you know, doesn't really give emotion, so it's just like the worst goes through your head when he's actually thinking something good. Is all of Los... Lobos there just looking at you and just kind of like... Just Louis. Yeah, just Louis. And Louis is the... There's a songwriting team, David Hidalgo and Louis Perez, and he's the principal lyricist, basically. And Hidalgo, David Hidalgo, it comes up with those crazy melodies and just, you know, all the fun stuff. And so, like, what did you play when you... It was kind of like an audition, right? Yeah, it was... We did a very abbreviated version of the play, and so we just, you know, we did the first act, and it was... There was these weird constraints, so we had to do it in a fucking... an art gallery. I mean, there's, you know, $10,000 pieces around us. We couldn't really do anything, and it was... And the audience... No slamming. They're such a pipe fucks there, you know? That was fun. When we played at the Autry, too, it's this crazy art gallery, and as I was taking in all my drum shit, I forgot that I had that fucking... When we did the last Morpod thing, I had these Tecates left over. I threw them in my fucking black bag, and I was taking them into the art gallery, and they fucking exploded all over the fucking floor. And I left a big-ass trail going from the fucking... The floor into the art gallery, man. Fucking... And then I tried to hide it and fucking clean it, and then I threw away the shit in the bathroom, and then... But it was from the last time I remember. Oh, yeah? It was one of our beers? That's what I get for stealing your beers, man. Fucking made you close on me. It took, like, the bad... It took, like, the bad luck that, you know, whatever. Our negativity went into that can, and then all of a sudden, it was just, like, waiting to embarrass you. Oh, it did. We apologize for our Tecate can. Yeah, in fact, this is our third time back here, man, so thanks for having us, guys. Hey, man, it's a pleasure to have you, man. We're gonna hear some... So tell us what we're gonna hear, man. Tell us about the show that's coming up, you know? That's it. So, um... Our shows are competing. That's right, that's right. It's the same day as the Ragfest, so, I mean, I'm just gonna leave it up to you guys. It's kind of like, you know, you gotta choose... It's like two friends are fighting, and you gotta be like, you know what? You guys just... Who are you gonna back up? Yeah, they're like, you know what? Whatever, you guys just fucking... Hate it when you guys fight. Fair fight. All you guys say is, fair fight. Fair fight. Remember that? So, yeah, man, so it's a yearly Pogues tribute. Yeah, every St. Patrick's Day, we kind of bounce around in different venues, but, you know, this year, it's gonna be at the old Spaceland Satellite, which is 1717 Silver Lake Boulevard, the satellite, I'm sure, .com. But anyway, we do... It's a St. Patrick's Day show, man, and, you know, we dig deep into the Pogueses... Pogueses? Pogueses? Poguesers. We dig into their catalog, and it's basically a study. We do these projects where we kind of study, you know, artists and their music and try our best to interpret it. And so that's what we're doing this Saturday, St. Patrick's Day. So who came up with the idea? It was kind of a collective thing, but we always kind of attributed it to Billy Branch. Tell them the story you told them last night. It's always so much better when we're high. But we are. Well, maybe we can go and get some air, you know, take a walk down the street or something. No, no, we were on the road, you know, doing our usual California Johns up to Sacramento or Oregon or something. Portland, where we're coming from. Yeah, yeah, and... I think we were just fucking sick of listening to the goddamn same CDs that we had, you know, the long fucking road trip. And so I think Billy's a great thief, man. In fact, when we'd go on the road, we'd have like stealing contests. We'd steal shit we didn't even need. You know, you stop for gas and those, you know... Chapsticks. How many chapsticks have you stolen in your life? Baby Ruth, you know, that kind of shit. It was dumb. Beef jerky was always good, too. It was dumb. And those were, I mean, I don't... I don't, you know, I don't promote that in any way, you know. Yeah. But... Not at this age. It would be fucking embarrassing to get, you know, to get fucking caught for, you know, taking a fucking abazaba, you know. Hey, well, you have a kid, so what are you going to do when your kid gets caught stealing, man? What's going to happen? Yeah, that's a good question. What's your method? What did I tell you about getting caught? Don't get caught. I think the dance school of discipline is it, yeah. Don't get caught. So, um... Oh, anyway, we're talking about why we... Yeah, yeah. It was 10 years ago. I just want to know if you're going to beat your kids. But anyway, moving on. I'll beat your kids. How about that? No, no, we just, you know, we just... It kind of came up, and then we learned one song, and, you know, we've always had an affinity for folk music because those are our kind of musical roots besides the punk rock shit, you know. It was actually picking up folk instruments when we met Angel. You know, Angel plays the harp, and... Wait, wait, how did... What did the stealing have to do with it? All right, all right, so... Yeah, yeah, yeah. Here's the thing. Thank you. Are you sure we're not high? No, I... I am not high at all. In March 17th in 2002, we were coming down from Portland, and as usual, we were broke to shit. No one had money. So as we were passing through Eugene, we went through one of those record stores. If you've been to Eugene, a small little town, Billy goes into the record store and says, it doesn't really tell us much. We pull into the record store. He goes into that main record store in Eugene. He comes out with not Rum Sodomy and the Lash, but the very best of the Pogues. And myself, we... I was... I mean, of course, we heard the Pogues, but never really listened to them. So what we did is he played it from Eugene all the way down, and we started drinking a lot more all the way down. It was just the band. Stealing and drinking. Inside the van. And we started getting crazier and crazier and fucking nuttier and started... And it just started, you know, jumping all over the place. And... I want to do this. I want to do that after the show. Are you guys down? No. Hell yeah. Hell yeah. And Billy... No one ever suspects the white guy, by the way, to go in and steal stuff. Well, yeah. When we were on the road... I would. I would. We'd go to the white towns. We would send Billy in, man, because, you know, we sent him, like, you know, one of our fluffy Hispanic-looking hairs in there. They look at us all crazy, but Billy would be like, hello, what are you doing? You know? Oh, ashy. Yeah, man. So that was 2002, which is 10 years ago, and that was the first day we actually... We celebrated St. Patrick's Day together as a band. The following year, we did our first St. Patrick's kind of day show at Avenue 50, which is a studio, an art studio. Right there by the tracks, right? Right there. And we played... I remember we played maybe one Pogues tune and a song called Wearing of the Green. Prior to that, though, Billy had started... You know, Billy was a part of the Chicano movement because we were a part of it, too, but he started getting his hip to the IRA and their situation, you know, the war, and the... the struggle of Irish people, you know, with the Protestant and the Catholic religion and just England's... England holds, you know, control over a land, man. And he actually really made it a point to tell us, you know, the similarities and stuff. So that fucking caught wind because he was actually... He had a band called The Blues Experiment at the time, and he was giving them ideas about that already, you know, but... You know, they were doing it, too, but he was kind of the main person, who kind of pushed that to us, and that just opened up these ideas of the similarities of Irish and Mexican. And then we looked at him being the same thing, straight up, you know, white guy, Irish, but, you know, straight up going up in a Mexican neighborhood. And then as the years... The next year, we played maybe two more Pogues, or three more Pogues songs, and the year after that is the first time we did Rum Sodomy. And I remember this. What we did is we rehearsed for a month straight, a month. A month every day. Without skipping one rehearsal. And to do Rum Sodomy, we put our work in, and we never stopped after that. Every year was Rum Sodomy, plus all these other Pogues songs that we were doing. And as we started doing it, we started, you know, to really look into the historical aspect of Ireland, the historical aspect of the struggle they had, potato famine, their immigration into the United States. And it just... You know chorizo and potatoes, you fry those up, man? It's like every sand of famine. One more thing I have to admit is that I was actually exposed to the Pogues in the 80s, but they were too sophisticated for me when I listened to the punk rock thing, you know, as a teenager, you know? So I kind of wasn't ready for them. Yeah, when you're real punk rock too, you kind of try to rebel against all this other stuff, and you try to pretend not to like it because it's not punk rock to like some certain stuff. And we got a call. We got a call right now. Caller, you are on the air. Hey, what's up? Hey, what's going on? Who are we talking to tonight? Hello, hello. Hey, can you hear me? Yeah, hey, what's going on? You got Olean in studio right now. Hey, what's up? I heard you were talking about me. I texted another friend, and they said that you had said something about me and that I should call in. Who is this? Is this Jake Gallagher? Yeah. So what happened, man? One and only. One and only. So why are we not... Jake, why are we not drinking beer right now? Why is it fucking so fucking hot right now, and we are not fucking drinking beer? Can you tell me that? I don't drink beer. That's one reason. Do you want to know why that we're not drinking beer right now? Because we can't bring beer over here right now because the fucking security guard is like all freaked out because one of your dudes was like fucking rolling a joint on the fucking security guard's desk, and you guys fucking left like... beers and shit all over the security guard's desk and shit. So that's why we're not... That's why we're fucking hot. That wasn't me that left beer on the security guard's desk. That was him on everything's people. Was it? Yeah. It's two separate shows. Okay. And I don't smoke or drink. So I don't know, maybe... Because that's what I was told. Maybe we can have... They were rolling blunts. Jeremy says that your guys were rolling blunts. That was the Jake Gallagher. Yeah. They were rolling blunts on fucking... on the building security camera and shit. And so like now they're all tripped out and so they're like fucking trying to take notes and trying to maybe try to get rid of us and shit. So like if we lose this fucking spot, like pretty much like everything's like over. You know? I don't know why you're blaming that on me. So you don't... So you don't find any... So like what kind of people do you have like come down on your show? Hey, man. You know? I think this is the kind of conversation that needs to happen privately, not publicly. No, why? Why should it be handled privately? Let's hear everybody. Why call in? Yeah, why call in? I didn't know you guys were talking about this. I just heard that you were talking about... Come on, man. Don't act stupid, man. Come on. Who the fuck do you think you're talking to, man? Shit. Listen, man. Where did you fucking come from, by the way? Like who the fuck are you? You take responsibility for your people or you don't? You fucking just came out of fucking like nowhere. Like I didn't even know who the fuck you are. And like now we can't fucking drink beer in here. And you got like a real shitty attitude too. And we're still here. I don't know what you want me to say, man. A different radio show than mine, which is no longer on there. Okay. Well, so you're saying that Jeremy... Security guard's a death. So you're saying that Jeremy's mistaken then? So did you make that clear? I mean, what's going on? No, a separate incident happened. Okay, so... Separate incident. Separate incident happened. So what's up with these fucking... What is it with you fucking white fucking rappers, dude? You fucking like... Is it... Because like Hamon and everything's the same kind of shit, right? Hey, listen, man. I mean, you guys are already annoying to begin with. And then fucking you come over here and fucking act like fucking assholes and shit. Hey, are you hanging up? Don't be a fucking pussy, man. Come on, don't hang up. What a fucking asshole. What a fucking little fucking dick. Right on cue. Very good one. Jesus fucking Christ, man. Hey, man. That was a good one. He fucking called you up. You scared me, yo. What a fucking idiot, dude. So yeah, so this is the fucking shit that we have to contend with somewhere around here. I got a pussy, Jake. I don't understand. Jeremy, is he right? I mean, is it Hamon and everything that did that? Or like, what's the story? So the story is that Hamon and everything, yeah, they were drinking and putting their beer cans all over the security desk. Okay. We all know what happened with Hamon and everything, right? And they're gone, right? Yeah. Yeah. So they're gone. Yeah. So they're gone. Yeah. So they're gone. Yeah. Jake Gallagher's guy, one of his people, they were all gathered around the podium downstairs. One guy's rolling a blunt and literally looking in the face of a video camera sitting at the security guard. And I'm just thinking like, where's your fucking common sense, man? Like- What the fuck, man? So the very next day, security guard stops. He stops me. Hey, man, this is the second time I have to tell you about the people coming to your show. They're smoking weed down here. They got it all on camera and they review it every day, you know? And so for him to keep saying shit like, wasn't me, man. Wasn't me. Or I don't do this. That's a horrible excuse too. Yeah. That I don't do this or that. It's his fucking crew that fucking comes here and acts that way. He's responsible for it. Do you really hear that? I mean- He's responsible for it. I'm going to ingest that and learn from it, please. Yeah. He's not going to fucking learn from it, man. He has the same fucking kind of fucking attitude that a lot of these fucking asshole fucking hipsters have. Like I said, they could fucking care less about like, oh, I did that. That wasn't even my fault. So I don't even know what you're talking about, man. You know? It's like- And here's the deal is there's a lot of people that come here and care about what we're trying to do here. Right. And I'm not going to let one fucking hipster that doesn't care about what we're trying to do here. Right. I'm going to let one fucking hipster that doesn't give a fuck about anybody but himself fuck that up for everybody. Yeah. There's no way. Here, here. And it's not like he's like, oh, dude, you know, like, dude, if someone like is yelling at me and like, hey, you're fucking people, I'll be like, oh, dude, I'm so sorry. I did not want that to happen. Like I will want to try to fix it, you know, like just let me handle it. I'm really sorry about that. You know, this guy's like, dude, dude, man, just go look at the social network and watch me in that one scene. Bro. And then you'll know what you're dealing with and listen to my fucking rap music. I should fucking play some of that shit. What a fucking dick, dude. Jesus Christ. You know, maybe you know what? Let's move on with the show. Fucking maybe later on, I'll pull some of that. We can listen to what this guy does. I mean, I don't know, man. Maybe maybe he should be allowed to do whatever the fuck he wants. He's so fucking brilliant. You know, anyway, man, sorry to interrupt that. I just thought, you know, fucking I'm fucking this is a real moment. And this guy obviously just was. This was upset. You know, he got mad. Anyway, whatever. We got Olen in studio. I don't know. Yo, yo, yo. And the more music radio pod. We're going to play a couple of songs. And when we come back, we're going to hear some Pogue songs. Right. All right. We're going to do Jack. Jake Gallagher's. Yeah. First record. Yeah. On the more music radio pod. We'll be right back. Hey. Oh, no. Wait a minute. Oh, you got the right bitch. Hold up. How the fuck up. How you got the right bitch. Hold up. Hold up. You got the right bitch. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. The more music radio pod. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Yeah! Yeah! Welcome back to the More Music Radio pod. That was the voice of Tony Whitfield. He passed away last weekend. That's terrible. Yeah, he passed away of colon cancer. So, rest in peace. And we're going to miss that guy. Really sucks. And I said I wasn't going to cry right now. And I think I'm going to cry right now. No, it sucks, man. We had Tony Whitfield in with the kids of Whitney High last time. What was it? May? Yeah, Cinco de Mayo. Cinco de Mayo they came in. Yeah, man. He loved Kiss. He loved fucking Pretty Women. And he was down to bone pretty much. He was cool. He was down, man. Yeah, so rest in peace, man. Wow. So, to celebrate life, we have Olin in studio. And, you know, regardless of all this negative shit that's going on that we tend to bring out into the open and we bring out the worst in people and that's just what makes an interesting radio show. And another thing that makes it really cool is live music from a fucking kick-ass band. And we have Olin in studio and they're going to do their St. Paddy's Day Pogues tribute. Alright, man. I can't wait to hear this because I haven't seen you guys do this. I haven't been to any of those shows. They didn't let me in. Yeah, we're missing about half members today, so we're just going to taste. Alright. Yeah, we unfortunately we're missing a whole bunch of, we're about 40% of the band right now. But we have some cool guests. Lisa Flores from the solo artist Lisa Flores. And she also plays with Isale Taiko. She's on stage with us. Yeah, we heard some East LA Taiko in the break, man. Groovy. We also heard Olin Las Tres. That's a height. And then we're also going to have Dave Jones who plays with Carnage Asada. He's going to be up there playing with us. John Wall. Carnage. That's right. Mr. John Wall himself from the Amadons is going to be up there with us. So I guess I might uninstall it, boys. Carry on. Okay. Alright. Olin live on the Moron Music Radio pod. Moron Moron Moron Jesse James from the Stag He robbed a union train Yes, he stole from the rich Came to the poor He had a head, he had a heart, he had a brain Well, he was on a Saturday night And the stars were shining bright He robbed a Glendale train And the people that say For many miles away It was his outlaws Frank and Jesse James Jesse had a wife And a lady all her life And the children, they were brave History does record That Bob and Charlie Ford Had laid poor Jesse in his grave Well, it was Bob and Charlie Ford They turned him into dust No wonder how they feel For they ate Jesse's bread And slept in Jesse's bed And laid poor Jesse in his grave But his bucket bucket Was full of his bucket But his bucket bucket Was full of his bucket But his bucket bucket Was full of his bucket But his bucket bucket Was full of his bucket But his bucket bucket Was full of his bucket But his bucket bucket Was full of his bucket But his bucket bucket Was full of his bucket But his bucket bucket Was full of his bucket But his bucket bucket Was full of his bucket But his bucket bucket Was full of his bucket But his bucket bucket Was full of his bucket But his bucket bucket Was full of his bucket But his bucket bucket Was full of his bucket But his bucket bucket Jesse had a wife and a lady all her life Children they were made If she does record that Bobby Charlie They'd pour Jesse in his grave The people of Bethlehem They heard of Jesse's death They wondered how he came afar But he was robbed for the fat Straight shot and run back See, home, that's the truth of the world Jesse had a wife and a lady all her life Children they were made If she does record that Bobby Charlie They'd pour Jesse in his grave If she does record that Bobby Charlie They'd pour Jesse, they'd pour Jesse They'd just shave in his grave Shave the haircuts Shave the haircuts Shave the haircuts He played her brother in high He talked to the big ears for her in the heart He sued the soul of the psycho And the men who had the heart Hell, they're pretty happy in the morning Well, Jimmy didn't like his place In this world of ours With fire in the back, the storm in the back He had so many bars Aside to see the grieving of the people that are moved We took our boat to God knows in the morning We walked them to the station in the rain We kissed them as we put them on the train Ah, we sang him a song Sang him gone, gone Though we knew we'd be seeing him again Sad to say I must be on my way So buy me beer and whiskey Cause I'm going far away I can think of him and tell him that I can The greatest little boozer And the Sally McLennan The years went by, the times have changed I learned to be a man I learned to love the virtues of sweet Sally McLennan I took the tears and drank the beer To call my romance Oh, I'm sorry I ended up a-vomiting in the morning I took the pump of good To pump the water whiskey I talked of boozing horses To the man who drank the crowd I heard them say that Jimmy's Making the plane far away Some people went to heaven Without warning We walked them to the station in the rain We kissed them as we put them on the train Ah, we sang him a song Sang him gone, gone Though we knew we'd be seeing him again Far away We had to say, I must be on my way So buy me beer and whiskey Cause I'm going far away I can think of him and tell him that I can The greatest little boozer And the Sally McLennan Well, Jimmy came back home He was surprised that they were gone Yeah, he dug the details of the train that they went on Some people, they are scared to crow But Jimmy drank until he jumped Took a road for a happy moon in the morning We walked them to the station in the rain We kissed them as we put them on the train Ah, we sang him a song Sang him gone, gone Though we knew we'd be seeing him again Far away We had to say, I must be on my way So buy me beer and whiskey Cause I'm going far away I can think of him and tell him that I can The greatest little boozer And the Sally McLennan Ah, we kissed them as we put them on the train Woo! Yeah! Yeah! Yeah! All right! Thank you. Like it, it sounds, this is like the holiday for all gingers, right? It's like the only day they get respect, you know? Ginger love. All right, let's pass it on. Move it along. Let's pass the joint along to... Ginger love. All right. Can we... All right. All right. Brave move, Angel. We'll go do it. We're going to try an instrumental piece here. Uh, see? Crank it up a little bit. Seems a little... Oh! Good. Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Hello to everyone at home. Except you, Jake. Fuck you. You ready, Angel? Let's go. One, two, one. Two, three. I jumped, I met with Ben. I shook him by the hand as we passed the time of day. One question on his views. On the crux of last lot's fees he had. But these few clear and simple words to say. I am going. I am going. Any which way the wind may be blowing. I am going. I am going. Where streams of whiskey are flowing. I have cursed, bled and sworn. Jumped dead and landed up in jail. The lovers often tried to stretch me. But the rope always would slack. You know that I've a pile. I go down to the Chelsea. I walk in on my feet. But I leave her on my back. Because I'm going. I am going. Any which way the wind may be blowing. I am going. I am going. Where streams of whiskey are flowing. I am going. I am going. Here in his bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket bucket I am going, where streams of whiskey are flowing. I am going, I am going, any which way the wind may be blowing. I am going, I am going, where streams of whiskey are flowing. Where streams of whiskey are flowing. Where streams of whiskey are flowing. Where streams of whiskey are flowing. The same fuck up that Angel did. No, no. The same thing I did in front of a room full of people at fucking Royce Hall at UCLA. Did you guys fuck up? I couldn't even tell. We started kind of like, and I did it boldly, man. I fucking, I was playing the wrong melody. Nobody even noticed. That's what they were telling me, but it was like a sold out show. All the songs have whiskey or streams or something like that. I did that same exact thing. So that was the look that you were shooting. Like, oh man, did the same shit. Oh man. Well, cool, man. You know what? Let's play another couple songs and we'll be back with Olean on the More Music Radio Pod. All right. That was good, guys. The More Music Radio Pod. Oh. Did you kill my monkey? Skinroad. LA. Oh. Oh. It was Christmas Eve, babe In the drunk tank An old man said to me Won't see another one And then he sang a song That rare old mountain dew I turned my face away And dreamed about you Got on a lucky one Came in 18 to 1 I've got a feeling This year's for me and you So happy Christmas I love you, baby I love you, baby I can see a better time When all our dreams come true They got bars, biggest cars They got rivers of gold But the wind blows right through you There's no place for the old When you first took my hand On a cold Christmas Eve You promised me Broadway was waiting for me You were handsome You're pretty queen of New York City When the band finished playing They held out the mall Sinatra was swinging All the drums they were singing We kissed on a corner Then danced through the night The boys of the NYPD choir Were singing Galway Bay And the bells were ringing out For the Christmas Eve Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset Sunset I could have been someone Well, so could anyone You took my dreams from me When I first found you I kept them with me, babe I put them with my own Can't make it all alone I built my dreams around you The boys of the NYPD choir Still singing Galway Bay And the bells were ringing out For Christmas Day For Christmas Day For Christmas Day For Christmas Day For Christmas Day For Christmas Day It's New Year here But I can't forget it It passed And all the bad It's New Year here But I can't forget it It passed And all the bad It's time to go back to the past When Hip Hop was over here For all the brown race Saying that my race can't be felt It's time to go back here It's time to go back here We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. We'll be right back. don't want to fucking admit it but they're a miss pac-man yeah yeah we had all the different stages you know it was not that same stage well cool man you guys got another tune for us what do you guys I see you guys have your instruments you're all ready to go what are we gonna hear let's do this one let's have an angel sing one all right this one goes out to home Oh lean live on the more music radio pod we go the canals and the bridges the embankments and cuts they blasted and dug with the sweat and the girls they never drank water whiskey by pint and the shanty towns rang with the song of the in the fight have a gator gator and be strong here done you can and no dynamite to shift this is to shift this lead to life they died in their hundreds with no sign to mark where the brass in the pocket of the entrepreneur by landslide and rock blast they got buried so deep that in death if not for the that in death if not life they'll have peace while they sleep navigator navigator rise up and be strong the morning is here and there's work to be done take your pick and your shovel and the bold dynamite for to shift a few tons of this earthly delight yes to shift a few tons of this earthly delight yes to shift a few tons of this earthly delight yes to shift a few tons of this earthly delight mark on this land mark on this land is still seen and still laid is still seen and still laid the way for a commerce where vast fortunes were made the supply of an empire where the Sun never sets which is now deeply in darkness But the railway's there yet Navigator, navigator Rise up and be strong The morning is here And there's work to be done Take your pick and your shovel And of an old dynamite For to shift a few tons Of this earthly delight Yes, to shift a few tons Of this earthly delight guitar solo La cucaracha, la cucaracha In Tijuana's On the lead vocal Yeah, no puede caminar Angel Juarez Gilbert backing him up On some nice harmony You guys got a call You want to take a call or what? Alright You want to call through real quick? Let's do it Alright, call it You're on the air Forget it, Jake It's Chinatown Oh, damn it Oh I'm San Anto San Anto, that's a great No, who's that? Oh, Lupe Vincent Hey, what's going on? I knew it was you What's up? Vincent Valdez What's up, man? We're here listening Vinny, that is you, brother What's up, man? Shit This is Vincent Valdez we have, right? Hell yeah Is this a permanent member of Olean or? Absolutely Yeah, always, man He tries to run away To New York and San Antonio Hey, Vinny Vinny You guys sound alright, man But you need a trumpet If only we knew one We're gonna hear from you, brother, man We miss you, man Miss you, too, man We're all thinking of you here And we're all waiting for you next fiesta Are you guys in the gallery Or are you at fucking Bar America? Where are you? Salute Salute Show What's up? What's up, man? Say hello to me, lady You guys all ready for the show? Say that again? Yeah, yeah, we're ready Yeah, man We definitely miss you We usually have Vincent Play trumpet with us You know, he wasn't He wasn't with us He's gonna be there on On Saturday, right? He is not He's on the flyer But he just You're on the flyer, fucker What happened, Vincent? Come on, don't make us We're gonna bully you like we bullied Jake He tricked us into putting him on the flyer Hey, man How's everything going with this With your film project and everything? Everything's going, man It's moving along We're getting some images done You know, we're gonna We're gonna take a look And do a pre-screen on On Saturday Fuck, all right, man Where we're at And But you guys You guys are gonna make You guys are gonna be the icing on the cake, man You're gonna make it all nice and complete We're working with Vincent Vincent has a film project What's the title of your project, by the way? Home Home, okay And you're at VincentValdez.net or .com or What's the movie about? Got L.A. It's actually a tribute to A movie called A movie called My best friend growing up John Holt Jr. Who was a combat medic in Iraq And passed away about two years ago So Olean's gonna actually do the Waltzing the Silda as a soundtrack As a score for the piece And in the piece you'll see A flag-draped casket Journeying down through the south side of San Antonio Trying to find its way back home to his mom's house Man Wow All right, man It's gonna be a heavy piece But, man We'll be thinking of you guys on Saturday And it's gonna be a wild show It's all gonna be a wild show It's always the wildest show of the year for you guys I'll take a shot of whiskey for you guys Yeah, thanks Does that casket get lost on that loop And keep going around circling San Antonio So you're calling from San Antonio right now? He's calling from San Antonio, Texas Wow Fuck yeah That's Vincent Vincent, you're always working, man We just enjoy that we cross paths, man And we'll do it again and shit But I always respect the fact that The work that you do is Be it painting or whatever, man It's all good It's always fucking It's always from the heart, man That's why we feel When we're in Texas Fuck, we feel at home Because Vincent, his family And all his friends Make us feel that way So we love you, man Love you too, man I'll be eating barbecue And big red for you Oh, man Damn it Damn it Love you guys Cool, man Thanks for calling in, man Thanks for calling in Vincent Valdez, man You have our permission to forget the Alamo If you'd like Yeah How about a request, Holmes? What you got? What you Oh, man, how about No, but How about Body of an American? Oh, shit You guys want to do that? Dude You guys ready for that? I'm going to pull out a chart Actually, no We don't have a Who can sing it? Don't you sing it? Yeah, we don't have Billy Bradshaw with us today All right, get one more, Vinny One more I know, man Yeah, we Every time we play that one, man It's just fucking It's just one of those Fucking spiritual Kind of Kind of trips, man And, you know First time we played it with you and stuff He wasn't really listening How about Pretty Brown Eyed? Ah Do we want to sing it, buddy? I don't know the words All right We're missing our white guy today We know the words, too, Vin That sucks when we go Hey, you got any requests? And they're giving you requests And you're like Oh, can't do that one We were going to be a full band You want to hear Marijuana Boogie? Angel's Flight? We're going to pull up A song right now So we're going to Be looking around right now Okay We did it We did it already Damn it You weren't really listening, were you? He's a busy dude, man All right I'll be listening We're looking through Check out the podcast And you'll hear it again And then you can hear it again And then You can hear it again But you You played a song called Last Thrust earlier And that's Vincent on the On the trumpet That recording you played So Oh, okay, yeah, yeah, yeah That's right, man Cool, man You heard that right Two Vince? Yeah Who, you talking to me Or you talking to him? You talking to me or him? It's confusing, huh? Two Vinces, man All right Let's just start a band Think about it I'll be listening All right Okay, you got it, brother You got it, man Didn't the spin doctors Write a song about that? Two Vinces? Walk from Greece? Thanks for calling The More Music Radio Pod, man Bye, Vinny Bye-bye Walk from Greece? Yeah, man Yeah, everybody Everybody Google Vincent Valdez And see what this guy's done, man It's amazing His brother's coffee Is really good, too Ah Oh, man Oh, man All right Okay, hold on You want to switch this back? No, no, he's singing He's singing No, no, he's singing He's singing? All right, we're good You guys hear me Walk from Greece? Yeah, let's give it a shot This one goes out To San Antonio All right The More Music Radio Pod The More Music Radio Pod One, two, one, two, three, four If I should fall from the grace of God Where no doctor can relieve me If I'm buried beneath the sand What angels won't receive me Go, boys, let me go, boys Let me go down in the air Let me go down in the air Let me go down in the mud Where the rivers all run dry This land was always theirs Was the proud land of the fathers Belonged to us and them Not to any of the others Let me go, boys Let me go, boys Let me go down in the mud Where the rivers all run dry Hey! Hey! Oh, bury me in sea where no murder ghosts can haunt me If I rock upon the waves, no clones can lie upon me Coming up breeze, boys, coming up breeze, boys Let me go down in the mud, let's do some run time I should fall from the grace of God where no doctor can relieve me If I'm buried beneath the sand, where the angels won't receive me Let me go, boys, let me go, boys Let me go down in the mud where the rivers all run dry Let me go down in the mud, let me go, boys, let me go Sun- scribe, Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe Sun- scribe I don't have to see a coming car or body What it give me a half a crutch Or the white piece dark girl What it have a half a bite Or have a great deal set Got a body doesn't order So keep checked out on the booze Says you're a waltz, you're a waltz Go to the Galway race It says you're a waltz of my old waltz The price of my old racing I went up to people's seats The Jewish money under But they wouldn't give me a couple bucks For my useless pendant What it have a half a bite Or have a bite with you, sir Got a body doesn't order So keep checked out on the booze Says you're a waltz, you're a waltz We got no fee for money We're free to go down to my hotel We'll get a treat for nothing Here's a piece of sound advice I got from an old fish market When the food is scared You see the hearts You know you're tired of hunger What do you have? A half a bite Or have a great deal set Got a body doesn't order So keep checked out on the booze What it have a half a bite Or have a bite with you, sir Got a body doesn't order So keep checked out on the booze What it have a half a bite What do you have? A half a bite with you, sir What do you have? A half a bite with you, sir What do you have? Maybe 12 Seriously There wasn't any room for the other seven It's a whole army of us So you want to give a shout out To the other guys in the band? You want to give them a Welcome, they didn't come That's what you guys said the last time Rollo, fix your brake lights Some guy couldn't come Because his brake lights were out There's always a guy With some excuse like that You know what I mean? His eyes hurt Something But you know what? We're going to Yeah, we're going to be A pretty full band And I think I mentioned Dave Jones, John Wall Laurel, Diskin And who else we got? Billy Branch Billy Branch, of course And Rollo Andy Rollo Casada So we got a whole bunch of people Up on stage But it should be fun This Saturday Yeah, man This Saturday night Well We'll just have to see, man I know We'll just have to see I think the Skype idea Is going to work, though, man I mean, you don't have to worry We could be at each other's shows The same day Right, all right Our rag fest happened this weekend, too Yeah, that's right It's all good Yeah, man We're in competition right now We're bringing the See, we bring out the negative energy And everything Jake Gallagher is right, man Let's see who puts more green On their flyers We bring it out And we lay it right on the table And we look at it And we go, look at that shit You know what I mean? But if you come to our show And you hear us mess up It's because we were like We got our headphones on And we're listening to the Olean show We probably weren't paying attention To what we were doing Well, cool, man You know what? Let's play another couple songs We got a few more minutes left In the More Music Radio Pod And we'll be back with Olean On the More Music Radio Pod All right Thank you You are listening to The More Music Radio Pod From Skid Row Studio In downtown Los Angeles, California At theskidrow.la Nials Nials 🎵! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! This is Arlo and Mr. T's and you're listening to More Music Radio Pod at skidrow.la Yeah, welcome back to the More Music Radio Pod. We are here with Olean, man. They just gave us a little taste of what you're going to hear at the satellite this Saturday if you choose to abandon us at the Ragfest. If you're going to say, you know what, fuck Skid Row Studios, fuck the More Music Radio Pod, I'm sure Jay Gallagher is going to go to your show in other words. You know what I mean? Yeah. If you're going to say that, this is a little taste of what you're going to hear at the Olean show over at the satellite this Saturday. Yeah, you can wash away that taste with some whiskey. I'm glad that you guys came in, man, because I was a little like, I was like, oh man, I'm going to miss, you know what I mean? I got works to do, you know? Yeah, man. I got some shit to do. Can't make it that night, but you know, I'm glad that you guys came down with it. It was like a gift. Yeah, I was pretty tough. I got to be honest. I didn't really bring the energy tonight. I was not, but you guys, I really thank you guys for bringing it. I feel like I'm ready for another two hours. You guys ready to go? Yeah. You know what? I'm really feeling it now. It's a holiday, man. This is a festive. Let's do this. I just realized how much of an alcoholic I am, man. It was kind of hard to do those, but we did well, though, boys. We did well. We all did. We all shot a whole can. I was going to throw our huevos a little bit. It's all good. It was all worth it. We got through it. Guys, we got through it. We got lit. I'm feeling all right. I was just a little heartbroken that there wasn't going to be any more Jake Gallagher program. Oh. I mean, like, what's the point of me coming in anymore if I'm like, what the hell? We do got a call. And I think I recognize the number. Is this Patrick Jones? Hey, y'all. What's up, dude? Hey, y'all. Did you hear the beginning of the show, y'all? I was going to be Jake Gallagher, but you ruined it. Oh, fuck. Sorry, man. See how I ruin it? God damn. You want to just pretend like that didn't happen? Yeah, yeah. Try it again. Okay. Hey, what's going on, caller? You're on the More Music Radio pod. Yo, just drop this. Just drop this guy. Yeah. And then we'll take the next caller. Hey, who is this? Is this Jake Gallagher? This is Jake Gallagher. I'm sorry, guys. You know, I like did a show there. Hey, you know, it was just another I'm really sorry. It was a different show. It was a different show. I'd like to do a rap for you guys. Go ahead. Go ahead. Go ahead. Bust it, Jake. You ready? All right. Yeah. Yeah. Yeah. Me and my crew went at Skid Row Studios and it's like Scooby-Doo. It's real cool. What's up, fool? Don't smoke weed. It is bad. I am wrong for doing so. I am sorry. I'm a bad man. But I apologize. You guys, I like it. That was pretty good. It was pretty good, bro. Hey, that was good. That was a good rap. You should come and rap on my new EP. Yeah. Okay. Cool, man. That was good, man. Thanks, Patrick. That was a good one, too. So now Jake Gallagher knows who to beat up. That's another guy that hates us, believe it or not. He's a dick. It was entertaining. It was good radio. I don't know. I thought so. That's okay. I'm not offended if fucking dicks fucking hate us, man. Fucking hate them. Me, too. All right. Well, cool, man. Are you here? Are you downstairs trying to get inside or something? Because you always call around this time. No, I'm at home. Oh, okay. Yeah, he's trying to get inside or something. Well, cool, man. Thanks for calling in, dude. I appreciate it. Hey, did you hear Olean? Did you hear them do the poke stuff, man? Yeah, it was awesome. How did it sound over there on your end? It was very neat, though. I liked it. Yeah, it was delicious, man. My brain soaked it up. It was cool. All right. Thanks. All right, T. Are you drinking beer right now? What do you think? What kind of beer? Well, it's Heineken, but the can has green on it. Oh, okay. Very good, man. Oh, shit. Well, cool, man. We just got our minds blown out by fucking Jake Gallagher right now on the phone. Thanks, man. I really appreciate that rap, too. Well, that's what he should have done. I don't know. Hey, are you going to rap on my new EP or what? Yeah. That's good. Yeah, I am. That's what's going to happen. Well, cool, man. Well, hey, I want to thank Olean for coming in, man. We really appreciate it. Thank you for having us again. Yeah, man. It was a lot of fun. Third time. Yeah, man. Come to our show, everybody, this weekend. We're going to try to Skype you in. You know, we're getting almost to the point where I talk about the shows of this week. Yeah. This is the point in the show where you usually talk about what's going on this weekend in LA. We're not going to do that. No one do anything. Everybody stay home. Just forget it. It's over. No, I was just talking about more of the fact that before we get to this week's show, you guys got a show with the Greek or something? That's right. You were talking about that. Not like with a Greek guy. It's like at the Greek theater, right? There's going to be a couple there, I'm sure, but it's at the Cinco de Mayo this year. Oh, awesome, man. Yeah. Los Lobos is hosting Greco de Mayo. Hook up the backstage, fool. And so far, the bands that are in our... It's a Los Lobos show, but it's going to be Nico Case, X, Alejandro Escobedo, and who else they got? Oh, Mariachi Bronx. Oh, okay. Cool. And then Olin and Manic Hispanic. Awesome, man. Cool, dude. Well, I'll be there to see Olin. Yeah. I'm going to go check out Olin. And yeah, so that's Cinco de Mayo May 5th, and that night we'll also be doing... We'll have just started our run of Evangeline and the Queen of Make-Believe, So we'll be there. So we'll be there. We'll actually be doing the play. Yeah, when does that start, man? Let's talk about that. It starts May 3rd. May 3rd? May 3rd. At the Bootleg Theater. Bootleg Theater. Look up aboutproductions.com. Yeah. Or org. And Google Bootleg Theater. You'll find it's in the Rampart District area on Beverly Boulevard. I think it's like 2220 Beverly Boulevard even. Yeah, that's right. 2220 Beverly Boulevard. And that's May 3rd where you can go and see Evangeline, the Queen of Make-Believe. That's right. I'm going to go see that, man. Well, cool, man. So I guess this is the time where Dan talks about what's going on this weekend. Are you ready, Dan? Are you still refusing? All this negative energy here. Here we go. All right, yeah, I'm ready to do this. Well, before we came back from the break, we played some Ibo Luizo. He was on the show last week. Yeah, that's right. He did a great job. And he'll be joining us this weekend on Saturday at the Airliner, which is between like Daily and Workman on Broadway in Lincoln Heights. So you should roll out. Check that out. Check out Ibo Luizo, Wiz Wars, and also our caller. Yeah, we got another caller right now. What's going on, caller? Caller. Hello, this is Shane McGowan. Shane. How you doing? Shane McGowan. We got Shane McGowan on the phone. Whoa. I drink a lot of whiskey and, you know, I got my own little shrine of alcohol. Yeah. Yeah. Uh-huh. What you got? What you drinking tonight, Shane? Well, tonight is the old Highland Park single scotch malt. Scotch malt. Perfect. Perfect. Cool. We like how you have proved your diction, Shane. I know. I can understand you. I'm like a cow over in the old hills of El Sereno. That's right. Is this Jake Gallagher? You asshole. I'm a boy. I tend to frolic over the old Samba tree snow. Yeah, man. Are you going to be at the show? Yeah. Yeah, Shane. You're coming. You don't have a gig, Shane, so I think you should, you know, you should be there. Maybe sit in with us. Yeah. You know, those boys, you know, those boys over from Sydney Terrace really know how to tear it up over there. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Cool. Do you mind? You mean the guys from the Mormon, right? Do you mind hitting both shows? I mean, we'd love to see you at both shows. Yeah. They're really not too far from each other. Yeah. Yeah. Shane, I mean, are you going to go to, what's the name of your guys' show? Ragfest. Ragfest. Are you going to go see Olin? You know what? We're playing like around 930. Come and check us out and then, you know, catch the bus or, you know, get a ride or something to the satellite or something. Get a ride. It'll be faster. Shane's taking care of it. And I think you could catch both the bands, man. You know what? No, I'm going to need some fellas over for my stretcher. That's right. You got to at least have a couple guys. That's standard. That's standard. And a good solid eight ball in your pocket, Shane? Actually, I think it's all the satellite straight downhill from the airliner. So I think you just... You just roll down. Yeah, just roll down. Yeah, just unlock those locks on the stretcher, man. And you're there there. Let gravity do the rest. I'll tell you, I'll be warming up before we're doing some Irish car bombs over at the office. At the office right across the street? Yeah, yeah, yeah. Yeah, yeah. I'll put that out on place. I think my mom's going to be there, actually. Shane, you know, a good... He'll be at the office that night. Well... It's been great catching up with all y'all. Shane. Yeah, man. Thanks for calling the More Music Radio Pod. Shane McGowan, everybody. All right. Thanks for figuring out the phone. That was cool. But yeah, anyway, I kind of jumped the gun. I got so excited about, you know, all the shows on Saturday that I forgot about there's things to do on Friday. You can go out on Friday and check out Sassafras at the Bull Bar. They're over in Long Beach. Yeah. If you're a lady and you're thinking about going the other way, that's kind of the town to do that in. So, you know. What do you mean? Like get a stinky face? Is that what you're talking about? Yeah, yeah, yeah. Think your face up, ladies. Yeah. Yeah. Yeah. And then Seahorse will also be doing something straight up the 110 over at Casey's. And Casey's is a good bar. You should check that out. Yeah. It's an Irish bar. It's not a bad place for... Is that where you had the thing last year? Yeah, St. Patrick's Day. Yeah? I would tell you to go there on St. Patrick's Day, but... You didn't like it? What happened? They closed the streets off and so no one could get fucking in. It just got too Irish. You get arrested for that. For dancing. Yeah. Some people got... Yeah, friends got arrested. It was... Oh, that sucks. So I'm hoping for, you know, fans come out this year because last year sucked. People couldn't get in. You know? What'd they get arrested for? For dancing. For dancing? They were, you know... Was it like fucking Footloose? Yeah, I know. Hey, man. He did that shit. Sorry, man. No river dancing on the streets of Los Angeles. Goddamn. They've been baking up in this thing. You know, John Lithgow was all pissed off and shit. The security was fucking insane, man. You haven't seen security like that in a long time. You know, where there's too many of them doing their job. It's fucked up. Fucking assholes. Yeah. And it was over the top, so... This is the new year. Cool, man. Sorry, I'm interrupting. Oh, no, no. That's all right. We're here to talk. But on Sunday, there's... Well, there's this band I used to play drums in. They're cool people, but it's just more of a good time. It's just more of a good time. It's just more of a good time. Kind of rock and roll band. Anyway, called The Smoky Lonesome. They're going to be over at the All-Star Lanes over in Eagle Rock. Actually, more to promote the fact that All-Star Lanes has been putting out some good shows lately. Cool, man. Yeah, the Mormons will be there on April 12th, and you get to... If you pay $10, you get to bowl for free. Well, you know, you pay $10 for it to go watch the bands and then bowling for free and shit. That's great. It's been a while since we've played there, but we've... It's a cool spot. People have been getting, like, shot there and stuff, so I don't know. Hopefully, we don't get shot. We're not scared, though. You got to do that in the neighborhood every once in a while to regulate the number of white people coming in here. Yeah. Like, you got to kind of scare them a little bit, you know? It's comfortable. It's just like... Yeah. They stop moving. They stop responding. It's been going the whole time so all the white people stay away. Well, cool. Hey, you know, we want to thank Olin. We want to thank Jeremy. We want to thank... Yeah, thank you, Jeremy. ...Sonia. We want to thank Joel and Olin for coming down to the More Music Radio pod. Thank you, Dan, and thank you, Jake Gallagher, for calling in the More Music Radio pod. In all seriousness, thanks for calling in. That was cool. Yeah, thanks a lot, dickhead. All right, see you later. We'll catch you next week when we have Pueblo Café here on the More Music Radio pod. Good night. Good night. Yeah. Yeah. All right. Good job. Good job. Good job. Good job. Good job. Good job. Good job. Good job. Good job. Good job. Good job. Good job. Good job. Good job. Good job. Good job. Hold on. We'll get this one for Mike. All the ladies in the house. I like that one. Yeah. Hey, welcome to the studio, guys. Hey, how you doing? Thanks for having us. We're sitting down with a couple guys that actually have the best perspective in MMA. You can't get any closer than this. These guys are in the cage watching all of the action and the best perspective out there. Yeah. So maybe we jump in and see how these guys got started because we're going to have a lot of fun. Yeah. Yeah. We got two different guys in here. I don't know. I know Jason's got over a hundred bouncy referee, right, Jason? Oh, yeah. Yeah. How about you, Mike? Yeah. Several. Yeah. Yeah. Yeah. Come on. Come on, Mike. Got about a hundred or more. All right. Cool. One or two. Yeah. And the best beard in MMA reffing right now. A couple of whiskers. Actually, I think, wasn't there an article, didn't they do an article on Yahoo Sports about your beard? Oh, yeah. Yeah. I think there was. I think there was one on that. Yeah. Just the beard. Yeah. Unmistakable. So, Mike, tell us about your start. I know, actually, for everyone out there, too, Mike is a training partner of ours, a good friend. From your training in jiu-jitsu, how did leading to MMA reffing for you? Well, you got into MMA about 2002. Started out at, with Eddie Millis and Jay, Eddie Martinez at Shark Tank and got involved in MMA. Back then, it was NHB, No Holes Barred, and began some training there and eventually evolved into, really wanted to get into jiu-jitsu, learning the ground aspects of the game. Got involved and began training and started attending a lot of the shows. Obviously, the local shows around here were King of the Cage and went to several King of the Cages out.