Interview with Julia Prescott, plus a fan caller

for a family of four. You can purchase it. Adamu! Adamu! 6, 5, 4, 3, 2, 1 Breakfast Show! Adamu! Adamu! Adamu! Adamu! Adamu! Adamu! Adamu! Well, hello, boys and girls. This is Adamu. And I'm here today in downtown L.A. with my striped shoes and my jacket, a microphone hot as the sun, Miller's High Life around me and the beer cans all over my hair. I'm like my father on acid and I'm wearing a flamingo jacket. People think I look gay. What's gay? I'm not gay. I'm not gay. I just have style and I'm over fucking weight. So it comes off as a breath of scratching in the microphone, scraped up knees, Echo Park bicycles all around me, beer cans everywhere. It doesn't make sense, but I'm flowing. And then I get a call from my boy, Vince at Skid Row Studios and says to me, Hey, Adam, are you having fun on the radio? Because I can't tell sometimes if you're fucking with us or if you're real. Hey, Vince, it's Adam O. And I'm in my parents' backyard smoking all their dope. But you know what? I'm alive, Vince. And I'm at Skid Row and I do the Adam O podcast and I wear glasses and I keep on flowing when I look into Jeremy Hanton's book. Oh, it's amazing poetry. Oh, oh, oh, I'm sweating. I'm sweating. Time to lose the manic energy and talk into the open eyes of the microphone. I'm sweating. Let's go to the Juno. I'm sweating. I'm sweating. I'm cute. And I play music in Echo Park. I have my girlfriend. She walks her dog. It's soft. I'm loving. I'm a poet. Oh, baby. Let's get some espresso, baby. No, Adam. Let's fuck. Hello, boys and girls. It's Adam O. What's going on, daddy-o? Taking off my T-shirt. Taking off my jacket. Taking off my panties. Hoes. Okay. Let me just catch my breath on the radio. All right. What's up, guys? Can you hear me? Can't hear you. What's up, guys? Everybody say hi, Adam. Hi, Adam O. Hi, Adam O. Everybody say hi, Adam O. Hi, Adam O. Everybody say hi, Adam O. Hi, Adam O. I can't hear you. Everybody say hi, Adam O. Hi, Adam O. Okay. So we're with an amazing comedian who's here at skidrotestudios.com. Her name is Julia Prescott. Julia, how are you today? I'm doing great. How are you? You look fantastic. Oh, thank you. So do you. What are you wearing? I'm wearing a dress that is, it's like a plaid, you know, skirt thing. With a black top thing, you know. Hmm. This is like Juno 2, the radio program. Yeah. Boy meets girl, girl meets boy. Exactly like Juno. Batman Jew looks into his eyes. I like your glasses, Julia. Hey, thanks. I like yours too. Thank you very much. Positive energy. I like that. Your dress is very attractive. Thank you. Very, very attractive. Thank you. Very, very attractive. I appreciate it. Julia, I don't think you heard me. You're making me blush. Oh, goodness. Okay. So Julia, you're one of my favorites because you're sweet, you're nice, you're funny, you're hot, and you're young. Thank you. You're welcome. And you're a comedian. You smell like roses. Thank you. Thank you. So where'd you get your glasses from, Julia? My optometrist, but they are made by Ray-Bans. You always wear red lipstick like David Lynch? Yes, exactly like David Lynch. Should be one of his films. I forgot the idea. Yeah, I like it. Yeah, yeah. So you're the most attractive comedian in LA. Okay. Thank you. Wow. I don't know about that, but I appreciate it. All right. Swing. All right. So tell us about your shows. Which ones? TV or comedy stuff? Well, let's start with the live comedy and save the... Okay. So I... This is very timely because I produce a show, a monthly show at the Little Modern Theater, and it's called Your Favorite Show, and it's taking place tomorrow night at 10 p.m., and it's free. Or... Excuse me. Eric Andre's on it. Brent Weinbach. Joe Wagner, who's a friend of ours. Oh, yes. Jake Wiseman. I love Eric Andre. The other guys I've never really met, but they sound terrific. They are terrific. Jake Wiseman does a terrific podcast called The Morning After with Eli Oldsberg. Really? And he pairs porn stars with comedians. I really, really want to get back to that, but I still want to talk about your outfit. Okay. We have a whole hour to kill, Julia. Okay, great. Okay, so tell us. Tell us. Where do you get your dress from? Modern cloth. Moderncloth.com. What the fuck is that? It's a website that has clothes that are new, but they look vintage. I collect a lot of vintage dresses, but sometimes I like things that are newer because they don't fall apart. Yeah, yeah. I'm falling apart like a cheap suit. So wait, let me ask you a question. So your dress is right there. Is that your attire for your stage act too? Because I've always seen you in a dress. You never are just in like T-shirts and jeans. Yeah, yeah. Little tennis shoes with holes in them, and you say hi to people. You're always polite. You're always proper. You always look like that scene in Ace Ventura movie. Where he meets the Monopoly guy. Hello. Yes. Yes, exactly. I've never been told that, but yeah, no, I totally see that. I don't really have like onstage, offstage attire. Everything's just all the same. Do you wear a bra? I do. Just curious. Sorry. What are you, 18? 24. Okay, so your mom's okay with me saying, hey, Julia, you're on my radio show. Do you wear a bra? Okay. Dimples, dimples, dimples. Dimples, dimples, dimples. Did you ever have braces as a kid? I did. These are beautiful. They're straight. They're straight as an arrow. Thank you. Thank you. I had them when I was 13. Really? How'd you look before you were 13, when you were 12? I think I looked, I mean, I didn't have like a snaggle tooth or anything, but they were just not straight. Okay, so you're from Los Angeles. I am. I'm from North Hollywood. Tell us, where in Los Angeles? Oh, North Hollywood. Wonderful. Where in North Hollywood? I grew up in North Hollywood in Valley Village. Oh, wow. The first five years of my life. I couldn't see. I was blind until I was six. Oh, really? Yep. Oh, wow. Then I had a dog and it went, and I woke up. Yeah. Yeah, that's usually how it goes. I wasn't really blind. I just don't remember my childhood. Yeah, yeah, yeah. I grew up off of Oxnard and Coldwater in North Hollywood, right by Grant High School, where many, a music video was shot. And interesting fact, I think a lot of episodes of Freaks and Geeks were shot at Grant High School right by my house. That's what I heard. Pretty neat. So what got you into the whole performance world of comedy? It was kind of an accident. I was in college and I had a couple of roommates who wanted to start doing stand-up comedy, so we didn't really have anything at the college that we went to that offered that. So I just thought, well, why don't we just start a show? And it was called Everybody Wins, and it ran for like two-ish years. And so I produced that, and then by the time we had our first show, we decided we needed a host. We didn't even think that that was something that we needed. So I just stepped up and I did it, and from then on I started doing open mics, and I really liked it. Now, do you only do open mics at these alternative hip clubs where the guys are wearing skinny jeans? Or do you ever go to the comedy store where people are shit-faced and say, boo? Yeah, I don't go to the comedy store too often, but I have done a couple shows there and I have enjoyed it in the belly room. Okay, so you're more of an alt comic. I guess so, I guess so. I feel like the atmosphere in L.A. for comedy, I don't know if you could define it as like club comics versus alt, because it's not really, you know, the 80s or the early 90s anymore. I think that there's a new sort of style and a new sort of landscape to it, but I can't quite... Now, after every show, do guys come up to you and say you're funny? Could I take you out for a muffin? You know, what's your name? What's your middle name? What's your mother's name? No, no, not too many, but I did have... When I first started doing comedy, I had a guy come up to me. This would be like... I think a handful of guys would do this where they would say, can I get your number? I want to book you on a show. And I was very naive, so I gave my number out to one person in particular. Not so good, Julia. Not so good, no. Well, because he said... He named a specific show, and I was like, oh, sure, yeah, all right. But I mean, that was before I could be like, just hit me up on Facebook. Yeah. Do you guys think you're older? Yeah, I think so. I mean, you could pull off a sexy 35-year-old nurse. Oh, thank you. I've never heard that before, but I'm sure I could. You could also pull off a 16-year-old Barbie doll. Yes, yes. Exactly. So you have the spectrum of the rainbow. Proof that I've made it. From your eyes. Proof that you made it. With dimples in her eyes and sparkles. Yes. Light as a feather. The most beautiful smile. Thank you. Julia Prescott, everybody. Thank you. So tell us about this show tomorrow night at 10 p.m. It's going to be great. I think I left off... Oh, Dave Child and Josh Androsky are both going to be on it as well. How do you know all these terrific comedians? Why don't you bring them in here at Skid Row Studios? Oh, well, I mean, give me a heads up next time, and I will. They're all my friends. Are you kidding me? I booked you a month ago. Okay, come on. All right, all right, fine. Down the road, we'll work on that. Yeah, yeah, yeah. Fair enough. No, it'll be great. It'll just be a big bro night, because I feel like everybody on the lineup is friends with everybody else, and they're all very funny, and yeah, I'm just very fortunate to have funny friends. So what's not funny to you? What's not funny? I don't know. Name a context, and I'll try and find something not funny. All right, Andy Kaufman. I find Andy Kaufman funny, but I guess sometimes... Here's something that I do not find funny. I think that... experimental films are not funny. I went to art school my freshman year of college, and I majored in film. Dude, you're getting hotter by the minute. You went to art school? I did for a very brief period of time in San Francisco. And I majored in film there and didn't think that that would translate to just experimental videos. And it was just experimental videos after another, like, those video installations and, like, art galleries. I don't find that funny. So... But I guess they're not trying to be funny. So who do you find funny? Obviously, you just avoided my question. You just avoided my question of Andy Kaufman. You went to experimental films. So you don't find Andy Kaufman funny. No, I do find Andy Kaufman funny. You do find Andy Kaufman funny. What about Bill Hicks? Let's go up the ladder. Oh, um... I'm not super familiar with Bill Hicks. I mean, these are guys that are so far from, like, your presence. Yeah. You're like the cute, sweet, innocent love of the disco fever, the ball that spins, that sparkles everybody in their left cheek. And I like that, Julia, because I don't have that innocence. I used to. I lost it. I get it sometimes, and I lose it out the window when I'm in Echo Park. I'm passing by a bus. It's easy to. The smoke gets into my ears, and I cough. Yeah. So I appreciate your innocence. Oh, well, thank you. It's very attractive. I appreciate you saying that. Yes. Thank you. Thank you. So this show tomorrow night, you're going to be hosting it. Yeah, I co-host it with Sean Perlman. So do you just bring up one comedian after another, or do you do a little shtick and then bring him up? We usually do a little shtick. Each time, we're like, we try to rehearse something, but it ends up just being us, you know, sort of dicking around. But we have fun, and we sort of, talk about whatever's like relevant. You know, for like St. Patrick's Day was around the corner for one show. We talked about that. And so we do that at the top. It's about like 10 minutes, and then we just bring on each comic, and then sometimes we do a couple minutes in between. Nice. So we just try to keep it rolling. Now, what does your act consist of? Let's break it down. Julia Prescott's here at Skid Row Studios on the Adamo podcast, and we're going to break down her act so it sells to all my millions of listeners. Yeah. Let's start from A. What's your first premise when you get up on stage? My first premise? Yeah, or not premise, but your first premise. Your first acknowledgement that you're here. Hi, everybody. Oh, yeah. I usually grab the mic, and I just say, you know, hey, guys, it's good to be here. So you're very approachable. I try to be. I think you should establish, you know, being on their side, pretty much, like establish likability. So let them like you now, fuck with them later. I don't really like this. Excuse my language. I know, I know. I'm aggressive. I'm angry. I took a bus here. It's okay. Yeah, and I rode my bike. A little sweaty. Yeah, no, I didn't. Excuse me. I don't really like to fuck with audiences. I don't, I mean, I guess like the most that I would. I made you say fuck on the air. Oh, whatever. Oh, boy. I don't want to remember this podcast. I do have kind of a potty mouth. Do you really? Yeah, yeah, which I guess is surprising because I wear dresses. All right. So I know, I know, I know comedy, like stand-up, doesn't really go over well on a podcast, but would you mind doing a couple minutes of your act? I'll be your audience. I know that's the most awkward thing that's ever happened. It's super awkward. But I'd love you to do two minutes of your opening act. I'll close my eyes and I'll listen. So, I mean, I could describe some stuff that I've been doing lately. Does that work? Yes, it does. Okay. Well, lately, I've been opening with, I usually tell just stories for my life and I try to find the humor. Please, can we get one story? Okay, well, I'm getting there. I recently did a set at a church talent show and I usually say like if there's any comics in the audience, I know the booker. She's my mother. And I was like, I was coerced to do it because I think she wants to like keep her cool mom status at church, which doesn't require much, just requires like knowing about the who and living through the 60s. But I did a set at this church talent show and I was not the only stand up on the bill. There was a five year old in a top hat who told knock knock jokes and he fucking murdered. He just like, he erupted the entire church like he was Dane Cook and it was 98. Really? Yeah. You like Dane Cook? I did. I did. I don't know if I like him too much now. Yeah. Yeah. So this five year old, are you going to book him on one of your shows? I don't know. I mean, he certainly had the poise of a future comedian. Nice word, poise. Yeah. Yeah. I like it. But yeah, no, that to me was super bizarre. And then my introduction, I think, you know, I was set up for failure because the guy introduced me with and thus concludes the Christian part of the evening. Oh no. Julia Prescott. You're a good girl. You grew up a Christian. Yeah. I grew up a Christian. I'm a relatively good girl. I did have a little rebellious time, but my rebellious time was even like not that rebellious. It was like being a big ska kid in like the early aughts. Oh, no way. I was in the ska myself growing up here in the, you know, the suburbs of the California desert. Yes, absolutely. It's a big California thing. It was a big California thing. The vans warped horror. Yes, exactly. Going all the way back. Yeah. But I still think, I mean, I guess, it was cool that I was going to concerts every weekend. In Orange County? In Orange County a lot of the time, yeah. But still, like ska isn't the coolest like music scene to get into just because everybody is sort of acting like it's forever 1997 even when it's like 2004. You know what I mean? I agree. And they're wearing all like the checkered clothing and like they've got like the stupid haircut and they just, they're constantly talking about, well, everybody's got like some weird like Jamaican accent that they slip into when they're talking about like the real shit, you know? That's funny. And so, it just to me like, it always seemed very dorky. And I accepted it because that's who we were, you know? We joined together in this music scene that like capitalized on loving one another and just having a good time. And yeah, it's like, I don't know, how much better can it get than that? So, name three of your favorite bands of all time. Oh, the Slackers. They're a ska band, but they're not, they don't just do ska, like, there's many different kinds of ska. Like, a lot of people think like Third Wave, like real big fish, but they're not like that at all. They're more, you know, like 60s soul driven, I would even say. But they're amazing. God damn it. Now you're putting me on the spot. I can't think of many others. What about, what about the Aquabats? I do love the Aquabats. And I understand that you're a writer for their new show. Yeah, I was. I worked on it. TV show. What channel is that going to be on? It's on The Hub. Wonderful. Yeah, it's a kid's show and it's been doing really well. And yeah, season two. Come on. they're the creators of Yo Gabba Gabba, Christian Jacobs, right? Christian Jacobs, yeah. He co-created Yo Gabba Gabba with Scott Schultz and they just finished their fourth season. And I just, I couldn't be prouder. Yeah, because I'm a huge fan of the Aquabats. They're so fun. There's so much fun. He puts on that fake mustache and everything. Yeah, yeah. Blackens his tooth. I understand that. Christian, he blackened his tooth because he walked into a club in Orange County when they were about to play a show as the Aquabats and he saw on one of the posters somebody scratched out his tooth with black and then he said, wait, you know, I'm going to do that on stage and it became an iconic situation for his act. Yeah, I had no idea. Wow, that's so funny. I know that hanging around those guys, you hear a lot of stories about like, oh man, you know, early, early days of shows and like, it takes a lot to put on a costume and go out on stage and, and, you know, do your thing, especially when they're playing shows where it's like really mixed tone wise for the bands and I, I just remember hearing stories about them almost getting into like fights with like skinheads and stuff. Really? Yeah, they didn't appreciate it. Yeah, yeah. Wow, I could see them being black, sure. They're definitely fully uniformed. Yeah. That doesn't sound too well but what I'm trying to say is that they're not accepted say in Middleland, Orange County when they're wearing superhero capes and they're a little radical. Yeah, they're a little radical. Yeah, yeah. I've always loved them and just thought that, I don't know, it's such a good time when you go see them play and, I love them too, yeah. Yeah, I think that, I mean, I've always loved their live show and they would always do like fake fights with monsters and commercials and so I think that, you know, how that translated to the TV show was really great. I think they did a really good job of the overall product. Now, when you write on a show like the Aquabot Super Show on the Hub, I mean, what do you think of when you have to think of like, you know, kids, humor, and you're performing every night for adults, I mean, how do you get your material? Oh, well, I actually, I cut my teeth on writing for Mad on Cartoon Network. You're kidding me. I did, yes. Oh, wow. And that really helped me realize many, many things. First and foremost, that my sense of humor apparently is very adaptable to kids' entertainment. I like silly things, I like ridiculous things and I like puns and that usually helps in a lot of situations. Just like, you know, that kind of humor. And so, when you're writing for a show like Mad or for the Aquabats, you just sort of have to think about big explosions, high concept, like let's see I'm not going to go there, but I have a lot of wonders there, baby. Big explosions, oh my gosh, hey, hey, hey. No, no, you know what I mean. Red lipstick. All right, no, I know what you mean. Yeah, I know. Big explosions. And for the Aquabats, like I was always a big fan of Adam West's Batman. Of course. That's the TV show. Yeah. Oh, boom. Wow. Yeah, yeah. And so I feel like the show, whether they intended it or not, I feel like it emulated that a lot. So to take it to really silly places and to sort of brainstorm, okay, what villain are they fighting this week? You know, what do they do? Where do they go? And we could take it anywhere and it was like a live action cartoon in a lot of ways because of that. So it was just a lot of fun. And the offices that we worked in, every wall was painted a different color and it was just very colorful and great. Now, you also worked for the Ellen Show. I do, yeah. And what do you do for the Ellen Show? I'm not a writer over there. I'm a travel assistant. You're kidding me. Yeah. You book her flights to Bangkok. No, no, no. That's her own people but I do all the ground transportation for the celebrities. And are you friends with Ellen? No, but... Does she know you by name? No, she does not. She's a very busy person. You tell her that you're a writer for MAD TV and also the Aquabat Super Show? I don't. I don't because it's a day job and I don't want to, you know, mix that stuff. I don't know. So if you didn't have to be working at day, what would be your dream job? I want to be like, I want to sell a TV show. I want to, you know, be like the head of that. Either that, at this moment in my life, I'd like to do that or write on like a network show. Network show. What would be your dream network show? God, I mean, I think if I ever did drama, probably Breaking Bad or Mad Men. And what if you ever did drugs, what show would you write for? Breaking Bad or Mad Men. Got it. Exactly. So what about Breaking Bad that's so attractive? I just worked with Bob Odenkirk on Sunday. Oh, you did? Yeah, yeah. The Crooked Warrior. He plays Sal on that show. Yeah, yeah, yeah. And we got a little chat backstage and he's a big fan of this radio show I do here. He's listened to a couple episodes, the one with Brody Stevens. And he doesn't quite understand Brody's aggressiveness on the stage, but yet he's a huge fan of Brody. Yeah, he's great. We had this big conversation about Brody. I love Brody. He's the best. But it's so interesting talking to this family man, Bob Odenkirk, and knowing that he, he plays this real crooked boy on TV. Yeah. And he's like, hey, Adam, this is my son. And I'm like, what? It's just trippy. So you as a writer, I mean, you have to tap into different levels of excitement and genres of like what you are not. Like, for example, I'm a host on this radio show and I play it like a host on the radio show. Yeah. I'm not playing necessarily, you know, the guy that was at the coffee shop this morning looking at this lovely girl that walked in front of me. I'm not that guy. That guy was silent. Do you mean like when you're writing in other people's voices? Yes, exactly. Yeah, that's, that's always really tricky. But it's just, you know, immersing yourself in like a workspace that mimics what that tone is going to be on the show helps a lot. And just, you know, really, really sort of researching different things that you could emulate in the show helps a lot. And, you know. You're very calm. I touch myself when I think. Oh, really? Oh, yeah. Oh, yeah. Oh, yeah. Oh, yeah. I touch my breast a lot. Yeah. I get a really intense stare when I'm thinking. I noticed. I saw that right there. That was hilarious. I get a really intense stare. And so I think when I'm working in like a writer's room, people usually comment on it how I'm like, I feel like, I don't know, I could stare a hole through the wall or something. So what has been the highlight of your career so far in this young, marvelous career? I think I've had, I've been very fortunate to have a couple highlights. I think I'm, working on Mad was amazing. And I really, really enjoyed it. And, you know, there really isn't one specific moment. It's just sort of a collection of like, we would be working late into the night and we would have like a, you know, a little couch area with like a TV screen and sort of taking breaks and hanging out with each other. And it was a very small writer's room. Do you smoke pot? I do occasionally, yeah. Okay. You look like the perfect good girl from Orange County. Yeah. I mean, pot is good too. But what I'm trying to say is you don't seem like a drug has been around your head. Yeah. I guess, I mean, that works to my advantage. You are a business woman. One time I had coffee with you in Echo Park and you were using words in the industry that were way above me. Cutting teeth was one of them you just mentioned. You had all these great vocab words coming out left and right. Tumblr Express. Now it's just blowing away. Oh, wow. Yeah. I think that's largely part to growing up in the Valley and growing up around the industry. Now, do you have family connections? Not really. I mean, my mom works at Disney but she works in like the legal department at the Walt Disney Animation. And my dad, he, I don't really have a connection with him. No, no, your dad, wait, I'm sorry. Oh, no, no, no. It's okay. Okay. I was just playing with you. Oh, okay. So what are you going to do for Mother's Day next week with your mom? Probably going to give her some presents and then make her a meal because it's just us. My sister lives in San Francisco. So, you know, we don't want to go out into the fray of like Mother's Day buffet or, you know, brunch or whatever. You might be the coolest girl that I've ever met. Yeah. Oh, thanks. Yeah. Thanks. Yeah, absolutely. Mm-hmm. Mm-hmm. Yeah. Do you like my smile? Yeah. All right, good. Yeah. Yeah. I'm moving my eyes. Oh, no. Okay. So, yeah, you're listening to Skid Row Studios and this is the Adamo Podcast and I have Julia Prescott, a wonderful, terrific writer, young talent in the comedy game, stand-up comedian, has a show tomorrow night. The show's name is? Your Favorite Show. Your Favorite Show. Where at? The Little Modern Theater. What time? 10 p.m. 10 p.m. Mm-hmm. Great. So let's talk about how we met. Okay. This is a good one. Yeah. So I used to be a tour guide originally at Warner Brothers Studios in Burbank. I was a VIP tour guide. I was 27. I was 22 years old, 23 years old, you know, and I used to do these tours for executives and, you know, all sorts of people to show them around this 110-acre studio lot and it was amazing. It was an experience of a lifetime. So I got fired from that job and at the studio system, you get three strikes and you get to go into different pools. So they put me in the photo lab and in the photo lab, I'm doing, you know, absolutely nothing, but I'm talking to the people and I'm taking orders of like Oceans 13, their photos for their still photography on set and I'm dealing with a lot of their production people and I was like, wow, this is amazing. In walks this little tink girl by the name of Julia Prescott and all eyes turned like dogs and woofed at her like Italian boys smoking cigarettes outside of a gelato restaurant in downtown Los Angeles. And Julia's like, hi, I'm Julia. I'm gonna write the greatest novel that man has ever seen. I'm done. I'm Julia Prescott. I was like, oh, oh, Julia Prescott. Why couldn't you just be like, hi, instead I'm gonna write the greatest novel that man has ever seen. I'm Julia Prescott and I'm determined and I'm 16 years old. All right, you were 18. I was 18. Okay. So anyways, that's how we met. Yeah. At the Warner Brothers Studio Photo Lab. Yeah. What was the year? 2006. Wow, you remember. Yeah. Geez. Look at us. Yeah. You're a radio show. You're writing for television shows. I think that I could smell a little bit of glory holes, success. Yeah, yeah. I remember, okay, in response to the greatest novel ever, I remember us having a conversation where we were like, let's both write the greatest novel ever written. And we just started this like word document where it would be almost like Exquisite Corpse where you do one page and then I do one page. Yes. And I was like, I don't think anything ever came of it, but it was a good way to pass the time. That was right when I was getting into my care-whacking days of reading a lot. And I would always read all these poetry books from the great San Francisco days. And I came to that studio and it was the complete opposite from corporate America to the free spirit on the street. Man walks around, drinks at bars, stays out late. And I was into that world for a while when I first met you. So I had to leave that job to go to New York City and hustle and bark for stage time. In other words, I had to pass out flyers on McDougal Street for a year to try to get at Sal's Comedy Club while Eric Andre walks outside in a red hoodie, 30 pounds heavier at the time in 2007. And I'll always remember him saying, hey, what's up, man? And then now I'm in LA and time has flown. He has a TV show. He's perfectly fit. He's two TV shows. He's two TV shows, Apartment 23, right? Yeah, which is great. I don't know if you've watched it, but I really like it. Yes, it's amazing. So I'm just saying time flies and time can also go up for the positive, not the negative. Oh yeah, yeah, yeah. Yeah. No, no, I'm a firm believer in that. I have a lot of hope for tomorrow, I guess, so to speak. Tell us what would your tomorrow be? Like for the next year or for the next five years? Well, how do you want your life to unfold in the next five years? In the next five years, I'd love to get better at standup and go on a couple tours. I'm trying to piece together like a mini tour this summer. Because anytime that I go out of town and I do shows, I absolutely love it. I want to do that and I want to write on a major show. I want to sell a show and, I don't know, development deal or something. But development deal, that's more like a 10-year plan. Those are a lot of things. But yeah, I'm very determined and always working on something because, I don't know, I always say this and it's so cheesy, but I just don't want to be like unprepared for the final exam that is life. I don't want to walk into a room and be told by somebody or asked like, well, why didn't you do this? I want to have a script ready and I want to have pitches ready and I want to have all that stuff ready to go. I was once told that life has no script. Yeah, I've never heard that. Yeah, the guy from the Mothers of Invention, it was an old band, Frank Zappa. Yeah, yeah, no, I'm very familiar. I love Frank Zappa. Yeah, so this guy, he's one of the guitar players and he walks around Claremont in California. It's where I'm from. And I'll visit my folks out there once in a while. He's this hippie dude. He looks like, you know, he's falling off the edge of his life, but he's not, he's really with it. He just doesn't want to be bothered by society. I went up to him one day, I've been hearing about this guy and the legend. He knows everything about Frank Zappa, they're best friends. Frank Zappa is from Rancho Cucamonga, down the street from Claremont. And so he used, I go up to him and I'm like, listen, you know, I really want to know a little bit about Frank inside stories. And he's like, why do you want to know about Frank, man? Life has no script. Well, I'm like, whoa, mind blown. That's great. Yeah. So that was it. Yeah. I really, I mean, it's so cheesy, but I do thrive on little like idioms like that. They really helped me to get through the day and be like, yeah, man, like just got to keep working harder. So tell all the listeners here at Skid Row Studios in the downtown area, in the community, what's the hot shows to go see and stand up around downtown LA? Oh, around downtown. You're up and coming in the scene. And you would know. Yeah. Yeah. So tonight, if people are listening right now, Holy Fuck is happening at 9pm at the Downtown Independent Theater. That's the show that Jeff Wattenhofer and Dave Ross run. And Jessica Ruiz books it. She's amazing. And I think tonight Ron Lynch is on it and a bunch of other people. I can't remember. Eric Andre, I think. So that happens every Tuesday night. And then there's a show that happens at the Last Bookstore. Have you been over there? I have not. It's great. It's really, really great. It's just a huge bookstore. I can't remember. I think it's off Main Street and I want to say Fifth. But it's an actual bookstore. It's an actual bookstore and they run a show there. I don't know how often like, I think those are rare nowadays. I know. The laptops and the computers. Yeah. But Matt and Gebretson, who's a comic and Chase Bernstein, who's also a comic, they run it together. And then Ham Clown used to be at the Alexandria, but they moved to the Little Modern. A lot of shows. I went to high school with Eric DeDorian, the guy who runs Ham Clown. Oh, yeah. Yeah. Yeah. Eric DeDorian, the guy who runs Ham Clown. Oh, really? I love him. He was a year older than me. He used to be a baller, basketball player. Oh, yeah. Really nice guy. He's the best. He's just amazing. So small world. Small world. Yeah. So tell us about like your, your life experience behind the scenes in the comedy industry and the world of television and entertainment. Have you dated any famous comedians? Any comedians that you want to talk about? What's your love life? I mean, love life. My love life is non-existent. I have dated, some comedians, but I don't know if I want to talk about that. I mean, I guess, I guess my, no, I don't know if I want to talk about it. You don't want to talk about it? Yeah, well, I guess I just got out of a relationship like, three or four months ago. So I guess it's a little fresh. Yeah, I was a comedian. Were you jealous? Because he was getting more stage time than you? Yeah. You were. That's exactly why. I was like, listen, you're way too funny. No, you get, you get insecure. I mean, I get insecure, but I don't, and I don't know if it's because of the stuff I do or stuff like, I mean, regarding stuff like that, not at all. I don't know. I've been around people that when Montreal callbacks are going out, there are like just a ton of people that are going crazy. But I'm very mellow about stuff like that and I try to be very supportive. If I'm in a relationship with somebody and and you know, they're funny and talented and all of that, I'm their cheerleader. I don't really like get jealous or. You're their cheerleader. Yeah. Yeah. Sounds about right. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah, and I'll do that where, of course, I believe in them and think they're funny. And so if I'll see somebody that I think they should know, I'll be like, oh, they're really hilarious. I'll try to do the best I can to make them, I don't know, get out there and I don't know. So that sounds about right. So tell us about your blog. You have this cool blog on a Tumblr site. Yeah, it's a Tumblr redirect, but it has its own URL that you can go to. It's called ladybro.com, lady-bro.com. And we actually have a couple comics that are writing for it weekly. Josh Androsky is one of the contributors. Will Weldon, Lisa Beth Johnson, and then I forget who else now. But a ton of other people that are really, really fantastic. And, yeah, we have over 1,000 followers on Tumblr, whatever that means. But we're going to try and, you know, keep on going with it and hopefully get more people to look at it. And, yeah. We're just having fun. Now, was it your idea to start this ladybro? Yeah, yeah. I used to make zines, which are like homemade magazines, in middle school and high school. And I used to love putting them together just because I, I don't know, I've always been like a writer nerd. I've always sort of been scrupling in a notebook. You don't look like a nerd to me. Thanks. I feel like it. I am on the inside. But I just, I loved writing these articles and having fun. And so I had this idea of, oh, God, you know, I'd love. I wanted to get back into zines. And then I thought, well, just start a website. Like, what are you doing? It's 2012. So I've considered myself a bit of a ladybro always because I look like a lady and I act like a bro. You hang out with a lot of these comedians, the bros. The bros, yeah. So female, you don't, you have more male friends than female. I mean, I'd say that it's close to being even. I have a lot of great lady friends. But I do have a lot, a lot, lot, lot of like guy friends. But, yeah, no, it's my attempt at personal branding. And then I just started inviting people to write for it that I thought were really funny. I mean, every person covers like their own specific beat. Like Rachel Hastings writes political stuff. And Lisa Beth Johnson will write this segment that is a book review of somebody else's book. So she'll be like at a coffee shop or a library and she'll just sort of try to see if she could, you know, assess what the book would be about based on the person reading it, which is always really fascinating. And she's a great writer. So, yeah. So let's go to, let's go to. Letter B, the intro of your act. We got that. You say hello. You're approachable. So halfway in your act, whether it's a five minute set or whether it's a 35 minute set. How does that middle ground look when you go up on stage? And what do you usually talk about in the middle? In the middle chunk? Lately, I've been talking about my neighborhood. We both live in Echo Park. We do. Yeah. So, you know, that it can be a bit dodgy at times. I have a helicopter. I have a helicopter on top of my roof every night. Yeah. No, me too. Right by the Citibank, right? Yep. Yeah. I'm right there. I always call that the diehard Citibank because of the helicopter. And every time I see it launch, I'm like, the president needs his papers. But yeah, no. So it can be a bit dodgy. And I usually talk about how that is and how, you know, like I am sort of always telling myself that it's going to be OK because I pretend like I live in the theater. I'll fly. I'll fly. You know, and I sort of relate the different characters around my neighborhood as having these alter egos that are like tame and, you know, totally OK to be around. Like the guy who is parked in his Toyota all day reading the newspapers, really the local detective hot on another case, you know. So I sort of create my own fantasy with it. Nice. So what are those alter egos? I mean, you kind of touched upon it. Yeah. But like define them. Like let's be clear. The alter egos that I list? I usually say that one. And then I say like the guy who hits on all the girls in my lobby is really like the local football hero known for his famous passes or something. And then I say, and the guy who lives below me is just a drug dealer. There's really no other way to put it. Nice. But yeah, I don't know. I live by myself. So I'm this young woman who lives in kind of like a sketchy neighborhood by herself. So do you bring back guys a lot to protect you to feel safe at night at three in the morning? No. No, I don't bring back guys. A lot of people don't do that. They live by themselves. They always have a new guy, whether it's a friend or whether it's a grasshopper. Yeah. No, no. I mean, I've thought about getting a dog, but I live in the studio. So that's probably not going to work out. And I mean, like my apartment is small enough that I feel like, I don't know, somebody is going to protect me. Like it's everybody knows everyone else. So it's all good. But still, there are moments where I'm like, oh, shit. Like what's going on? Like sometimes I will hear a woman like crying the loudest I've ever heard a woman cry at 3 a.m. in our parking lot. And I always just I mean, I assume she's like a Cosby episode. Yeah. Yeah. Yeah. No, it's super weird. And so that's usually when I'm like, OK, somebody somebody like with a penis going to walk out of our apartment building and like, you know, scurry this girl out. So I can go back. So is there a wild side to Julia Prescott that we don't know about? What do you mean? Well, I mean, you're so you're so hip with the terminology of what is it? Zines? Zines. Yeah. Well, I mean, you're so. You're so witty. Like when you go home, you just whip off your clothes. I'm Julia Prescott, motherfuckers. And I'm a little. I don't know. I didn't mean that. All right. And all your fans. I don't want them. I meant it in a direct way. That's all right. I go home. I touch myself. I touch myself. I touch myself. And I look at myself as a big peewee boy. Oh, I don't. What? What the fuck? I don't know. All right. So let's get back to that. Do you? No. Do you go home and have an alter ego? I don't know if I have an alter ego. Zines? What's that? Why did I say that today on the air? God damn it. No. I'm really Julia. No, I don't like those people. No. Creeps. I mean, I don't know if I have. I mean, what do you want from me? Like a wild side? Behind closed doors. Behind closed doors. Wild side. I feel like I'm just. I don't know. I try to be. I'm a very honest person. And so that's, I think, a strength and a downfall to my personality because people know how I feel about them from the start. So if I don't like somebody, it's showing on my face. We're getting a phone call. Hello, this is Adam O. How may I direct your call? Adam? Is this Adam? This is Adam O. Adam, I'm your biggest fan. Oh, yeah? Yeah. Who is it? Who is this? This is Nancy. All right. This sounds like a prank call to me. I'm with Julia Prescott, the world famous comedian up and coming. She's 24 years old. Oh, I love Julia. Hi, Julia. Hi. What is your name again, sweetheart? My name is Nancy, but I'm here with a bunch of your fans. All right. Is this for real? Because this is the first fan that's ever called in. Yes, this is for real. Okay. Well, I'll cherish this to my grave. Thank you. Thank you. And so, do you have any questions for my guest, Julia? Julia, I heard that you work on Yo Gabba Gabba. Yeah, I worked with those guys. Yeah. What show do you work on, Julia, with the guys from Yo Gabba Gabba? It was the Aquabat show, yeah. But what about Yo Gabba Gabba? I love the Aquabats. How was it working with Christian? It was great. He's the greatest. He's super funny, super charming, super nice. Super talented. All of the supers. That's great. I think he's awesome. I love him. Yeah. He's great. Yeah. So, how's everything going there in the studio? I'm sorry? How's everything going in the studio tonight? Is it busy? Crazy? Well, you know what? You're our first call on tonight's program. It's very calm and mellow, and we're really getting inside the head of the lovely Julia Prescott. Okay. That's great. So, it seems like you do know a little bit about these shows Julia works with, or at least the creators of the shows. Do you have any other questions, young lady? Yeah. Do you get to wear the costumes? How old are you, 12? What? I actually have worn some of the costumes from Yo Gabba Gabba. Have you really? Yeah, I have. Good question. I helped out with this bonus features on the live. The Yo Gabba Gabba Live LA DVD that they shot last year. And so, they did all these little segments where it was like, you know, like foofa, like getting ready for the show. So, I had to like crawl into all of the costumes. That's very creepy looking foofa. Do that again. Yeah, I know. I did. Well, you can't see it at home, but I did my, I had a weird gesture. But yeah, so I had to crawl until like, I think, like three or four costumes. And then I did little puppet things and they're very sweaty, but it was very cool. That's great. That was so fun. Yeah, it was super fun. So, where are you from, young lady calling in? I can't say because I just, I move, I travel a lot. So, I can't say. Okay, it looks like a 203 number to me. I'm guessing that's probably in Arizona. That is not Arizona, but don't disclose my location because I do have people that might be after me. Okay. Well, I really appreciate your call. Julia appreciates it. Thank you. Sounds like Julia gained a fan as well. Thank you, sweetheart. And keep listening to Skid Row Studios. Thank you. You're great. And Julia, you too. Oh, thank you. You too. All right. All right. So, that's the type of fans I get, Julia. That's great. I'm unmasking myself. She's really sweet. Yeah, she's like 14. That's awesome. Yeah, it's great. Yeah, creepy. Yeah, an Aquabats fan at 14. That sounds about right. But she didn't know her information though. Yeah, yeah. She was well first. She was. Yeah, I appreciated that. She just had a little speech impediment. That's fine. I have, I have, I have, my eye's droopy. I can't see. I have a speech impediment. When I'm not on the radio, I'm like, hey, hey, hey, Julia, do you want to go out sometime to talk about zines? So it does change from show to show, the speech. Do you have a speech impediment? It sounds like you have a little bit. I have a little bit of lisp. A little lisp. Yeah, yeah. But I accept it. I am Mexican, German, Irish. You're kidding me. Yeah. It's amazing. Yeah. Wow. I know, it's hard to place. So talk, let's talk about the Mexican in you. When does that come out? In the sun usually. I tan really easily. That's a good one. And what about the Irish in you? I mean, I, my only real like connection to being Irish, I went on a school trip to Ireland and it's the only time that I've really been out of the country now that I'm realizing it. And so when I went over there. I mean, my last name is English Prescott. So when I went to Ireland, I saw all these like businesses that said like Prescott this, Prescott that, but like I realized instantly that I'm like the blue collar of like Irish, English families because it was always like Prescott dry cleaners, like Prescott car wash. So it just, I was like, where's the Prescott castle? Oh, it's not here. Great. So are you into puppets? Yeah. Puppets seem to be like my new, my new invention of, of 2012. It's like, I just discovered puppets this year. The reason why is because there's a lot of layers behind a puppet that I can't find necessarily in a girlfriend. Yeah. Yeah. Yeah. That's probably right. Yeah. Absolutely. Do you ever go to like the build your own Muppet studio thing? No. There's a website. Is there really? Build your own Muppet. It costs like $200. Let's do it. Okay. Summer, summer interns going to build your own Muppet. Yeah. Awesome. Yeah. What's your nickname? Jules. Usually. Oh God. My stomach just cringes when people have nicknames and they know how to say them like lightning. Well, I mean, that's the thing. It's not self appointed. It's not self appointed. Yeah. But you knew it's Jules? Yeah. Really? Yeah. Where'd you go to college? Chapman University. Did you get that from Chapman University? No. My dad used to call me Jules. Jules. Yeah. Okay. Were you named after Jules? Were you named after a Beatles song? I was. You were? Nailed it. Oh boy. Oh boy. Okay. What do you want? Like my parents grew up in the 60s and 70s. So your parents, I mean, she's a very liberal family. Yeah. I'd say. Yeah. Brothers and sisters? I have an older sister who is a freelance illustrator in San Francisco. Do you visit her often? Yeah. Yeah. I just visited her a couple of weeks ago. I did. I made it. It started as like a family visit and made it into a standup visit. So who's the most like recognized, well-recognized comedian that you ever had lunch with or dinner with or a one-on-one with? I know you get around. Yeah. That's definitely what they say. Jules? Yep. I don't know. I mean, I don't know. It's just, I guess. I don't know. I don't know how to answer that. Okay. Just because it feels like everybody, it's hard to sort of appoint as somebody being like the most famous of like a group of friends. You know what I mean? But I guess, I don't know. I like, sorry, that's not a good answer. No, it's fine. And do you have a spiritual side to you? Are you religious? I asked you earlier. I'm not really religious, but I guess my only spirituality really comes out of my family. I'm not a religious person. I'm a Christian. I'm a Christian. I'm a Christian. I'm a Christian. I'm a Christian. I'm a Christian. I'm a Christian. My spirituality really comes out. I'm a camp counselor for a week out of the year. Is that surprising? Probably not. It's not surprising, but it's amazing. Nope. Nope. Yeah. Jules, named after the Beatles. Yep. Parents grew up in the 60s. Yep. She's a camp counselor. Yes. Writes the great American novel. Still working on it. A hustler in Hollywood who has the tongue of a lion. Trying. I like it, Julia. Welcome to the Adamo podcast. Thank you. Tell us about your camp counseling. So I've been going to this camp. It's a sleepaway camp. A YMCA camp. And I've been going to it since I was eight years old. And I've been going to it every single year. And I've been a counselor at it since I was 18. And I take a week off work every year to go do this volunteer job. But they have this whole thing up there where YMCA used to stand for young men's Christian conversation. Sure. There's a YMCA in downtown. Yeah. And it's a great one. Yeah. Are you a member? I am a member. Yeah. I'm a covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert covert like responsibility and then the other one is sacrifice and benevolence and you sort of go through and that's sort of where I get I guess my spirituality because they're all about becoming a better person and you know the whole steps to it it's like the second to last one is the purple rag and it means to you know challenge yourself to living a high and noble life and the last one is white and it's um lifetime dedication to like Christian service which just means anything that you want it to mean but I'm on the purple one right now and it's in my car and I look at it every day and sort of remind myself like hey you know don't be a dick lead a high and noble life yeah I'm on the yellow one right now you are see the sun get some tan yeah yeah yeah open your eyes smile yeah so that's to me like I you know that's sort of where I get my spirituality and and when I go to camp it's the most enriching thing that I do all year very very cool you! So I have a show this Sunday it's every Sunday at the Echo in Echo Park at 1 p.m it's called the Breakfast Show with Adam O and I would love to invite you to either be a character on the show on one of the episodes or just come check it out it's a good old time and uh I think you'll really enjoy it's this Sunday at 1 p.m tickets are ten dollars and we are having a Mother's Day special oh yeah we're gonna be having free breakfast uh for everybody who goes to the Echo Park and that's this Sunday at 1 p.m at the Echo it's the Breakfast Show it's a live kids show in Echo Park it's a good old time it's Pee Wee's Playhouse meets Saturday Night Live for kids uh we've been doing it for a while we're working on the pilot I'd love to invite all the listeners to this show to that show and Julia I would love for you to come check out that show yeah yeah no I mean I'd love to I'll talk to my mom and see if she wants to involve that in our Mother's Day it would be a splendid time to have you yeah I would love to I would love to have you on the show and I would love to have you on the show and I would love to have you on the show and I would love to have you on the show and and you know what we'll we'll celebrate all the moms there um I'll be looking at all single moms there um yeah and I'll be telling all the moms that they have cute daughters Julia you're one of them it's been an honor to have you on the Adamo podcast I got to know you uh such a sweetheart uh great talent writes for cool shows love the Aquabats love Mad TV and I'm a huge fan of Yo Gabba Gabba uh the wackiness the creation how their story longs and I'm a huge fan of Yo Gabba Gabba Gabba uh the wackiness the creation how their story longs and I'm a huge fan of Yo yeah no it's an amazing story uh-huh yeah I mean they they did their pilot they pitched it to all sorts of executives and networks they all shut them down so they put it online it went viral in a week two million hits they all came back to them at all these different studios and they went with Nick Nickelodeon because they thought it was the best outlet uh so I you have high hopes Julia but before we go in the next five minutes we started that great American novel what five six years ago yeah why don't we just start it off with you yeah I mean I think it's it's it's it's it's it's it's it's just flow right now we close our eyes okay and let's make up the great skid row studios Adamo podcast great American novel with Julia Prescott boys and girls okay you take it away I'll start oh no you start yeah so I walk into the studio I'm cut off like a rag I'm not rapping but I'm writing a book like Jeremy Hansen's poetry at skid row studio it's underground it's on the table I don't need to hustle it or push it like a show I have it it's in me everybody's gonna love it it's the next thing I'm gonna do I'm gonna do it I'm gonna do it I'm gonna do it I'm gonna do it What do you got, Julia? It's the next thing like Bukowski. You just gotta go around to the diners. You order a ham sandwich and the waitress looks at you in 35 years. It's a signature. That's the poet, that's the artist, that's the creator, and that's the inventor. Here's the microphone. I'm with Julia Prescott, a funnier version of myself, more innocent than myself, but she wears a dress and she looks like a doll. She's spinning, she's half Mexican. I love the Mexican in you. I'm not a fan of the white girls. Actually, I am because they're the executive's daughters. But you know what, baby? What do you got? I don't even know if I could even like follow that, but I just wanna say that sitting here across from you, it's amazing to me knowing that we started at this basement level office cut off from the rest of civilization, yet ironically, that was the only area in the whole studio that had a public line to the rest of the world so we would just sit there all day doodling away on like our notepads and we would get calls from the outside asking if we could pass scripts off to the main executives as if we were people that they would even take seriously. And that to me is the funniest shit ever. And that is Julia Prescott. I'm Adam Mo. This has been the Adam Mo Podcast. In the next minute, I'm just gonna stare at you. Okay. First one to blink loses. You lost. All right, all right. All right, guys, I'll see you next week. That's Julia Prescott. I'm Adam Mo. Thank you, Julia. Thank you, Adam. Adam Mo. Adam Mo. Adam Mo. Adam Mo. Adam Mo. Adam Mo. Adam Mo. Let it rain. Let it snow. Here we go. Start the show. Breakfast light. Take a bite. Make it right. Spaghetti. Oh, no, no, no. No, no, no. No, no, no. No, no, no. No, no, no. No, no, no. Wait until lunch. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. Watch my show. You're listening to Skid Row Studios. We're listening to Skid Row Studios I'm not doing it with you Please do it with me Fuck that Will you please have sex with me? At Skid Row Studios? At Skid Row Studios Maybe Hey, what's up everybody? This is Adam O from the Adam O Podcast And you're listening to Skid Row Studios I would like to invite everybody to The Breakfast Show A live kids show at The Echo At 1pm Sunday, April 29th, 2012 At The Echo This is a show for all ages One to a hundred years old Tickets are $10 and $35 for a family of four You can purchase your tickets at the door at The Echo And remember to bring your best beard or mustache Because we're going to have a beard or mustache competition at the end of the show And if you don't have a beard or mustache, kids Well, bring your best knitted beard or mustache This is going to be a good old time And I'll see you next time See you this Sunday, the 29th of April At 1pm at The Echo For the live kids show The Breakfast Show This is off the, I'm off the air now But I hear you're crying Hello? Okay, this is right where we Almost left the studio And we were like, yes, that was great And now, what can I do for you, young lady? I just wanted to talk to Adam This is Adam Oh I know I know Okay I'm in love Hello You're, you're, you're what? Are you alone? I'm alone, yeah, they all left the building You can hear their footsteps right now I'm not, I'm not on the air You're not on the air? I'm not No, no, no, no, everybody left They all drank Coca-Cola as they walked downstairs and fell Oh Yeah, what's up? I just wanted to let you know that I'm in love with you Okay, well, I'm in love with you too Keep listening to Skid Row Studios And I'll see you next week I think it's 10, 1 to 10 You're at 10 Really? Yeah Well, that makes my day I'll leave this studio happy On the subway, I won't have to look at homeless people I love it in there I love when you wear blush I feel rich now Thank you, sweetheart I'll see you next week I wear blush? What? You wear blush And lipstick on your kid's show, right? All right Yeah, that's great All right, thanks very much I love when you wear bronzer, though You're a little white You're a little white You're a little white Hello? All right This is getting great, but I gotta go All right? Where are you going? Actually, they're all coming back in with bottles of water for everybody Here are the footsteps See you next week All right, bye And when will I see you again? Next week, call in This has been lovely With the wonderful Julia Prescott Bye Hello? Hello? Hello? Adam? Hello? Hello? Hello? Thank you.